Legend of the Free State of Jones was the first authoritative explanation of just what did happen in Jones County in 1864 to give rise to the legend and now to a major motion picture starring Matthew McConaughey.

Between late 1863 and mid-1864, an armed band of Confederate deserters battled Confederate cavalry in the Piney Woods region of Jones County, Mississippi. Calling themselves the Knight Company after their captain, Newton Knight, they set up headquarters in the swamps of the Leaf River, where, legend has it, they declared the Free State of Jones. The story of the Jones County rebellion is well known among Mississippians, and debate over whether the county actually seceded from the state during the war has smoldered for more than a century. Adding further controversy to the legend is the story of Newt Knight's interracial romance with his wartime accomplice, Rachel, a slave. From their relationship there developed a mixed-race community that endured long after the Civil War had ended, and the ambiguous racial identity of their descendants confounded the rules of segregated Mississippi well into the twentieth century. Victoria Bynum traces the origins and legacy of the Jones County uprising from the American Revolution to the modern civil rights movement. In bridging the gap between the legendary and the real Free State of Jones, she shows how the legend--what was told, what was embellished, and what was left out--reveals a great deal about the South's transition from slavery to segregation; the racial, gender, and class politics of the period; and the contingent nature of history and memory.

Between late 1863 and mid-1864, an armed band of Confederate deserters battled Confederate cavalry in the Piney Woods region of Jones County, Mississippi. Calling themselves the Knight Company after their captain, Newton Knight, they set up headquarters in the swamps of the Leaf River, where they declared their loyalty to the U.S. government. The story of the Jones County rebellion is well known among Mississippians, and debate over whether the county actually seceded from the state during the war has smoldered for more than a century. Adding further controversy to the legend is the story of Newt Knight's interracial romance with his wartime accomplice, Rachel, a slave. From their relationship there developed a mixed-race community that endured long after the Civil War had ended, and the ambiguous racial identity of their descendants confounded the rules of segregated Mississippi well into the twentieth century. Victoria Bynum traces the origins and legacy of the Jones County uprising from the American Revolution to the modern civil rights movement. In bridging the gap between the legendary and the real Free State of Jones, she shows how the legend--what was told, what was embellished, and what was left out--reveals a great deal about the South's transition from slavery to segregation; the racial, gender, and class politics of the period; and the contingent nature of history and memory. In a new afterword, Bynum updates readers on recent scholarship, current issues of race and Southern heritage, and the coming movie that make this Civil War story essential reading. The Free State of Jones film, starring Matthew McConaughey, Gugu Mbatha-Raw, and Keri Russell, will be released in May 2016.

New York Times bestselling author Sally Jenkins and distinguished Harvard professor John Stauffer mine a nearly forgotten piece of Civil War history and strike gold in this surprising account of the only Southern county to secede from the Confederacy. The State of Jones is a true story about the South during the Civil War—the real South. Not the South that has been mythologized in novels and movies, but an authentic, hardscrabble place where poor men were forced to fight a rich man’s war for slavery and cotton. In Jones County, Mississippi, a farmer named Newton Knight led his neighbors, white and black alike, in an insurrection against the Confederacy at the height of the Civil War. Knight’s life story mirrors the little-known story of class struggle in the South—and it shatters the image of the Confederacy as a unified front against the Union. This riveting investigative account takes us inside the battle of Corinth, where thousands lost their lives over less than a quarter mile of land, and to the dreadful siege of Vicksburg, presenting a gritty picture of a war in which generals sacrificed thousands through their arrogance and ignorance. Off the battlefield, the Newton Knight story is rich in drama as well. He was a man with two loves: his wife, who was forced to flee her home simply to survive, and an ex-slave named Rachel, who, in effect, became his second wife. It was Rachel who cared for Knight during the war when he was hunted by the Confederates, and, later, when members of the Knight clan sought revenge for the disgrace he had brought upon the family name. Working hand in hand with John Stauffer, distinguished chair and professor of the History of American Civilization at Harvard University, Sally Jenkins has made the leap from preeminent sportswriter to a historical writer endowed with the accuracy, drive, and passion of Doris Kearns Goodwin. The result is Civil War history at its finest.

The Civil War on Film will inform high school and college readers interested in Civil War film history on issues that arise when film viewers confuse entertainment with historical accuracy. The nation's years of civil war were painful, destructive, and unpleasant. Yet war films tend to embrace mythologies that erase that historical reality, romanticizing the Civil War. The editors of this volume have little patience for any argument that implies race-based slavery isn't an entirely repugnant economic, political, and cultural institution and that the people who fought to preserve slavery were fighting for a glorious and admirable cause. To that end, The Civil War on Film will open with a timeline and introduction and then explore ten films across decades of cinema history in ten chapters, from Birth of a Nation, which debuted in 1915, to The Free State of Jones, which debuted one hundred and one years later. It will also analyze and critique the myriad of mythologies and ideologies which appear in American Civil War films, including Lost Cause ideation, Black Confederate fictions, Northern Aggression mythologies, and White Savior tropes. It will also suggest the way particular films mirror the time in which they were written and filmed. Further resources will close the volume.

ECPA 2020 Christian Book Award Finalist! You wouldn’t believe it, but . . . James Earl Jones, the voice of Darth Vader, grew up mute. Michael Jordan was cut from his high school basketball team. Albert Einstein was bullied mercilessly in school. Beethoven’s mom almost aborted him. Life takes the strangest sharp turns—and sometimes, U-turns. Robert Petterson—popular speaker, storyteller, and author—has been a student for his entire life of what God is teaching us through those real-life U-turns. In this book, he compiles 365 amazing stories that teach lessons you won’t easily forget. Each entry is written in the rest-of-the-story style popularized by Paul Harvey. With The One Year Book of Amazing Stories, you’ll marvel at how God has used the lives of these ordinary people to change the course of human history.

Filled with serendipitous connections and contrasts, this volume of Mississippiana covers four hundred years. It begins with a selection from "A Gentleman from Elvas," written in 1541, and ends with an essay the novelist Ellen Douglas wrote in 1996 on the occasion of the Atlanta Olympic games. In between is a chronology of some one hundred nonfictional narratives that portray the distinctiveness of life in Mississippi. Most are reprinted, but some are published here for the first time. Each section of this anthology reveals an aspect of Mississippi's past or present. Here are narratives that depict the settlement of the land by pioneers, the lasting heritage of the Civil War, the pleasures and the pastimes of Mississippians, their food, art, rituals, and religion, the terrain and the travelers, and the conflicts that brought enormous changes to both the landscape and the population. In its wide cultural perspective, A Place Called Mississippi includes an early description of the Chickasaws, a narrative of a former slave, "Soggy" Sweat's famous "Whiskey Speech" on Prohibition, and an account of how W. C. Handy discovered the blues in a deserted train station in Tutwiler, Mississippi. Among the selections are narratives by Jefferson Davis, Belle Kearney, Walter Anderson, Ida B. Wells, Richard Wright, Craig Claiborne, Richard Ford, William Faulkner, and Eudora Welty. Written by and about blacks, whites, Native Americans, and others, these fascinating accounts convey a variety of impressions about a real place and about real people whose colorful history is large, ever-changing, and ever-mystifying.

American Guerrillas is a compelling narrative history of how Americans have fought unconventional warfare from the French and Indian Wars and the Revolution through the anti-insurgent campaigns of the wars in Iraq and Afghanistan. A timely volume, the author provides the reader with a concise and engaging story of how the American approach to guerrilla warfare has been molded and executed, and how these small scale engagements have been integral to the success of our nation’s larger battles. The conventional view of popular American military history has been focused upon large-scale conflicts. American Guerrillas will attract history buffs as it puts guerrilla warfare into the larger context.

Most of the articles in the text have never been published. Some were published in local newspapers and state publications. All are original and written over a span of several years. Some involved a great deal of research and reminiscing.

Includes section "Book reviews".