This book examines the British soldiers on the Western Front and how they responded to the war landscape they encountered behind the lines and at the front. Using a multidisciplinary perspective, this study investigates the relationship between soldiers and the spaces and materials of the warzone, analyzing how soldiers constructed a ‘sense of place’ in the hostile, unpredictable environment. Drawing upon recent developments within First World War Studies and the anthropological examination of the fields of conflict, an ethnohistorical perspective of the soldiers is built which details the various ways soldiers responded to the physical and material world of the Western Front. This study is also grounded in the wider debates on how the First World War is remembered within Britain and offers an alternative perspective on the individuals who fought in the world’s first global conflagration nearly a century ago.

The Western Front has become, once again, and after 100 years, an important and increasingly popular tourist destination. The Centenary is already encouraging large numbers of visitors to engage with this highly poignant landscape of war and to commemorate the sacrifice and loss of a previous generation. Interest is also being sharpened in the places of war as battle-sites, trench-systems, bunkers and mine craters gain a clearer identity as war heritage. For the first time this book brings together the three strands of heritage, landscape and tourism to provide a fresh understanding of the multi-layered nature of the Western Front. The book approaches the area as a rich dynamic landscape which can be viewed in a startling variety of ways: historically, materially, culturally, and perceptually. To illustrate these two dominant interpretations of the regions landscape commemorative and heritage are highlighted and their relationship to tourism explored. Tourism is a lens through which these layers can be peeled away, and each understood and interacted with according to the individuals own knowledge, motivation, and degree of emotional engagement. Tourism is not regarded here as a passive phenomenon, but as an active agent that can determine, dictate and inscribe this evocative landscape. The Western Front: Heritage, Landscape and Tourism is a timely addition to our increasing interest in the First World War and the places where it was fought. It will be indispensable to those who seek a deeper understanding of the conflict from previously undervalued perspectives.

Visitors to the battlefields of France and Belgium expressed pain and anguish, pride and nostalgia, and wonder and surprise at what they saw. Postcards from the Western Front chronicles the many ways in which these sites were perceived and commemorated by British people, both during the First World War and in the twenty years following the Armistice. Mark Connelly’s definitive and engaging study of the former Western Front examines how different and distinctive sub-communities – regional, ethnic and religious, civilian and armed forces – influenced the depth and strength of the visiting public’s relationship with the battlefields, all the while comparing and contrasting this relationship with the viewpoint of the French and Belgian inhabitants of the devastated regions. Connelly draws from a vast archive a number of interlocking themes, including the lingering presence of the battlefields in the British domestic imagination, the often fraught experience of visiting the battlefields, memorials and cemeteries functioning as part of a historical testimony to wartime realities, and the interactions between visitors and the people living in these former fighting zones. Focusing on French and Belgian sites, Connelly nevertheless provides insight into other major battlefields fought over by troops from the British Empire. Extensively illustrated with black and white photographs, Postcards from the Western Front offers a groundbreaking perspective on landscapes that rarely left anyone – whether tourist, inhabitant, veteran, or pilgrim – unmoved.

Groundbreaking and critically-acclaimed, Tommy is the first history of World War I to place the British soldier who fought in the trenches centre-stage.

In recent years, landscape has become increasingly recognised as a topic of central importance to a wide variety of disciplines. To a large degree this recognition has been based upon an expanding appreciation of the political aspects of landscape, its ideological character and effects. Landscapes and Politics is an innovative cross-disciplinary volume of new writing which brings together, in a strategic and productive encounter, a broad variety of critical work currently being done in this field. With 28 papers and five photo essays. Landscapes and Politics presents material by scholars and practitioners from anthropology, archaeology, architecture, art history, cultural studies, English and American literature, film studies, fine art, geography, history, landscape architecture, philosophy, political science, and religious studies. As an important marker of current methodologies, research and practice across these different disciplinary areas Landscapes and Politics is an invaluable resource. It will be of interest to all those concerned with current discourses and debates on landscape and its representation.

Includes section "Reviews."

A title exploring the isolated expanses of the British coastline and countryside and featuring new works by leading contemporary artists such as L.S. Lowry, Paul Nash, Tim MacMillan, Tania Kovats and Edward Burra. These artists have developed a close bondwith the places that nourish their vision.