One dealer's journey from the populist mayhem of flea markets to the rarefied realm of auctions reveals the rich, often outrageous subculture of antiques and collectibles. Millions of Americans are drawn to antiques and flea-market culture, whether as participants or as viewers of the perennially popular Antiques Roadshow or the recent hit American Pickers. This world has the air of a lottery: a $20 purchase might net you four, five, or six figures. Master dealer Curt Avery, the unlikely star of Killer Stuff and Tons of Money, plays that lottery every day, and he wins it more than most. Occasionally he gets lucky, but more often, he draws on a deep knowledge of America's past and the odd, fascinating, and beautiful objects that have survived it. Week in, week out, Avery trawls the flea and antiques circuit-buying, selling, and advising other dealers in his many areas of expertise, from furniture to glass to stoneware, and more. On the surface, he's an improbable candidate for an antiques dealer. He wrestled in high school and still retains the pugilistic build; he is gruff, funny, and profane; he favors shorts and sneakers, even in November; and he is remarkably generous toward both competitors and customers who want a break. But as he struggles for a spot in a high-end Boston show, he must step up his game and, perhaps more challenging, fit in with a white-shoe crowd. Through his ascent, we see the flea-osphere for what it truly is-less a lottery than a contact sport with few rules and many pitfalls. This rich and sometimes hilarious subculture rewards peculiar interests and outright obsessions-one dealer specializes in shrunken heads; another wants all the postal memorabilia he can get. So Avery must be a guerrilla historian and use his hard-earned knowledge of America's past to live by and off his wits. Only the smartest survive in one of America's most ruthless meritocracies. Killer Stuff and Tons of Money is many things: an insider's look at a subculture replete with arcane traditions and high drama, an inspiring account of a self-made man making his way in a cutthroat field, a treasure trove of tips for those who seek out old things themselves, and a thoroughly fresh, vibrant view of history as blood sport.

A collection of insightful and personal essays on the role of food in our lives In an age of mass factory farming, processed and pre-packaged meals, and unprecedented food waste, how does one eat ethically? Featuring a highly diverse ensemble of award-winning writers, chefs, farmers, activists, educators, and journalists, Good Eats invites readers to think about what it means to eat according to our values. These essays are not lectures about what you should eat, nor an advertisement for the latest diet. Instead, the contributors tell the stories of real people—real bellies, real bodies—including the writers themselves, who seek to understand the experiences, families, cultures, histories, and systems that have shaped their eating and their ethics. From gardening as an alternative to factory farming, to the indigenous cultures surrounding salmon and the corporate cultures surrounding chocolate, the topics featured in this collection expand our understanding of what ethical eating can be. Poets like Ross Gay and Aimee Nezhukumatathil muse lyrically on the role of sustenance in their lives. Other contributors describe efforts to change how our food is sourced. In her compelling piece, farmer and food sovereignty activist Leah Penniman celebrates both ancestral seeds and wisdom when discussing her Afro-Indigenous farming and forestry practices. Across the country in the high desert, Michael P. Branch details his frustrating-yet-humorous attempts to grow a garden with his young daughters. Professional chef Thérèse Nelson shows how hot sauce represents joy, expression, and magic for many Black people. Each contributor tugs at the imagination with insightful discussions of the role food plays in our lives. Good Eats will inspire you to find more mindfulness and joy in your diet. These essays turn mundane meals into remarkable symbols of how we live, encouraging each of us to find food that is both sustaining and sustainable. Contributors include Ross Gay, DeLyssa Begay, Lynn Z. Bloom, Michael P. Branch, Nikky Finney, Shirley Geok-lin Lim, Barbara J. King, Aimee Nezhukumatathil, Leah Penniman, Adrienne Su, Ira Sukrungruang, Tina Vasquez, Nicole Walker, Thérèse Nelson, Lisa Knopp, Jane Brox, Maureen Stanton, Taté Walker, and many others.

"An arresting story of a risk-taking girlhood, set against the cultural turmoil of the 1970s in Walpole, Massachusetts, an 'every town' with a famous state prison. 'Mesmerizing . . . daring and important.'" -- Andre Dubus III"--

Murder is on the rise along hell’s highway… When Detective Jacinta Perez calls on retired Marine, Shane Ryan, to look into a bizarre series of deaths, the ghost hunter quickly confirms a supernatural connection to the crimes. Lost souls call out to him, all clamoring for justice to be served. But when Shane’s investigation leads him to a body hidden in the woods, he suddenly finds himself a suspect in the crimes. Framed for murder and with Jacinta getting kidnapped, Shane must use all the help he could get to destroy supernatural evil, once and for all. Will he succeed in stopping the murders? Or is it only the beginning of his terrifying journey to hell?

In the newly revised Second Edition of Fundamentals of Financial Instruments: An Introduction to Stocks, Bonds, Foreign Exchange, and Derivatives, renowned finance trainer Sunil Parameswaran delivers a comprehensive introduction to the full range of financial products commonly offered in the financial markets. Using clear, worked examples of everything from basic equity and debt securities to complex instruments—like derivatives and mortgage-backed securities – the author outlines the structure and dynamics of the free-market system and explores the environment in which financial instruments are traded. This one-of-a-kind book also includes: New discussions on interest rate derivatives, bonds with embedded options, mutual funds, ETFs, pension plans, financial macroeconomics, orders and exchanges, and Excel functions for finance Supplementary materials to enhance the reader’s ability to apply the material contained within A foundational exploration of interest rates and the time value of money Fundamentals of Financial Instruments is the ideal resource for business school students at the undergraduate and graduate levels, as well as anyone studying financial management or the financial markets. It also belongs on the bookshelves of executive education students and finance professionals seeking a refresher on the fundamentals of their industry.

Kristine McKenna's work as a journalist began in the late 1970s, when she covered the Los Angeles punk scene for various domestic and international publications. During the '80s and '90s she wrote art, film and music criticism, and profiled directors, musicians and visual artists for a variety of publications including Artforum, Playboy, Rolling Stone, The Los Angeles Times and New York Rocker. Talk to Her is McKenna's second collection (the first was 1999's Book of Changes) of favorite interviews culled from McKenna's files, and the book reveal's McKenna's highly intimate technique as an interviewer. That she manages to get such candor out of her subjects is remarkable. The stunning list of interview subjects includes: Filmmaker Robert Altman; Jackie Onassis's cousin Edie Beale; punk rocker and poet Exene Cervenka; the musician Elvis Costello; surf guitar legend Dick Dale; the postmodern critic Jacques Derrida; Beat poet Allen Ginsberg; Television's Richard Hell and Tom Verlaine; art curator Walter Hopps; Pretenders frontwoman Chrissie Hynde; country music legend Rickie Lee Jones; the Sex Pistols' John Lydon (a.k.a. Johnny Rotten); singer and songwriter Joni Mitchell; the Rabbi Jonathan Omer-Man; punk rock legend Joey Ramone; New York rock legend Lou Reed; the actress Eva Marie Saint; and the recently-departed Joe Strummer of the Clash. Also included are brief oral histories of Andy Warhol and Orson Welles.

The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)

To celebrate twenty years of introducing talented new writers to readers and publishing great nonfiction, the founding editors, Joe Mackall and Daniel W. Lehman, have selected their all-time favorite essays published in River Teeth in this stunning collection.

A psychological examination of the blurred line between victim and accomplice—and how a killer can be created Elmer Wayne Henley, Jr. was only fourteen when he first became entangled with serial rapist and murderer Dean Corll in 1971. Fellow Houston, Texas, teenager David Brooks had already been ensnared by the charming older man, bribed with cash to help lure boys to Corll’s home. When Henley unwittingly entered the trap, Corll evidently sensed he’d be of more use as a second accomplice than another victim. He baited Henley with the same deal he’d given Brooks: $200 for each boy they could bring him. Henley didn’t understand the full extent of what he had signed up for at first. But once he started, Corll convinced him that he had crossed the line of no return and had to not only procure boys but help kill them and dispose of the bodies, as well. When Henley first took a life, he lost his moral base. He felt doomed. By the time he was seventeen, he’d helped with multiple murders and believed he’d be killed, too. But on August 8, 1973, he picked up a gun and shot Corll. When he turned himself in, Henley showed police where he and Brooks had buried Corll’s victims in mass graves. Twenty-eight bodies were recovered—most of them boys from Henley’s neighborhood—making this the worst case of serial murder in America at the time. The case reveals gross failures in the way cops handled parents’ pleas to look for their missing sons and how law enforcement possibly protected a larger conspiracy. The Serial Killer’s Apprentice tells the story of Corll and his accomplices in its fullest form to date. It also explores the concept of “mur-dar” (the predator’s instinct for exploitable kids), current neuroscience about adolescent brain vulnerabilities, the role of compartmentalization, the dynamic of a murder apprenticeship, and how tales like Henley’s can aid with early intervention. Despite his youth and cooperation, Henley went to trial and received six life sentences. He’s now sixty-five and has a sense of perspective about how adult predators can turn formerly good kids into criminals. Unexpectedly, he’s willing to talk. This book is his warning and the story of the unspeakable evil and sorrow that befell Houston in the early 1970s.