Anyone who has studied taiji long enough to gain proficiency in the fundamental practices, probably has read enough to also grasp the general history and theory of the art. What we read influences our ideas about what the word “taiji” represents as a practice. For this reason, it is beneficial to look outside the mainstream writings to gain a broader view of the rich tradition taiji encompasses. A look at some of the lesser-known lineages can illustrate fascets of taiji that would have otherwise been overlooked or under appreciated. In the first chapter in this anthology, Wong Yuenming details the Li Family Taiji style as it developed from the teachings of Yang Luchan. Sources state that Yang Luchan gave his student Wang Lanting classics writings from Yang’s teacher Chen Changxing, manuals, secret instructions, “heart transmissions,” and various notes. Wang’s gifted disciple, Li Ruidong, formulated a curriculum that was uniquely immense, including training regimens he inherited at the turn of the century. Cai Naibiao’s chapter focuses on a “gatekeeper” of Wu Family Style Taijiquan, Wu Daxin. He was the grandson of Wu Jianquan (1870-1942), the founder of this lineage. Daxin was particularly famous for his taiji saber skills. The author is a lineage holder living in Hong Kong and was able to provide much information and insights into the life and contributions of Wu Daxin. Training in Sun Lutang’s taiji style presents not only an extremely healthy exercise, but also an effective system of combat as author Jake Burroughs discusses in chapter three. This is a concise yet inclusive overview of Sun Family Taiji boxing, including the historical background, real-world applications, and the theory involved in this often overlooked system of taiji. Burroughs is assisted in photographic presentations by Tim Cartmell. The final chapter presents a branch of Yang Style as taught by Xiong Yanghe (1888-1981), who was a leading scholar/practitioner in Taiwan over the decades. Information assembled here provides a comprehensive overview of Xiong Style Taiji. Included are Xiong’s lineage, his preservation of the system, and its significance for the understanding taijiquan as a martial art and exercise for health.

A needle may draw a thread through printed pages to bind a book. In this little memoir, I feel like a needle that drew a common thread though a segment of martial art history. This book details three interrelated activities: (1) martial art studies, (2) involvement as founder of Via Media Publishing, producing a quarterly journal and books, and (3) teaching martial arts. Publishers, writers, researchers and serious martial art practitioners will benefit with the detailed overview of Via Media and its publications. Via Media produced the Journal of Asian Martial Arts, known for its high academic and aesthetic standards. Its contents reflect the history of two decades and provides rich information for practitioners and scholars, making The Best Fighta valuable reference work. In addition to reading, the primary way to learn a martial art is through instruction. In reading about my studies and teaching experience, readers can relate to their own involvement in martial arts. What is important here is the portrayal of my instructors, their teaching methods, and reasons for being involved in martial arts. Their accounts should offer insights and inspiration for others who study and practice any martial art.