Escaping from his dying homeland with a ragged band of refugees, Krin Caelestis Proeliator is thrust into a strange new land, pursued by a madman who wishes to kill him for reasons unknown. Once a child who beat the odds and survived in world that saw him as not worth the trouble, young Krin must learn to lead the band of refugees who reluctantly accepted him as one of their own, protect a lovely and spirited Princess who loves him dearly, save a land from pillagers bent on conquest and financial gain, and survive the relentless attacks of a rival band's leader who has a secret about Krin and his past that could shatter the boy's very soul.

'A.W. Boardman's latest book is another triumph of careful research, insight and feel for his subject. It''s also very readable. For me, this is the best book currently available on the period.' – John Simpson, BBC News The Siege of London on 12–14 May 1471 is a largely forgotten episode in the Wars of the Roses, but its implications were so far-reaching that the fate of the Lancastrian dynasty was sealed forever. Edward IV's gamble to reclaim the throne for the House of York was a triumph against the odds, yet even after winning two crucial battles against the Lancastrians, his position was far from assured. He might have been confident of total victory if not for Thomas Neville, the Bastard of Fauconberg, who, along with thousands of ordinary people, stormed London in a desperate attempt to free Henry VI from captivity. In The Rose, the Bastard and the Saint King, the first ever full-length study of the siege of London and its aftermath, A.W. Boardman uses contemporary evidence to uncover the truth behind the rebellion of 1471 and the death of the last Lancastrian King of England. He also reveals answers to long-awaited questions such as where the battles for London took place? Who was the Bastard of Fauconberg? Why did Henry VI continue to be revered as a saint long after his death? And was the future Richard III actually responsible for Henry's murder?

Henry VIII used his wardrobe, and that of his family and household, as a way of expressing his wealth and magnificence. This book encompasses the first detailed study of male and female dress worn at the court of Henry VIII (1509-47) and covers the dress of the king and his immediate family, the royal household and the broader court circle. Henry VIII's wardrobe is set in context by a study of Henry VII's clothes, court and household. ~ ~ As none of Henry VIII's clothes survive, evidence is drawn primarily from the great wardrobe accounts, wardrobe warrants, and inventories, and is interpreted using evidence from narrative sources, paintings, drawings and a small selection of contemporary garments, mainly from European collections. ~ ~ Key areas for consideration include the king's personal wardrobe, how Henry VIII's queens used their clothes to define their status, the textiles provided for the pattern of royal coronations, marriages and funerals and the role of the great wardrobe, wardrobe of the robes and laundry. In addition there is information on the cut and construction of garments, materials and colours, dr given as gifts, the function of livery and the hierarchy of dress within the royal household, and the network of craftsmen working for the court. The text is accompanied by full transcripts of James Worsley's wardrobe books of 1516 and 1521 which provide a brief glimpse of the king's clothes.

"Once upon a Time" Is Timeless When Rose's mother dies, her only comfort is the exquisite rose garden her mother left behind. The purple blossoms serve as an assurance of her mother's love. But Rose is dealt a second blow when her father dies and his greedy widow, Ombrine, and her daughter, Desirée, move in and take over the manor in true Cinderella fashion. Fate has been cruel to Ombrine and Desirée, too. So despite their harsh ways, Rose has compassion. But these feelings are bitterly tested when, in a rage, Ombrine tears out the garden. Rose nearly gives up all hope -- until a chance meeting with the king. Happiness might be within her reach, but first she must prevail over Ombrine. And then she must determine if she has the courage to love.

Wilde's tales are adapted into a comic book format and use fairy tale elements and Christian symbolism.

The King of Ireland's Son sets out to find the Enchanter of the Black Back-Lands and meets the Enchanter's daughter, Fedelma. His adventures lead him to the Land of the Mist, the Town of the Red Castle, and the worlds of Gilly of the Goatskin, the Hags of the Long Teeth, Princess Flame-of-Wine, and the Giant Crom Duv. This is a true Irish wonder tale: a coming of age story of the youngest son of the King of Ireland who sets off on an impossible quest. The stories weave together, stories within stories, in a fantastic tapestry of humour, poetry, action and adventure. Perfect for reading aloud at bedtime, generations of children have loved Padraic Colum's unmatched storytelling.

Matters Arthurian have been a theme in literature since the Middle Ages. King Arthur, Excalibur, the Knights of the Round Table, and the Quest for the Holy Grail are now part of popular culture. Here are 19 works that employ the Arthurian legends, ranging from early epic poems to 19th and 20th century novels and stories, showing how these myths and legends continue to enjoy new life: LE MORTE D’ARTHUR, by Sir Thomas Malory IDYLLS OF THE KING, by Alfred, Lord Tennyson THE PLEASAUNCE OF MAID MARIAN, by Oscar Fay Adams MERLIN’S YOUTH, by George Parker Bidder MERLIN AND KENTIGERN: A LEGEND OF TWEEDDALE, by J. S. Blackie PARZIVAL, by Wolfram von Eschenback MERLIN, by Mortimer Collins SIR LANCELOT DU LAKE, by Thomas Deloney THE RETURN FROM THE QUEST, by Oscar Fay Adams THE FORTUNATE ISLAND, by Max Adeler AT THE PALACE OF KING LOT, by Oscar Fay Adams THE LEGENDS OF KING ARTHUR AND HIS KNIGHTS, by James Knowles THE STORY OF THE CHAMPIONS OF THE ROUND TABLE, by Howard Pyle KING ARTHUR AND THE KNIGHTS OF THE ROUND, edited by Rupert S. Holland SIR GAWAIN AND THE LADY OF LYS, by Anonymous KING ARTHUR’S KNIGHTS, by Henry Gilbert A CONNECTICUT YANKEE IN KING ARTHUR’S COURT, by Mark Twain THE SWORD, THE KING, AND NAOMI WASHINGTON, by John Gregory Betancourt ARTHUR’S GRAVE: THE EPITAPH, by Ernest Rhys Wildside Press’s MEGAPACK® Ebook Series If you enjoy this ebook, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see more of the 300+ volumes in this series, covering adventure, historical fiction, mysteries, westerns, ghost stories, science fiction -- and much, much more!

This is a new interpretation of English politics during the extended period beginning with the majority of Henry VI in c. 1437 up to the accession of Henry VII in 1509. The later fifteenth century in England is a somewhat baffling and apparently incoherent period which historians and history students have found consistently difficult to handle. The large-scale 'revisionism' inspired by the classic work of K. B. McFarlane led to the first real work on politics, both national and local, but has left the period in a disjointed state: much material has been unearthed, but without any real sense of direction or coherence. This book places the events of the century within a clearly delineated framework of constitutional structures, practices and expectations, in an attempt to show the meaning of the apparently frenetic and purposeless political events which occurred within that framework - and which sometimes breached it. At the same time it takes cognisance of all the work that has been done on the period, including recent and innovative work on Henry VI.

Archival and scientific research reveal the origins and purpose of the Winchester Round Table.