This book centers on the role of media in shaping public perceptions of breastfeeding. Drawing from magazines, doctors’ office materials, parenting books, television, websites, and other media outlets, Katherine A. Foss explores how historical and contemporary media often undermine breastfeeding efforts with formula marketing and narrow portrayals of nursing women and their experiences. Foss argues that the media’s messages play an integral role in setting the standard of public knowledge and attitudes toward breastfeeding, as she traces shifting public perceptions of breastfeeding and their corresponding media constructions from the development of commercial formula through contemporary times. This analysis demonstrates how attributions of blame have negatively impacted public health approaches to breastfeeding, thus confronting the misperception that breastfeeding, and the failure to breastfeed, rests solely on the responsibility of an individual mother.

Do you dream of wicked rakes, gorgeous Highlanders, muscled Viking warriors and rugged Wild West cowboys? Harlequin® Historical brings you three new full-length titles in one collection! A RANCH TO CALL HOME by Carol Arens (Western) Laura Lee is devastated when Jesse Creed claims her new house doesn’t belong to her, but to him! Until he can prove it, Laura isn’t moving. But living with the alluring rancher is surprisingly tempting… BEGUILED BY THE FORBIDDEN KNIGHT by Elisabeth Hobbes (Medieval) Handmaiden Aelfhild, going in the place of her lady, is taken as an enemy’s betrothed. There is more to the scarred knight than she first thought, and the line between friend and enemy soon blurs… SECRETS OF A WALLFLOWER Debutantes in Paris by Amanda McCabe (Victorian) Diana Martin is a writer covering the Parisian Exposition, and Sir William Blakely knows it could lead her to danger. He realizes the only way to protect Diana is to keep her very close… Look for Harlequin® Historical’s June 2018 Box set 1 of 2, filled with even more timeless love stories!

No music scholar has made as profound an impact on contemporary thought as Susan McClary, a central figure in what has been termed the 'new musicology'. In this volume seventeen distinguished scholars pay tribute to her work, with essays addressing three approaches to music that have characterized her own writings: reassessing music's role in identity formation, particularly regarding gender, sexuality, and race; exploring music's capacity to define and regulate perceptions and experiences of time; and advancing new modes of analysis more appropriate to those aspects and modes of musicking ignored by traditional methods. Contributors include, in overlapping categories, many fellow pioneers, current colleagues, and former students, and their essays, like McClary's own work, address a wide range of repertories ranging from the established canon to a variety of popular genres. The collection represents the generational arrival of the 'new' musicology into full maturity, dividing fairly evenly between pre-eminent scholars of music and a group of younger scholars who have already made their mark in significant ways. But the collection is also, and fundamentally, interdisciplinary in nature, in active conversation with such fields as history, anthropology, philosophy, aesthetics, media studies, film music studies, dramatic criticism, women's studies, and cultural studies.