Ledge is the heart-stopping beginning to The Glacian Trilogy from TikTok sensation Stacey McEwan @staceboookspace After being randomly selected as a human sacrifice, instead of death, Dawsyn finds herself on a quest to save her people from their icy prison... In a place known as the Ledge, a civilization is trapped by a vast chasm and sheer mountain face. There is no way for anyone to escape the frozen wasteland without befalling a deathly drop. They know nothing of the outside world except that it is where the Glacians reside – mystical and vicious winged creatures who bring meagre rations in exchange for a periodic human sacrifice. Dawsyn, ax wielder and only remaining member of her family, has so far avoided the annual culling, but her luck has run out. She is chosen and ripped from her icy home, the only world she knows. No one knows what will happen to her on the other side, least of all Dawsyn. Murdered? Enslaved? Worse? Fortunately, a half-Glacian called Ryon offers to help them both escape, but how can she trust one of the very creatures that plagued her life? Dawsyn is a survivor, and she is not afraid to cut anyone down to live. With a slow-burning romance, high stakes and even higher rewards, this richly created new fantasy series by popular TikToker Stacey McEwan will keep you gripped to the very end. File Under: Fantasy [ Ax-ing For It | The Cold Is Not Alive | Finding Freedom | Ledge-hanger ] *Content warnings* gratuitous violence & death; death of a minor; suicide; attempted sexual assault

'What started as a book on the frustration of funding led to the writing of an autobiography at forty... I had so little to do in the daylight hours, I stayed up late unbuttoning Levis in back rooms.' In 1984 at the age of 40, the polymath film-maker Derek Jarman began to write his journals. In the first of these diaries, Dancing Ledge, we see his origins as a young artist, written with Jarman's distinctive immediacy, curiosity, and candour. Behind-the-scenes of his first controversial films and stage designs, at glamorous launch parties with friends like David Hockney, Ossie Clarke and Patrick Proktor, to the trials of securing funding, Dancing Ledge is a coming-of-age memoir for all fledgling artists. Dancing Ledge also chronicles a unique time in British history, capturing gay nightlife from the end of the war to the beginning of the AIDS epidemic.

DigiCat Publishing presents to you this special edition of "The Ledge on Bald Face" by Charles G. D. Sir Roberts. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Ledges can be hazardous places-but the view! It's a place where God can get our attention or a place where we can fall. The results of being out on a ledge often depend on how we react. So come, join me on various ledges of life, and let us explore and ponder those teachable moments.

How and Why We Should Boldly Confront the Struggles of Life SEDM has the express written permission of the original author to publish this work.

* Reflections and humorous pieces, plus insights into some of mountaineering's more controversial events * Revealing portraits of other Himalayan climbers Peeling back the layers to reveal the gritty truth about the elite climbing world is Greg Child's specialty. With clever wit, sharp observations, and insightful reflections, Child's writing covers the full spectrum of the mountaineering experience. Entertaining even to those who have never been above sea level, Child's stories reveal climbing's other face. His description of the daily habits of mountaineers on expedition (who don't bathe for months) is both disgusting and horrifyingly funny. A post-climb fiasco in the offices of petty Pakistani bureaucrats proves that not all epics take place on high mountain faces. Falling of a rock climb in front of his mother is an exercise in humility. Child takes up climbing controversy with the same keen insight. His investigation of Tomo Cesen's claimed first ascent of Lhotse's south wall is considered the definitive report on this controversial event. A hard look at the media frenzy around the death of Alison Hargreaves on K2 evolves into a brilliant, impassioned defense of a friend. He also speaks out on the money- and media-driven expeditions that now crowd Everest. But Child never preaches. Whether contrasting his clumsy performance with Lynn Hill's elegant moves on a climb in the remote mountains of Kyrgyzstan or reflecting upon artifacts (from crucifixes to pink flamingos) that decorate the world's highest peaks, he writes it as he sees it, with a dose of wit. A true insider, Greg Child draws us deep into the world of climbing but never denies its dark side.

James Dickey, in reviewing Peter Davison's last book, Praying Wrong: New and Selected Poems, 1957-1984, said, ' Davison will not let things break him. His voice is his; he has earned it and can use it, and as a result is surely one of our better poets.' That sense of this poet's singularity is one of the great strengths of this new book; these deeply felt poems are uniquely his. From the almost unbearably moving 'Equinox 1980, ' which opens the book, to the delightful 'Peaches, ' The Great Ledge confirms the remark of Vernon Young that Davison is 'one of the few poets of the first order writing in English today.'

In 1957, when Amy Turner was four years old, her father had to be talked down from a hotel ledge by a priest. The story of his attempted suicide received nationwide press coverage, and he spent months in a psychiatric facility before returning home. From then on, Amy constantly worried about him for reasons she didn't yet fully understand, triggering a pattern of hypervigilance that would plague her into adulthood. In 2010, fifty-five years after her father’s attempted suicide, Amy—now a wife, mother, and lawyer-turned-schoolteacher—is convinced she’s dealt with all the psychological reverberations of her childhood. Then she steps into a crosswalk and is mowed down by a pickup truck—an accident that nearly kills her, and that ultimately propels her on a remarkable emotional journey. With the help of acupuncture, somatic-oriented therapies, and serendipities that might be attributed to grace, Amy first unravels the trauma of her own brush with death and then, unexpectedly, heals the childhood trauma buried far deeper. Poignant and intimate, On the Ledge is Amy’s insightful and surprisingly humorous chronicle of coming to terms with herself and her parents as the distinct, vulnerable individuals they are. Perhaps more meaningfully, it offers proof that no matter how far along you are in life, it's never too late to find yourself.