Let's Dance: A Celebration of Ontario's Dance Halls and Summer Dance Pavilions is a nostalgic musical journey, recapturing the unforgettable music of youth and lasting friendships, the days when the live mellow sounds of Big Bands wafted through the air -- Louis Armstrong, the Dorsey Brothers, Bert Niosi, Art Hallman, Johnny Downs, Mart Kenney, Bobby Kinsman, Ronnie Hawkins .... Throughout the 1920s to the '60s, numerous legendary entertainers drew thousands of people to such memorable venues as the Brant Inn in Burlington, Dunn's Pavilion in Bala, the Stork Club at Port Stanley, to the Club Commodore in Belleville and the Top Hat Pavilion in North Bay -- and the hundreds of other popular dance venues right across Ontario. From the days of jitney dancing through the introduction of jazz and the Big Bands era to the sounds of some of Ontario's best rock groups, people of all ages came to dance and some to find romance on soft summer nights.

This volume of philosophical poems contains some of the most appreciated philosophical poems of love by specialized critics. A deep book that once read will always remain in your memory.We will play a stanza from the poem Let's dance love:Let's dance Love, / until when from the soles of the Future, / the first stars of Happiness will sparkle, / dizzying Him even and the God of Sacrifice, / who will no longer know, / how to organize, / and on these new stars, / His Original Sins.

DESTINED TO DANCEHomely and shy, Himé is burdened by the name her mother gave her, "Princess." Wanting nothing more than to be unnoticed and live a modest life, Himé gets a jolt of inspiration when she tries a dance class where she meets Tango. Her teacher/dance partner, Tango happens to also be her classmate at school. Unfortunately, Tango is desperate to keep his ballroom dancing a secret, believing it will ruin his cool image if anyone at school finds out. Will Tango quit teaching Himé in order to keep his secret or will he be the partner Himé believes he’s destined to be?"

This early work provides a detailed descriptive account of ballroom dancing that is thoroughly recommended for the dance enthusiast or historians shelf. Illustrated with step diagrams. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Duck & Goose fans of every age will want to honk, quack, dance and sing along with the New York Times bestselling pair in this fun board book, which includes a link to an original Duck & Goose song! Now an animated series, available to stream on Apple TV+! Want to learn the Duck & Goose song and dance? Join Duck & Goose at their dance party! With easy-to-follow moves, like first jump forward and then jump back, Duck & Goose, Let’s Dance! is sure to get little bodies wiggling. This lively board book features lyrics from an original song by Lauren Savage and Ross Gruet, so put on your dancing shoes and get ready to “walk like a duck, honk like a goose, and flap your fuzzy tail feathers, too.” Here’s the perfect addition to any Duck & Goose library. To download the Duck & Goose song, visit duckandgoosesong.com.

All Music Guide's Stephen Thomas Erlewine has written, Even when he was out of fashion in the '80s and '90s, it was clear that Bowie was one of the most influential musicians in rock, for better or worse. In this comprehensive analysis of David Bowie's career, author James Perone examines the many identities and styles Bowie has developed over the years, and in so doing provides a stunning chronicle of creativity at work. Born David Jones in a London suburb in 1947, David Bowie changed his name in the late '60s to avoid confusion with the singer David Jones of The Monkees. This name change would turn out to be a highly prescient act: for in incorporating an exceptionally wide variety of styles, Bowie would become the most notorious chameleon of the rock era. Due in large part to his early success in the glam rock subgenre and his claims of homosexuality (dismissed by many writers as a ploy to generate public interest and record sales), Bowie raised serious issues about sexual orientation in rock music, regardless of whether or not his claimed homosexuality was genuine or part of his on-stage character. His regular use of theatrical personae also raises interesting issues concerning authenticity and the perception of authenticity in rock music. Although Bowie has been primarily an album artist, his recordings of Fame, Golden Years, Let's Dance, China Girl, Blue Jean, and Dancing in the Streets, all made it into the Billboard top 10 singles charts. Of these, all but one was written or co-written by Bowie. Even more notable are the songs he wrote and recorded that have made an impact far in excess of their chart standing. These include Space Oddity, Rebel, Rebel, Changes, Modern Love, and Young Americans. From his early 1970s albums like Hunky Dory and The Rise & Fall of Ziggy Stardust and the Spiders from Mars-in both of which he assumed the character of the fictional, androgynous Stardust-to Diamond Dogs, Heroes, Tin Machine, and Black Tie White Noise, Bowie's albums generated both significant word-of-mouth interest and some of the most contentious critical reactions of any artist of the rock era. This long overdue investigation lets Bowie's artistry speak for itself. After a biographical introduction, chronologically arranged chapters discuss the singer's fascinating—and iconoclastic—body of work. A discography and annotated bibliography conclude the book.

This book is very humorous, and it gets straight to the point. It could leave you with tears falling from your eyes or make you very angry. My mama was my heart and my soul. She taught me everything I know. I am the man I am because of her. She was my backbone. She was there for me through hard times and good times. What can I say? Words do not explain the things I feel about my mama. She stood by my side when no one else would. She was truly, truly a mother.