He had been living in the dream for a thousand years. He had come out of a dark forest called Death's End, so how could he, who knew nothing about this world, walk from an ignorant youth to the peak of the world? What exactly happened in the middle?

최초의 최치원 시 영문 번역서, 한국 고전문학사에서 빼놓을 수 없는 최치원의 시 전작을 번역하고 주석을 달아 풀이하였다. 최치원의 시를 시대순으로 나누어 분석하고, 그의 변화하는 삶과 내면세계를 동시에 살피면서 시세계 특징을 풍부하고 세밀하게 추적하고 있다.

The Ultimate Book of Shadows for the New Generation This book has everything a teen Witch could want and need between two covers: a magickal cookbook, encyclopedia, dictionary, and grimoire. It relates specifically to today's young adults and their concerns, yet is grounded in the magickal work of centuries past. Information is arranged alphabetically and divided into five distinct categories: (1) Shadows of Religion and Mystery, (2) Shadows of Objects, (3) Shadows of Expertise and Proficiency, (4) Shadows of Magick and Enchantment, and (5) Shadows of Daily Life. It is organized so readers can skip over the parts they already know, or read each section in alphabetical order. Features By the author of the best-selling Teen Witch and mother of four teen Witches A jam-packed learning and resource guide for serious young Witches All categories are discussed in modern terms and their associated historical roots Includes endnotes and footnotes that cite sources or add clarification A training companion to Teen Witch and To Ride a Silver Broomstick

The Solitary Sphere in the Age of Virgil uses an enriched tripartite model of Roman culture-touching not only the public and the private, but also the solitary-in order to present a radical re-interpretation of Latin literature and of the historical causes of this third sphere's relative invisibility in scholarship. By connecting Cosmos and Imperium to the Individual, the solitary sphere was not so much a way of avoiding politics, as a political education in itself. As re-imagined by literature in this age literature, this sphere was an essential space for the formation of the new Roman citizen of the Augustan revolution, and was behind many of the notable features of the literary revolution of Virgil's age: the expansion of the possibilities of the book of poetry, the birth of the literary cursus, new coordinations of cosmology and politics within strictly organized schemes, the attraction of first-person genres, and the subjective style. Through close readings of Cicero's late works and the oeuvres of Virgil, Horace, and Propertius and the works of other authors in the age of Virgil, The Solitary Sphere thus presents a revelatory reassessment of the classicism of classical Roman literature, and contributes to the study of pre-modern culture more generally, especially for traditions that have taken antiquity as too fixed a point in their own literary, religious, and cultural histories.

A pseudo-autobiographical novel about an amnesiac whose only memory is that of a childhood vision of an angelic woman and a mystical book. He embarks upon a quest to find the book and to acquire an identity, in doing so meeting many interesting people and engaging in a variety of professions in a world that may not be real.

Two brothers fight a man who invades dreams and corrupts the mind.

This textbook is the result of the author’s long experience of teaching introductory English literature courses, and the non-availability of a suitable textbook for EFL (English as a foreign language) students. The books currently available in the market are beyond the comprehension level of average EFL students. In order to fill this gap and give a solid foundation to students, the initial chapters of the book deal with important literary terms and a brief history of English literature. In addition, the book provides various types of comprehension questions, focussing on the needs of EFL students. Finally, the book consists of carefully selected materials for the study of fiction, poetry and drama from authors representing different ages of English literature. This compact textbook can be considered as an excellent resource for all EFL students and teachers around the world.

Explores the history of Christianity in Iraq. This study uses an early seventh-century Christian martyr legend to elucidate the culture and society of late antique Iraq. It introduces a hero of epic proportions whose characteristics confound simple classification.

"The Divine Knowledge (Gnosis) explored in the trilogy, One Solitary Life, embodies the coordinates of the path of man's evolution toward divinity, leading to the attainment of man's Spiritual Legacy; union with the Divine."--Cover.

An illuminating look at the poetic debut in twentieth-century American literary culture "We have many poets of the First Book," the poet and critic Louis Simpson remarked in 1957, describing a sense that the debut poetry collection not only launched the contemporary poetic career but also had come to define it. Surveying American poetry over the past hundred years, The First Book explores the emergence of the poetic debut as a unique literary production with its own tradition, conventions, and dynamic role in the literary market. Through new readings of poets ranging from Wallace Stevens and Marianne Moore to John Ashbery and Louise Glück, Jesse Zuba illuminates the importance of the first book in twentieth-century American literary culture, which involved complex struggles for legitimacy on the part of poets, critics, and publishers alike. Zuba investigates poets' diverse responses to the question of how to launch a career in an increasingly professionalized literary scene that threatened the authenticity of the poetic calling. He shows how modernist debuts evoke markedly idiosyncratic paths, while postwar first books evoke trajectories that balance professional imperatives with traditional literary ideals. Debut titles ranging from Simpson's The Arrivistes to Ken Chen's Juvenilia stress the strikingly pervasive theme of beginning, accommodating a new demand for career development even as it distances the poets from that demand. Combining literary analysis with cultural history, The First Book will interest scholars and students of twentieth-century literature as well as readers and writers of poetry.