Egyptians are known among the Arabs as awlād al-nukta, Sons of the Jokes, for their ability to laugh in face of adversity. This creative weapon has been directed against socio-political targets both in times of oppression and popular upheaval, such as the 2011 Tahrir Revolution. This book looks at the literary expression of Egyptian humour in the novels of Muḥammad Mustajāb, Khayrī Shalabī, and Ḥamdī Abū Julayyil, three writers who revive the comic tradition to innovate the language of contemporary fiction. Their modern tricksters, wise fools, and antiheroes play with the stereotypical traits attached to the ordinary Egyptians, while laughing at the universal contradictions of life. This ability to combine local and global culture, literary traditions and popular references, makes them a stimulating read in an intercultural perspective. Combining humour studies and literary criticism, this book examines language play and narrative creativity to understand which strategies craft Egyptian literary humour. In doing so, it sheds light on the contribution of humour to literary innovations of Egyptian fiction since the late Seventies, while adding new writers to those who are considered the masters of humour in the Arab novel.

In this Book, the tales of the ancient gods of ancient Egypt are told, legends that circulated during the time described by the Egyptians as the "morning of the world," initially carved in stone and preserved on papyrus for millennia until today. In addition to compelling interest in ancient Egypt's religion and culture, this Book also fuels the imagination about the lost knowledge of the Egyptians. Each ancient piece of literature in the Book has notes for the more scientific reader, though it is intended for the layman. A collection of great scholars has translated the origin of the legend, the Book, or the books in which the original may be found, and the papyrus texts into one of the modern languages. Other multitudes of translations are available in specialist libraries; however, many are only helpful to those who study the Egyptian language and literature. The legends are ordered as follows: first, come to the stories of various gods, then Osiris and the deities associated with him, and finally Ra. The myths and the gods that appear in them give you a fascinating picture in your mind.

Into the hustler’s paradise of pre-revolution Egypt comes an eccentric Englishman hell bent on making his fortune in a country where everything is late, nothing works and everyone is on the take. To pay off a savage mortgage, he leads a double life teaching in a posh school by day and haggling down the back streets of Cairo by night, trying to beat those wily Egyptians at their own game.

Brooklyn born singer Egypt, sets out to make her dreams of owning a production company a reality. She realizes her ethnicity and being a woman was working against her. Egypt runs into a handsome, debonair Italian, named Baron Gianelli, who becomes enchanted with Egypt's beauty and spicy no nonsense personality. Finally, the two get together and create her dream "Egyptian Labels". Still, there was something missing in her life. Between his families meddling especially Barons father Nunzio who is a well-known Don in the Mafia. Nunzios' true reason is Egypt is the only one of his sons' women he couldn't seduce. This enraged him, if he couldn't have her, even for one evening, Baron was never going to marry her. Nunzio's escapades in his youth produced a son whom his brother, Dominic, unknowingly is raising as his own. Egypt leaves Baron to pursue her singing career, trying to make it on her own. During all of this, she has several torrid love affairs. Her promiscuous behavior reaches Nunzio. Nunzio found a woman who, due to her own jilted affair with Egypt's lover, who had recorded Egypt and Carlos' one night stand and sells it to Nunzio as an act of revenge, Nunzio then makes an attempt to have Baron hear it. Meanwhile Nunzio's adversaries plot their revenge on him. Throughout this there are affairs, jealousy, family disputes, lust, mystery, suspense and murder. There are many twists and turns , but in the end can love prevail through all of this?

Pantheon - The Egyptians is aimed at the person who has an interest in the beliefs and rituals of Ancient Egypt but has yet to put ideas into practice. With enough detail to also appeal to the more experienced practitioner, Robin Herne's new book interweaves history with theology, philosophy, ethics, and mysticism, with some practical advice on how to engage with the deities and spirits of the ancient land. Part of a new Pantheon series from Moon Books.

Coming Out of Egypt is an exodus out of idolatryÑthe idolatry of ancient Egypt and the idolatry that permeates the church today. Its goal is to make the exodus come alive for the readerÑnot to just read about the exodus but to experience the exodus, not to just read about the Passover but to experience the Passover, to catapult the reader back through time like a time traveler entering a time portal. The goal of Coming Out of Egypt is to experience redemption, not just to read about redemption, to experience redemption from Pharaoh at the Reed Sea, and witness Yeshua's resurrection.

In this book 11 Legends about the Gods of Ancient Egypt have been compiled and retold by Margaret Murray. These legends, were current in the "morning of the world," and have been preserved through stone engravings or by the fragments of papyrus that have made it to the 21st C. Legends like “The Princess and the Demon”, “The King's Dream”, “The Coming of the Great Queen”, “The Book of Thoth”, “The Legend of Osiris”, “The Scorpions of Isis” plus 5 more. These legends have been told in a way that only Margaret Murray could retell them, adhering strictly to the story, but arranging the words and phrases according to the English language. She has retained, as far as possible, the expressions and metaphors of the Ancient Egyptians. The book is intended in its entirety for consumption by the general public, but especially for those interested in the Ancient Egyptian civilisation. Though the book is intended for the unscientific reader, some provision for the more serious student of the era has been made in the Notes section at the end. In these, the origin of the legend has been provided including the book or books in which that original was published, as well as the book where the translation into a modern language by one of the great scholars of the day can be found. Lastly, an index of the names and meanings of the Egyptian gods is included. YESTERDAY'S BOOKS FOR TODAY'S CHARITIES 10% of the net profit from the sale of this book will be donated to the Egyptian Exploration Society, London. ============= KEYWORDS/TAGS: Ancient, Egypt, Legends, Myths, Folklore, Fairy Tales, Children’s Stories, Bedtime, Fables, princess and the demon, king's dream, Nile, coming, great queen, book of Thoth, Osiris, scorpions of Isis, black pig, battles of Horus, beer of Heliopolis, name of Ra, regions of night, thick darkness, pyramids, Cairo, Memphis,

Kate Pullinger's Governor General's Literary Award-winning novel about a lady, her maid and the man that comes between them. Lady Duff Gordon is the toast of Victorian London society but when she contracts tuberculosis, she and her devoted lady's maid, Sally, set sail for Egypt and an entirely new life. Sally and Lady Duff Gordon thrive in their new and exotic surroundings, learning Arabic, adopting native dress and visiting the tombs of ancient pharaohs. Soon, Sally adapts to this new world and to the heady freedom she's never known before. But freedom and romance are luxuries a lady's maid can ill afford. When Sally yearns for more than her status entitles her to, she receives a brutal reminder that she is the mistress of nothing.

Laughing Gods, Weeping Virgins analyses how laughter has been used as a symbol in myths, rituals and festivals of Western religions, and has thus been inscribed in religious discourse. The Mesopotamian Anu, the Israelite Jahweh, the Greek Dionysos, the Gnostic Christ and the late modern Jesus were all laughing gods. Through their laughter, gods prove both their superiority and their proximity to humans. In this comprehensive study, Professor Gilhus examines the relationship between corporeal human laughter and spiritual divine laughter from c`ussical antiquity, to the Christian West and the modern era. She combines the study of the history of religion with social-scientific approaches, to provide an original and pertinent exploration of a universal human phenomenon, and its significance for the development of religions.

DigiCat presents to you this collection of historical adventures and romance novels set in ancient Egypt. This edition includes: An Egyptian Princess Uarda: A Romance of Ancient Egypt Homo Sum (Novel about 4th century A.D. Christianity on the Sinai Peninsula) The Sisters The Emperor (Hadrian) Serapis, a Romance(Tale of the destruction of the Library of Alexandria) The Bride of the Nile Cleopatra Arachne A Thorny Path (Per Aspera) The Story of My Life, from Childhood to Manhood– Autobiography