Killing The Indian Maiden

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Killing the Indian Maiden examines the fascinating and often disturbing portrayal of Native American women in film. M. Elise Marubbio examines the sacrificial role in which a young Native woman allies herself with a white male hero and dies as a result of that choice. In studying thirty-four Hollywood films from the silent period to the present, she draws upon theories of colonization, gender, race, and film studies to ground her analysis in broader historical and sociopolitical context and to help answer the question, “What does it mean to be an American?” The book reveals a cultural iconography embedded in the American psyche. As such, the Native American woman is a racialized and sexualized other. A conquerable body, she represents both the seductions and the dangers of the American frontier and the Manifest Destiny of the American nation to master it.

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Genre : Political Science
Author : M. Marubbio
Publisher : University Press of Kentucky
Release : 2006-12-15
File : 314 Pages
ISBN-13 : 9780813124148


Killing The Indian Maiden

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Killing the Indian Maiden examines the fascinating and often disturbing portrayal of Native American women in film. Through discussion of thirty-four Hollywood films from the silent period to the present, M. Elise Marubbio examines the sacrificial role of what she terms the "Celluloid Maiden" -- a young Native woman who allies herself with a white male hero and dies as a result of that choice. Marubbio intertwines theories of colonization, gender, race, and film studies to ground her study in sociohistorical context all in an attempt to define what it means to be an American. As Marubbio charts the consistent depiction of the Celluloid Maiden, she uncovers two primary characterizations -- the Celluloid Princess and the Sexualized Maiden. The archetype for the exotic Celluloid Princess appears in silent films such as Cecil B. DeMille's The Squaw Man (1914) and is thoroughly established in American iconography in Delmer Daves's Broken Arrow (1950). Her more erotic sister, the Sexualized Maiden, emerges as a femme fatale in such films as DeMille's North West Mounted Police (1940), King Vidor's Duel in the Sun (1946), and Charles Warren's Arrowhead (1953). The two characterizations eventually combine to form a hybrid Celluloid Maiden who first appears in John Ford's The Searchers (1956) and reappears in the 1970s and the 1990s in such films as Arthur Penn's Little Big Man (1970) and Michael Apted's Thunderheart (1992). Killing the Indian Maiden reveals a cultural iconography about Native Americans and their role in the frontier embedded in the American psyche. The Native American woman is a racialized and sexualized other -- a conquerable body representing both the seductions and the dangers of the frontier. These films show her being colonized and suffering at the hands of Manifest Destiny and American expansionism, but Marubbio argues that the Native American woman also represents a threat to the idea of a white America. The complexity and longevity of the Celluloid Maiden icon -- persisting into the twenty-first century -- symbolizes an identity crisis about the composition of the American national body that has played over and over throughout different eras and political climates. Ultimately, Marubbio establishes that the ongoing representation of the Celluloid Maiden signals the continuing development and justification of American colonialism.

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Genre : History
Author : M. Elise Marubbio
Publisher : University Press of Kentucky
Release : 2006-12-15
File : 312 Pages
ISBN-13 : 9780813136943


When Jesus Came The Corn Mothers Went Away

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The author uses marriage to examine the social history of New Mexico between 1500 and 1846

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Genre : Social Science
Author : Ramón A. Gutiérrez
Publisher : Stanford University Press
Release : 1991
File : 462 Pages
ISBN-13 : 9780804718325


Empire Films And The Crisis Of Colonialism 1946 1959

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The first transnational history of cinema’s role in decolonization. Using popular cinema from the United States, Britain, and France, Empire Films and the Crisis of Colonialism, 1946–1959, examines postwar Western attitudes toward colonialism and race relations. Historians have written much about the high politics of decolonization but little about what ordinary citizens thought about losing their empires. Popular cinema provided the main source of images of the colonies, and, according to Jon Cowans in this far-reaching book, films depicting the excesses of empire helped Westerners come to terms with decolonization and even promoted the dismantling of colonialism around the globe. Examining more than one hundred British, French, and American films from the post–World War II era, Cowans concentrates on movies that depict interactions between white colonizers and nonwhite colonial subjects, including sexual and romantic relations. Although certain conservative films eagerly supported colonialism, Cowans argues that the more numerous “liberal colonialist” productions undermined support for key aspects of colonial rule, while a few more provocative films openly favored anticolonial movements and urged “internal decolonization” for people of color in Britain, France, and the United States. Combining new archival research on the films’ production with sharp analysis of their imagery and political messages, the book also assesses their reception through box-office figures and newspaper reviews. It examines both high-profile and lesser-known films on overseas colonialism, including The King and I, Bhowani Junction, and Island in the Sun, and tackles treatments of miscegenation and “internal colonialism” that appeared in Westerns and American films like Pinky and Giant. The first truly transnational history of cinema’s role in decolonization, this powerful book weaves a unified historical narrative out of the experiences of three colonial powers in diverse geographic settings.

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Genre : Political Science
Author : Jon Cowans
Publisher : JHU Press
Release : 2015-05-15
File : 448 Pages
ISBN-13 : 9781421416427


Smoke Signals

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Smoke Signals is a historical milestone in Native American filmmaking. Released in 1998 and based on a short-story collection by Sherman Alexie, it was the first wide-release feature film written, directed, coproduced, and acted by Native Americans. The most popular Native American film of all time, Smoke Signals is also an innovative work of cinematic storytelling that demands sustained critical attention in its own right. Embedded in Smoke Signals’s universal story of familial loss and renewal are uniquely Indigenous perspectives about political sovereignty, Hollywood’s long history of misrepresentation, and the rise of Indigenous cinema across the twentieth and twenty-first centuries. Joanna Hearne’s work foregrounds the voices of the filmmakers and performers—in interviews with Alexie and director Chris Eyre, among others—to explore the film’s audiovisual and narrative strategies for speaking to multiple audiences. In particular, Hearne examines the filmmakers’ appropriation of mainstream American popular culture forms to tell a Native story. Focusing in turn on the production and reception of the film and issues of performance, authenticity, social justice, and environmental history within the film’s text and context, this in-depth introduction and analysis expands our understanding and deepens our enjoyment of a Native cinema landmark.

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Genre : Performing Arts
Author : Joanna Hearne
Publisher : U of Nebraska Press
Release : 2012-12-01
File : 279 Pages
ISBN-13 : 9780803244627


Ride The Frontier

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With fresh appraisals of popular Westerns, this book examines the history of the genre with a focus on definitional aspects of canon, adaptation and hybridity. The author covers a range of largely unexplored topics, including the role of "heroines" in a (supposedly) male-oriented system of film production, the function of the celluloid Indians, the transcultural and transnational history of the first spaghetti Western, the construction of femininity and masculinity in the hybrid Westerns of the 1950s, and the new paths of the Western in the 21st century.

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Genre : Performing Arts
Author : Flavia Brizio-Skov
Publisher : McFarland
Release : 2021-02-03
File : 253 Pages
ISBN-13 : 9781476683065


The Subaltern Indian Woman

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This book focuses on subjugated indentured Indian women, who are constantly faced with race, gender, caste, and class oppression and inequality on overseas European-owned plantations, but who are also armed with latent links to the women’s abolition movements in the homeland. Also examining their post-indenture life, it employs a paradigm of male-dominated Indian women in India at the margins of an enduringly patriarchal society, a persisting backdrop to the huge 19th century post-slavery movement of the agricultural indentured workforce drawn largely from India. This book depicts the antithetical and contradictory explanations for the indentured Indian women’s cries, degradation and dehumanization and how the politics of change and control impacted their social organization and its legacy. The book owes its origins to the 2017 centennial commemorative event celebrating 100 years of the abolition of the indenture system of Indian labor that victimized and dehumanized Indians from 1834 through 1917.

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Genre : Social Science
Author : Prem Misir
Publisher : Springer
Release : 2017-11-16
File : 302 Pages
ISBN-13 : 9789811051661


American Indian Image Makers Of Hollywood

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 Images from movies and film have had a powerful influence in how Native Americans are seen. In many cases, they have been represented as violent, uncivilized, and an impediment to progress and civilization. This book analyzes the representation of Native Americans in cinematic images from the 1890s to the present day, deconstructing key films in each decade. This book also addresses efforts by Native Americans to improve and have a part in their filmic representations, including mini-biographies of important indigenous filmmakers and performers.

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Genre : Performing Arts
Author : Frank Javier Garcia Berumen
Publisher : McFarland
Release : 2020-01-01
File : 290 Pages
ISBN-13 : 9781476678139


Indian Woman Feminism And Women S Liberation

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Capitalism and Communism, the progenies of the semitic culture, have given birth to two different streams of women’s Liberation. These streams, which have stormed western society and communist groups, have now actively intruded into the Indian socio-political milieu. The moment these concepts encounter with Indian realities ,they display their inherent contradictions and limitations. But seldom an Indian alternative to such views is discussed. This book is an attempt to understand the Indian approach through a comparative study aimed at addressing the issues related to the future women

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Genre : Social Science
Author : Saji Narayanan CK
Publisher : Indus Scrolls Press
Release : 2022-12-05
File : 294 Pages
ISBN-13 :


Condition Of The Indian Tribes

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Report (p.1-10) is followed by an Appendix ([ii]+532 p.) containing letters, field dispatches, and military orders on the progress of the Indian Wars in 1862-65, and depositions and letters from Indian Agents in 1865 replying to questions from the Office of Indian Affairs.

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Genre : History
Author : United States. Congress. Joint Special Committee to Inquire into the Condition of the Indian Tribes
Publisher : Kraus Reprint. Company
Release : 1973
File : 544 Pages
ISBN-13 : UOM:49015000025230