This collection of twenty-two Delaware Indian stories has long been sought out both by scholars and individuals. Beyond the lessons, the book introduces the richness of the original Delaware language to an English-speaking audience: four of these legends have been retranslated into the Delaware language by native Delaware speakers. Readers will find line-by-line translations that reveal the eventual transformation of a transliterated Delaware text into an English-language story.

"One of the best tribal histories . . . the product of decades of study by a layman archeologist-historian. With a rich blend of archeology, anthropology, Indian oral traditions (he gives us one of the best accounts of the Walum Olum, the fascinating hieroglyphics depicting the tribal origins of the Delaware), and documentary research, Weslager writes for the general reader as well as the scholar."--American Historical Review In the seventeenth century white explorers and settlers encountered a tribe of Indians calling themselves Lenni Lenape along the Delaware River and its tributaries in New Jersey, Delaware, eastern Pennsylvania, and southeastern New York. Today communities of their descendants, known as Delawares, are found in Oklahoma, Kansas, Wisconsin, and Ontario, and individuals of Delaware ancestry are mingled with the white populations in many other states. The Delaware Indians is the first comprehensive account of what happened to the main body of the Delaware Nation over the past three centuries. C. A. Weslager puts into perspective the important events in United States history in which the Delawares participated and he adds new information about the Delawares. He bridges the gap between history and ethnology by analyzing the reasons why the Delawares were repeatedly victimized by the white man.

This edition explores the history of musical contact, interaction, and exchange between American Indians and Euramericans, as documented in musical transcriptions, notations, and arrangements. The volume contributes to an understanding of American music that reflects our cultural reality, depicting reciprocal influences among Native Americans, scholars, composers, and educators, and illustrating consequences of those encounters for American musical life in general. Culled from a published record of over 8,000 songs, the edition contains 116 musical examples reproduced in facsimile. Included in the volume are the earliest attempts to represent tribal music in European notation, archetypal transcriptions in the scholarly literature of ethnomusicology, and recent contributions by contemporary scholars. Some of the notations shown here inspired composers in search of a distinctively American musical idiom to write works based on American Indian melodies. Others captured the imagination of American school children, whose concept of cultural and musical identity came to be linked with American Indians. Indigenous notations, the work of native scholars and educators, and recent compositions by native composers working in the classical vein also appear in this volume. As a compendium of historic materials, the edition illustrates the development of Euramerican attitudes and approaches to American Indian musics, the infusion of native musics into American musical culture, and native responses to and participation in the enterprise.

This collection of Delaware legends has long been out of print. Originally published in 1905, this collection of authentic Delaware legends has long been sought both by scholars and individuals who cherish the lessons these tales impart. Stories such as "The Hunter and the Owl" teach us the importance of keeping a promise. The legend "A-le-pah-qua, The Woman with the Two Plants" demonstrates how we should not abuse the powers we are given. This book does much more than introduce the richness of the original Delaware language to an English-speaking audience: Four of these legends have been retranslated into the Delaware language by native Delaware speakers. Readers will find line-by-line translations that reveal the eventual transformation of a transliterated Delaware text into an English-language story.

An easy-to-use guide to American regional folklore with advice on conducting research, regional essays, and a selective annotated bibliography. American Regional Folklore begins with a chapter on library research, including how to locate a library suitable for folklore research, how to understand a library's resources, and how to construct a research strategy. Mood also gives excellent advice on researching beyond the library: locating and using community resources like historical societies, museums, fairs and festivals, storytelling groups, local colleges, newspapers and magazines, and individuals with knowledge of the field. The rest of the book is divided into eight sections, each one highlighting a separate region (the Northeast, the South and Southern Highlands, the Midwest, the Southwest, the West, the Northwest, Alaska, and Hawaii). Each regional section contains a useful overview essay, written by an expert on the folklore of that particular region, followed by a selective, annotated bibliography of books and a directory of related resources.

During the early eighteenth century, three phratries or tribes (Turtle, Turkey, and Wolf) of Delaware Indians left their traditional homeland in the Delaware River watershed and moved west to the Allegheny Valley of western Pennsylvania and eventually across the Ohio River into the Muskingum River valley. As newcomers to the colonial American borderlands, these bands of Delawares detached themselves from their past in the east, developed a sense of common cause, and created for themselves a new regional identity in western Pennsylvania. The Western Delaware Indian Nation, 1730-1795: Warriors and Diplomats is a case study of the western Delaware Indian experience, offering critical insight into the dynamics of Native American migrations to new environments and the process of reconstructing social and political systems to adjust to new circumstances. The Ohio backcountry brought to center stage the masculine activities of hunting, trade, war-making, diplomacy and was instrumental in the transformation of Delaware society and with that change, the advance of a western Delaware nation. This nation, however, was forged in a time of insecurity as it faced the turmoil of imperial conflict during the Seven Years' War and the backcountry racial violence brought about by the American Revolution. The stress of factionalism in the council house among Delaware leaders such as Tamaqua, White Eyes, Killbuck, and Captain Pipe constantly undermined the stability of a lasting political western Delaware nation. This narrative of western Delaware nationhood is a story of the fight for independence and regional unity and the futile effort to create and maintain an enduring nation. In the end the western Delaware nation became fragmented and forced as in the past, to journey west in search of a new beginning. The Western Delaware Indian Nation, 1730-1795: Warriors and Diplomats is an account of an Indian people and their dramatic and arduous struggle for autonomy, identity, political union, and a permanent homeland.

Bridging the fields of indigenous, early American, memory, and media studies, On Records illuminates the problems of communication between cultures and across generations. Andrew Newman examines several controversial episodes in the historical narrative of the Delaware (Lenape) Indians, including the stories of their primordial migration to settle a homeland spanning the Delaware and Hudson Rivers, the arrival of the Dutch and the first colonial land fraud, William Penn’s founding of Pennsylvania with a Great Treaty of Peace, and the “infamous” 1737 Pennsylvania Walking Purchase. As Newman demonstrates, the quest for ideal records—authentic, authoritative, and objective, anchored in the past yet intelligible to the present—has haunted historical actors and scholars alike. Yet without “proof,” how can we know what really happened? On Records articulates surprising connections among colonial documents, recorded oral traditions, material and visual cultures. Its comprehensive, probing analysis of historical evidence yields a multi-faceted understanding of events and reveals new insights into the divergent memories of a shared past.

Until now, the study of American Indian literature has tended to concentrate on contemporary writing. Although the field has grown rapidly, early works—especially poetry—remain mostly unknown and inaccessible. Changing Is Not Vanishing simultaneously reinvents the early history of American Indian literature and the history of American poetry by presenting a vast but forgotten archive of American Indian poems. Through extensive archival research in small-circulation newspapers and magazines, manuscripts, pamphlets, rare books, and scrapbooks, Robert Dale Parker has uncovered the work of more than 140 early Indian poets who wrote before 1930. Changing Is Not Vanishing includes poems by 82 writers and provides a full bibliography of all the poets Parker has identified—most of them unknown even to specialists in Indian literature. In a wide range of approaches and styles, the poems in this collection address such topics as colonialism and the federal government, land, politics, nature, love, war, Christianity, and racism. With a richly informative introduction and extensive annotation, Changing Is Not Vanishing opens the door to a trove of fascinating, powerful poems that will be required reading for all scholars and readers of American poetry and American Indian literature.