The Livre des faits de Jacques de Lalaing (Book of the Deeds of Jacques de Lalaing), a famous Flemish illuminated manuscript, relays the audacious life of Jacques de Lalaing (1421–1453), a story that reads more like a fast-paced adventure novel. Produced in the tradition of chivalric biography, a genre developed in the mid-fifteenth century to celebrate the great personalities of the day, the manuscript’s text and illuminations begin with a magnificent frontispiece by the most acclaimed Flemish illuminator of the sixteenth century, Simon Bening. A Knight for the Ages: Jacques de Lalaing and the Art of Chivalry presents a kaleidoscopic view of the manuscript with essays written by the world’s leading medievalists, adding rich texture and providing a greater understanding of the many aspects of the manuscript’s background, creation, and reception, revealing for the first time the full complexity of this illuminated romance. The texts are accompanied by stunning reproductions of all of the manuscripts’ miniatures—never before published in color—as well as a plot summary and translations, allowing the reader to follow Jacques de Lalaing on his knightly journeys and experience the thrilling triumphs of his legendary tournaments and battles.

Moon Knight stars in this brilliant new Marvel gamebook adventure of choice and chance, where only the player can stop an evil ritual which controls the powers of life and death When N’Kantu, the Living Mummy, escapes his sarcophagus and steals an artifact that turns swaths of mankind into zombies, Moon Knight steps in to save the day… But is hampered by an eager Egyptologist whose choices seem to influence his personalities and strengths. As Moon Knight and the Egyptologist chase N’Kantu from the streets of New York to navigating traps, tricks, and riddles within an ancient temple in Egypt, the two uncover an evil ritual that will begin a battle between gods over the power of life and death. Only the Egyptologist holds the key to unraveling the dark plot… everybody’s lives are in their hands!

Knights of swords and armor may be gone, but their ideals live on...It takes more than noble blood to be a knight in the world of todayand if a man seeks to become one, he must strive for something more. In The Modern Day Knight, Adams believes that through the example of these chivalric beings we can learn a great deal about what we can become. Honorable virtues and ethics should be taught religiously, whether one exercises them in public or in private.The Modern Day Knight deals specifically with this matter, particularly when it comes to how a knight must treat his lady. In this short but informative guide, The Modern Day Knight shares with its reader valuable knowledge about relationships that is to be understood by all. Author Biography Author Rocky Adams served a two year mission for his church in San Jose, California where he received much of his inspiration. He attends church regularly, and has held many callings from Ward Mission Leader to a Primary teacher. He is an avid learner and practitioner of both eastern martial arts and the European long sword. Adams hopes to one day open a Modern Day Knight Society training young men and women in both arts while learning a Code of morals as well. Until that happens, he will pursue his true passionwriting. He and his family currently reside in the Oklahoma City, Oklahoma area. Modern Living Lifestyle Historical

Fantasies are made of knights in shining armor. Men whose ferocity in battle was tempered by a code of chivalry…whose passions brought them to their knees before the women they desired…whose loyalty and honor never wavered—and whose vows were never broken. These are the men of our dreams—and now you can find them in four breathtaking Medieval tales by today’s most acclaimed writers of historical romance... In Lynn Kurland's "The Traveller," a bedraggled knight makes a solemn vow to protect, defend, and rescue any and all maidens in distress—even those from Manhattan. A vow to marry for love transforms a marquis into a minstrel who must sing for his supper—and for a woman whose heart is true in Patricia Potter's "The Minstrel." In Deborah Simmons' "The Bachelor Knight," a forgotten vow comes back to haunt the greatest knight in all the land, when a fair maiden asks for his hand in marriage. Trapped underground with his unwilling betrothed, a determined knight vows to free her—body and soul in Glynnis Campbell's "The Siege."

Knights had to be very strong just to walk around - they were wearing armor that weighed 50 pounds or more. Charge into KNIGHTS AND CASTLES to SeeMore!

“Warrior monks”—the misnomer for the Iberian military orders that emerged on the frontiers of Europe in the twelfth century—have long fascinated general readers and professional historians alike. Proposing “ecclesiastical knights” as a more accurate name and conceptual model—warriors animated by ideals and spiritual currents endorsed by the church hierarchy—author Sam Zeno Conedera presents a groundbreaking study of how these orders brought the seemingly incongruous combination of monastic devotion and the practice of warfare into a single way of life. Providing a detailed study of the military-religious vocation as it was lived out in the Orders of Santiago, Calatrava, and Alcantara in Leon-Castile during the first century, Ecclesiastical Knights provides a valuable window into medieval Iberia. Filling a gap in the historiography of the medieval military orders, Conedera defines, categorizes, and explains these orders, from their foundations until their spiritual decline in the early fourteenth century, arguing that that the best way to understand their spirituality is as a particular kind of consecrated knighthood. Because these Iberian military orders were belligerents in the Reconquest, Ecclesiastical Knights informs important discussions about the relations between Western Christianity and Islam in the Middle Ages. Conedera examines how the military orders fit into the religious landscape of medieval Europe through the prism of knighthood, and how their unique conceptual character informed the orders and spiritual self-perception. The religious observances of all three orders were remarkably alike, except that the Cistercian-affiliated orders were more demanding and their members could not marry. Santiago, Calatrava, and Alcantara shared the same essential mission and purpose: the defense and expansion of Christendom understood as an act of charity, expressed primarily through fighting and secondarily through the care of the sick and the ransoming of captives. Their prayers were simple and their penances were aimed at knightly vices and the preservation of military discipline. Above all, the orders valued obedience. They never drank from the deep wellsprings of monasticism, nor were they ever meant to. Offering an entirely fresh perspective on two difficult and closely related problems concerning the military orders—namely, definition and spirituality—author Sam Zeno Conedera illuminates the religious life of the orders, previously eclipsed by their military activities.

The life and times of the greatest knight of the high middle ages, who saved England from the French. In 1217 England was facing her darkest hour, with foreign troops pillaging the country and defeat close at hand. But, at the battle of Lincoln, the seventy-year-old William Marshal led his men to a victory that would secure the future of his nation. Earl of Pembroke, right-hand man to three kings and regent for a fourth, Marshal was one of the most celebrated men in Europe, yet is virtually unknown today, his impact and influence largely forgotten In this vivid account, Richard Brooks blends colourful contemporary source material with new insights to uncover the tale of this unheralded icon. He traces the rise of Marshal from penniless younger son to renowned knight, national hero and defender of the Magna Carta. What emerges is a fascinating story of a man negotiating the brutal realities of medieval warfare and the conflicting demands of chivalric ideals, and who against the odds defeated the joint French and rebel forces in arguably the most important battle in medieval English history – overshadowing even Agincourt.

According to the customary literary-historical and theoretical notion, the fact that the first modern novel represents a parody or travesty of the chivalric ideal merits no particular attention. Failing to become attuned to the real role of the chivalric ideal at the beginning of the era of the modern novel, commentators missed the chance to adequately review the role of chivalry at the end of that period. The modern novel did not only begin, but also ended with a travesty of the chivalric ideal. The deep need of a significant number of modernist writers to measure their own time according to the ideals of the high and late Middle Ages cannot, therefore, be explained by a set of literary-historical, spiritual-historical or social circumstances. The predilection of a range of twentieth century novelists for a distant feudal past suggests that there exists a fundamental poetic connection between the modern (or at least the modernist) novel and the ideals of chivalry.