At the outset of his career Ted Hughes described letter writing as 'excellent training for conversation with the world', and he was to become a prolific master of this art. This selection begins when Hughes was seventeen, and documents the course of a life at once resolutely private but intensely attuned to others. It is a fascinatingly detailed picture of a mind of genius as it evolved through an incomparably eventful life and career.

"This erudite critical study...breathes new life into Plath scholarship."—Publishers Weekly, starred review When Ted Hughes's Birthday Letters was published in 1998, it was greeted with astonishment and acclaim, immediately landing on the bestseller list. Few suspected that Hughes had been at work for a quarter of a century on this cycle of poems addressed to his first wife, Sylvia Plath. In Ariel's Gift, Erica Wagner explores the destructive relationship between these two poets through their lives and their writings. She provides a commentary to the poems in Birthday Letters, showing the events that shaped them and, crucially, showing how they draw upon Plath's own work. "Both narratively engaging and scholastically comprehensive."—Thomas Lynch, Los Angeles Times "Wagner has set the poems of Hughes's Birthday Letters in the context of his marriage to Plath with great delicacy."—Times Literary Supplement

Despite the fame Ted Hughes’s poetry has achieved, there has been surprisingly little critical writing on his children’s literature. This book identifies the importance of Hughes’s children’s writing from an ecocritical perspective and argues that the healing function that Hughes ascribes to nature in his children’s literature is closely linked to the development of his own sense of environmental responsibility. This book will be the first sustained examination of Hughes’s greening in relation to his writing for children, providing a detailed reading of Hughes’s children’s literature through his poetry, prose and drama as well as his critical essays and letters. In addition, it also explores how Hughes’s children’s writing is a window to the poet’s own emotional struggles, as well as his environmental consciousness and concern to reconnect a society that has become alienated from nature. This book will be of great interest to not only those studying Ted Hughes, but also students and scholars of environment and literature, ecocriticism, children’s literature and twentieth-century literature.

This book opens with a section on Hughes's life, including an authoritative treatment of the relationship with Sylvia Plath and the effect of her suicide on his poetry and reputation, followed by a review of Hughes's artistic strategies, his poetic language, and influences on his work, including his openness to mythology and the poets of Eastern Europe. The body of the book offers an approach to reading New Selected Poems (1995), taking in turn each of the remarkable and remarkably varied works from which the poems were selected - The Hawk in the Rain, Lupercal, Wodwo, Crow, Cave Birds, Season Songs, Gaudete, Remains of Elmet, Moortown Diary, River and Wolfwatching. It concludes with a review of Hughes's reception, and a six-page bibliography.

Ted Hughes, Sylvia Plath, and Writing Between Them: Turning the Table examines early draft manuscripts and published poems by Ted Hughes and Sylvia Plath in order to uncover the compositional approaches that they held in common. Both poets not only honed the minutiae of individual poems but also reworked the shape of overall sequences in order to cultivate unique theories of an ars poetica. The book incorporates drafts of their work from Indiana University’s Lilly Library, Emory University’s Manuscripts, Archives, and Rare Books Library, Smith College’s Mortimer Rare Book Room, and the British Library. After assessing the writing and revision strategies that the poets’ early drafts reveal, the book investigates the material that they borrowed from one another and then reimagined through two major sequences: Plath’s Ariel and Hughes’s Crow. The book enhances its analysis of the poets’ shared techniques by discussing several pairs of poems from Ariel and Hughes’s Birthday Letters that respond to one another. Its final chapter also includes an evaluation of some of Hughes’s unpublished journal entries and unpublished letters that comment on his last collection’s public reception. In the conclusion, the author chronicles Hughes’s and Plath’s own remarks on their writing process as further evidence of their ars poetica.

This book is a radical re-appraisal of the poetry of Ted Hughes, placing him in the context of continental theorists such as Jacques Lacan, Jacques Derrida and Slavoj Zizek to address the traumas of his work. As an undergraduate, Hughes was visited in his sleep by a burnt fox/man who left a bloody handprint on his essay, warning him of the dangers of literary criticism. Hereafter, criticism became ‘burning the foxes’. This book offers a defence of literary criticism, drawing Hughes’ poetry and prose into the network of theoretical work he dismissed as ‘the tyrant’s whisper’ by demonstrating a shared concern with trauma. Covering a wide range of Hughes’ work, it explores the various traumas that define his writing. Whether it is comparing his idea of man as split from nature with that of Jacques Lacan, considering his challenging relationship with language in light of Roland Barthes and Jacques Derrida, seeing him in the art gallery and at the movies with Gilles Deleuze, or considering his troubled relationship with femininity in regard to Teresa Brennan and Slavoj Žižek, Burning the Foxes offers a fresh look at a familiar poet.

Ted Hughes is one of the greatest English poets of this century, yet his life was dogged by tragedy and controversy. His marriage to the American poet Sylvia Plath marked his whole life and he never entirely recovered from her suicide in 1963, though he chose to remain silent on the subject for more than 30 years. Many people, including his friend Al Alvarez, have held Hughes's adultery responsible for Plath's death. Elaine Feinstein first met Hughes in 1969, and she was a good friend of his and his sister Olwyn's, both of whom guarded the Plath estate. She knows many of the European and America poets who so influenced Hughes - Seamus Heaney, Thom Gunn, Miroslav Holub, and knows the world in which both he and Plath moved.

This is the first collection of essays to be published since the poet's death. Continuing a tradition of more than thirty years of Ted Hughes studies, it gathers contributions by most of the major international Hughes scholars, voicing their critical preoccupations at the turn of the century. Over the years, academic criticism on the poetry of Ted Hughes has established some well-trodden paths, which this collection still strongly reflects, however, the productions of the latter Hughes, in poetry as well as in criticism, demand a revisiting of the critical discourse on his work. The biographical dimension, for instance, has gradually gathered momentum, and it is no longer possible to study the work of Ted Hughes without due reference to the life and work of Sylvia Plath. This book is, nonetheless, also motivated by the wish to bring some fresh blood to the Hughes studies by politely rocking the boat of a rather comfortably established critical reception that has prided itself on being the mouthpiece of the poet's own ideological discourse. For this reason, some of the chapters in this collection belong to a continental European tradition that is resolutely foreign to the former partisanships. For all that, Ted Hughes: Alternative Horizons suggests that steering clear of the polemical ruts dug by fans and detractors alike can only benefit the future of scholarly studies devoted to a great poet.

This Reader's Guide charts the reception history of Ted Hughes' poetry from his first to last published collection, culminating in posthumous tributes and assessments of his lifetime achievement. Sandie Byrne explores the criticism relating to key issues such as nature, myth, the Laureateship, and Hughes' relationship with Sylvia Plath.

Ted Hughes is unquestionably one of the major twentieth-century English poets. Radical and challenging, each new title produced something of a shock to British literary culture. Only now is the breadth of his literary range and cultural influence being recognised. As well as his poetry and stories, writing for children, translations and prose essays and reviews, in recent years Hughes's own letters have received great critical attention. This Companion consolidates Hughes's life, writings and reputation. International experts from a variety of literary fields here confront the key questions posed by Hughes's work. New archival evidence is provided for fresh readings of his oeuvre with close attention to language, forms and the function of myth. Featuring a chronology and guide to further reading, this book is a valuable and insightful companion for those studying and reading Hughes in the context of his role in the development of modern poetry.