'Last Of the Giants is the mad, funny, dark and often painful story of a lost band from a now-distant time' CLASSIC ROCK MAGAZINE INCLUDES BRAND NEW CHAPTER COVERING GUNS N' ROSES EPIC WORLD TOUR 'Any story about Guns is worth reading. But when the author is Mick Wall it's absolutely essential' KERRANG Many millions of words have already been written about Guns N' Roses, the old line-up, the new line-up. But none of them have ever really gotten to the truth. Which is this: Guns N' Roses has always been a band out of time, the Last of the Giants. They are what every rock band since the Rolling Stones has tried and nearly always failed to be: dangerous. At a time when smiling, MTV-friendly, safe-sex, just-say-no Bon Jovi was the biggest band in the world, here was a band that seemed to have leapt straight out of the coke-smothered pages of the original, golden-age, late-sixties rock scene. 'Live like a suicide', the band used to say when they all lived together in the Hell House, their notorious LA home. And this is where Mick Wall first met them, and became part of their inner circle, before famously being denounced by name by Axl Rose in the song 'Get in the Ring'. But this book isn't about settling old scores. Written with the clear head that 25 years later brings you, this is a celebration of Guns N' Roses the band, and of Axl Rose the frontman who really is that thing we so desperately want him to be: the last of the truly extraordinary, all-time great, no apologies, no explanations, no giving-a-shit rock stars. The last of his kind.

In its early years, Duluth was a gold mine for lumber barons. Men were employed as lumberjacks and worked like beasts, only to be tossed aside like used equipment when no longer needed. The grand forests were raped for their prime timber, the balance burned wastefully. The men were coarse and hard, but they had to be to survive. More than any other people that ever lived in our land, these old-time lumberjacks could truthfully say, “No man cared for my soul.” That is, until God sent three men to the great Northwoods of our country ­– Frank Higgins, John Sornberger, and Al Channer. These men blazed new trails of the Spirit and founded an empire for God. They reached a sector of humanity for which no spiritual work had ever been done before, storming the Northwoods with a consuming passion for Christ. And with that passion, they also brought a heart as big as all outdoors, a love for men that burned like a flame, and a desperate desire to see these men saved.

Today, an ancient world is vanishing right before our eyes: the age of giant animals. Over 40,000 years ago, the earth was ruled by megafauna: mammoths, mastodons, saber-toothed tigers and giant sloths. Of course, those creatures no longer exist, and there is only one likely reason for that: the evolution and arrival of the earth's only tool-wielding hunter, the wildly adaptive, comparatively pint-sized human species. Many more of the world's biggest and baddest creatures—including the black rhino, the dodo, giant tortoises, and the great auk—have vanished since our world became truly global. Last of the Giants chronicles those giant animals and apex predators pushed to extinction in the modern era. The book also highlights those giant species that remain—even though many barely survive, living in such low numbers that they are on the brink of leaving this world within the next few decades. However, there is hope, for many endangered species can still be saved. As it profiles each extinct and endangered animal, Last of the Giants focuses on the conservation efforts that are trying to preserve the world's remaining charismatic species before they are lost forever.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

More than any other sport, baseball has developed its own niche in America's culture and psyche. Some researchers spend years on detailed statistical analyses of minute parts of the game, while others wax poetic about its players and plays. Many trace the beginnings of the civil rights movement in part to the Major Leagues' decision to integrate, and the words and phrases of the game (for example, pinch-hitter and out in left field) have become common in our everyday language. From AARON, HENRY onward, this book covers all of what might be called the cultural aspects of baseball (as opposed to the number-rich statistical information so widely available elsewhere). Biographical sketches of all Hall of Fame players, owners, executives and umpires, as well as many of the sportswriters and broadcasters who have won the Spink and Frick awards, join entries for teams, owners, commissioners and league presidents. Advertising, agents, drafts, illegal substances, minor leagues, oldest players, perfect games, retired uniform numbers, superstitions, tripleheaders, and youngest players are among the thousands of entries herein. Most entries open with a topical quote and conclude with a brief bibliography of sources for further research. The whole work is exhaustively indexed and includes 119 photographs.

Few franchises in the deadball era won as consistently or as often as the New York Giants and Philadelphia Athletics. Between them, the teams claimed 12 pennants and finished second or higher 22 times. The steady success also earned managers John McGraw and Connie Mack their reputations. It was history in the making, then, when the two Hall of Famers led their clubs into the 1913 World Series, the third and final time they went head to head for the world championship. The author provides a carefully researched account of the season-long dominance of the Giants and A's, the narrative building toward a dramatic collision in the Fall Classic.

This volume comprises papers presented at the 1988 Wagner conference in Seattle exploring this opera cycle as music, myth, theatre art, and literature, including comparisons with T. S. Eliot's The Wasteland and James Joyce's Finnegan's Wake.