This collection of 700 quotes includes the last words of commoners, atheists, poets, and politicians along with noted Christians and martyrs. Ready reference source for the pastor or public speaker.

Whether Goethe actually cried "More light!" on his deathbed, or whether Conrad Hilton checked out of this world after uttering "Leave the shower curtain on the inside of the tub," last words, regardless of authenticity, have long captured the imagination of Western society. In this playfully serious investigation based on factual accounts, anecdotes, literary works, and films, Karl Guthke explores the cultural importance of those words spoken at the border between this world and the next. The exit lines of both famous and ordinary people embody for us a sense of drama and truthfulness and reveal much about our thoughts on living and dying. Why this interest in last words? Presenting statements from such figures as Socrates, Nathan Hale, Marie Antoinette, and Oscar Wilde ("I am dying as I have lived, beyond my means"), Guthke examines our fascination in terms of our need for closure, our desire for immortality, and our attraction to the mystique of death scenes. The author considers both authentic and invented final statements as he looks at the formation of symbols and legends and their function in our culture. Last words, handed down from generation to generation like cultural heirlooms, have a good chance of surviving in our collective memory. They are shown to epitomize a life, convey a sense of irony, or play to an audience, as in the case of the assassinated Mexican revolutionary Pancho Villa, who is said to have died imploring journalists: "Don't let it end like this. Tell them I said something." Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Some beg for forgiveness. Others claim innocence. At least three cheer for their favorite football teams. Death waits for us all, but only those sentenced to death know the day and the hour—and only they can be sure that their last words will be recorded for posterity. Last Words of the Executed presents an oral history of American capital punishment, as heard from the gallows, the chair, and the gurney. The product of seven years of extensive research by journalist Robert K. Elder, the book explores the cultural value of these final statements and asks what we can learn from them. We hear from both the famous—such as Nathan Hale, Joe Hill, Ted Bundy, and John Brown—and the forgotten, and their words give us unprecedented glimpses into their lives, their crimes, and the world they inhabited. Organized by era and method of execution, these final statements range from heartfelt to horrific. Some are calls for peace or cries against injustice; others are accepting, confessional, or consoling; still others are venomous, rage-fueled diatribes. Even the chills evoked by some of these last words are brought on in part by the shared humanity we can’t ignore, their reminder that we all come to the same end, regardless of how we arrive there. Last Words of the Executed is not a political book. Rather, Elder simply asks readers to listen closely to these voices that echo history. The result is a riveting, moving testament from the darkest corners of society.

The last words of the dying have long captured the popular imagination. Why this abiding interest in exit lines? Perhaps because these final words—spoken in hope or fear, joy or sorrow—provide a view from the border between this world and the next. As this provocative and sometimes amusing collection illustrates, those who have gone before leave us with much more than helpful epigrams or witticisms. Paul Thigpen points out that their final words can actually "point us to fundamental realities—to the very heart of God." Even those sinners and strays who failed to live their faith may reveal much about the final shape of things to come. From comforting to sobering, these selections provide food for thought regarding the nature of Christian hope and the promise of eternal life.

Valedictory addresses offer a way to conceptualize the relation of self to others, private to public, ephemeral to eternal. Whether deathbed pronouncements, political capitulations, or seafaring farewells, "parting words" played a crucial role in the social imagination of Victorian writing. In this compelling new book, Justin Sider traces these public addresses across a wide range of works, from poems by Byron, Tennyson, and Browning, to essays by Twain and Wilde, to novels by Dickens and Eliot. Ironically, while the Victorian era saw the loss of faith in a unitary national public, it asked poetry to address just such a public. Attending to the form, rather than the discursive content, of poets' engagement with public culture, Parting Words explains how the valedictory allowed Victorian poets to explore the ways their poems might be received by distant and anonymous readers in an emergent mass culture. Using a wide array of materials such as letters and reviews to describe the rapidly changing print culture in which poets were intervening, Sider shows how the growing diversification and destabilization of the Victorian reading public was countered by the demand for a public poetry. Characteristically, the speakers of Tennyson's "Ulysses" and Matthew Arnold's "Empedocles on Etna" imagine their farewells as simultaneous entrances into a public space where they and their readers, however distant, might yet meet. This new consciousness anticipated modernist poetry, which in turn used the valedictory to underscore the futility and alienation of such hopes.

J. Henry Harris in the book "Cornish Saints & Sinners" describes the tales of outstanding Cornishmen. This book contains fascinating stories about these men including St. Michael's Mount; St. Michael and the Conger; Dolly Pentreath; Land's End; Smugglers; The Legend of the Cheese-Wring; A Cornish Fish-Wife; Old Newlyn; Morwenstow Cliffs; King Arthur's Castle and others. It is an historical book for Cornish men to gain a deeper knowledge of great men from their countryside.

Father Michael Seed has been at the privileged centre of events for a quarter of a century, and has played a uniquely influential role. In this explosive memoir Britain's 'priest to the stars' covers his encounters with some of the most prominent political and public figures of a generation, and gives a rare and fascinating glimpse of behind-the-scenes events in the corridors of power. His remarkable disclosures of life at the top, in parliament, palace and church, are revealed through a series of hilarious anecdotes that will have you laughing out loud.For years he secretly gave Mass to the Blairs in Downing Street, initially slipping in through the rear ground floor window, before it was leaked to the press in 2006.His has been a turbulent ride through life and envied by those who dislike his champagne style of Catholicism, loved by those who declare him a saint, and so admired by The Times that it demanded he be made instantly a bishop.His friendship with people like best chum Ann Widdecombe, Alan Clark, The Duchess of Argyll, Lord Longford, George Carman QC, John Paul Getty, the Duke of Norfolk, a host of royals and half a dozen prime ministers, has left little room for dullness. His insights into life in Westminster Cathedral and with Cardinal Basil Hume make all religion-based television sitcoms seem deadly boring by comparison with the real thing.This is a revealing and extremely humorous memoir from a truly unique figure in British society.