Examining activist performance techniques, this book shows how women and men could deeply influence public life in the nineteenth century.

The Routledge Anthology of Women's Theatre Theory and Dramatic Criticism is the first wide-ranging anthology of theatre theory and dramatic criticism by women writers. Reproducing key primary documents contextualized by short essays, the collection situates women’s writing within, and also reframes the field’s male-defined and male-dominated traditions. Its collection of documents demonstrates women’s consistent and wide-ranging engagement with writing about theatre and performance and offers a more expansive understanding of the forms and locations of such theoretical and critical writing, dealing with materials that often lie outside established production and publication venues. This alternative tradition of theatre writing that emerges allows contemporary readers to form new ways of conceptualizing the field, bringing to the fore a long-neglected, vibrant, intelligent, deeply informed, and expanded canon that generates a new era of scholarship, learning, and artistry. The Routledge Anthology of Women's Theatrical Theory and Dramatic Criticism is an important intervention into the fields of Theatre and Performance Studies, Literary Studies, and Cultural History, while adding new dimensions to Feminist, Gender and Sexuality Studies.

We often know performance when we see it – but how should we investigate it? And how should we interpret what we find out? This book demonstrates why and how mixed methods research is necessary for investigating and explaining performance and advancing new critical agendas in cultural study. The wide range of aesthetic forms, cultural meanings, and social functions found in theatre and performance globally invites a corresponding variety of research approaches. The essays in this volume model reflective consideration of the means, processes, and choices for conducting performance research that is historical, ethnographic, aesthetic, or computational. An international set of contributors address what is meant by planning or designing a research project, doing research (locating and collecting primary sources or resources), and the ensuing work of interpreting and communicating insights. Providing illuminating and necessary guidance, this volume is an essential resource for scholars and students of theatre, performance, and dance.

Groundswell: Grassroots Feminist Activism in Postwar America offers an essential perspective on the post-1960 movement for women's equality and liberation. Tracing the histories of feminist activism, through the National Organization of Women (NOW) chapters in three different locations: Memphis, Tennessee, Columbus, Ohio, and San Francisco, California, Gilmore explores how feminist identity, strategies, and goals were shaped by geographic location. Departing from the usual conversation about the national icons and events of second wave feminism, this book concentrates on local histories, and asks the questions that must be answered on the micro level: Who joined? Who did not? What did they do? Why did they do it? Together with its analysis of feminist political history, these individual case studies from the Midwest, South, and West coast shed light on the national women's movement in which they played a part. In its coverage of women's activism outside the traditional East Coast centers of New York and Boston, Groundswell provides a more diverse history of feminism, showing how social and political change was made from the ground up.

The liberal representative model of democracy is in a crisis. In protest camps, neighbourhood assemblies and through other non-hierarchical initiatives, the Occupy movement as well as other recent anti-austerity movements are redefining democracy as a positive way to engage with this crisis. The more direct democratic models of organisation that they are employing are not aimed at making the politicians regain their lost public legitimacy. Instead, direct democracy is perceived by these movements as a radical alternative to the established forms of representation. Can direct democracy become an actual alternative to representative democracy? This book takes an engaged and in-depth look at the Occupy movement in Ireland and the San Francisco Bay Area in the US in order to present the most up-to-date evidence of the changing nature of popular democratic demands. It takes an insider’s perspective to analyse the internal processes and iterations of the movement. Establishing links between social movements and transformations of democracy, as well as underscoring the significance of the recent movements for the future of democracy, this book is essential reading for students, scholars and activists interested in direct democracy, social movements, and radical politics more generally.

Using examples from the US, Europe and Asia,this collection presentsempirical studies of print, recorded music, movies, radio, television and the Internetto reveal both how media structure public spheresand how people use media to participate in the public sphere.

In 2002, the national spotlight fell on Boston’s archdiocese, where decades of rampant sexual misconduct from priests—and the church’s systematic cover-ups—were exposed by reporters from the Boston Globe. The sordid and tragic stories of abuse and secrecy led many to leave the church outright and others to rekindle their faith and deny any suggestions of institutional wrongdoing. But a number of Catholics vowed to find a middle ground between these two extremes: keeping their faith while simultaneously working to change the church for the better. Beyond Betrayal charts a nationwide identity shift through the story of one chapter of Voice of the Faithful (VOTF), an organization founded in the scandal’s aftermath. VOTF had three goals: helping survivors of abuse; supporting priests who were either innocent or took risky public stands against the wrongdoers; and pursuing a broad set of structural changes in the church. Patricia Ewick and Marc W. Steinberg follow two years in the life of one of the longest-lived and most active chapters of VOTF, whose thwarted early efforts at ecclesiastical reform led them to realize that before they could change the Catholic Church, they had to change themselves. The shaping of their collective identity is at the heart of Beyond Betrayal, an ethnographic portrait of how one group reimagined their place within an institutional order and forged new ideas of faith in the wake of widespread distrust.

Framing modern British and American apocalypse films as sites of interpretive struggle, Trimble argues that contemporary apocalypse films aren't so much envisioning The End of the world as the end of a particular world; not The End of humanness but, rather, the end of Man.

What explains the popularity and widespread appeal of numerous post-Yugoslav feminist and LGBTQ+ festivals in the last decade? This book argues that the millennial generation expresses "reparative politics", as a distinct type of activism, through festivals. Reparative political acting, as identified here, characteristically relies on playfulness and creativity, interpretative (gender) dissent, acceptance of organizational and programmatic messiness and hybridity, belonging, and positive affect. The reparative politics is vital in a context that is marked by an individual and collective trauma of heteropatriarchy, violent breakdown of the common state, and post-transitional economic precarity. The book uses excerpts from programs, interviews and observations collected through the multi-sited ethnographic research. Siročić’s focus on contemporary activism in Southeastern Europe challenges the narrow geopolitical understanding of the recent feminist politics and refutes the common assumptions of a passive millennial generation. Yet, the book’s relevance surpasses its area of study, as it argues against the popular deriding of "artivist" expressions as the "merely cultural" or "merely aesthetic" engagement. In contrast, the book claims that such activities urge a redefined understanding of political agency. Festivals as Reparative Politics demonstrates that contemporary feminist festivals represent a distinct reformulation of contentious politics of gender whose constitutive principles can be exemplary for other types of political engagements.

Across the world states are seeking out new and secure supplies of energy but this search is manifesting itself most visibly in Asia where rapid industrialisation in states such as China and India is fomenting a frantic scramble for energy resources. Due to entrenched societal inequities and widespread authoritarian governance, however, the pursuit of national energy security through transnational energy projects has resulted in devastating impacts on the human and environmental security of local populations. These effects are particularly evident in both Thailand and Myanmar (Burma), which, located at the crossroads of Asia, are increasingly engaged in the cross-border energy trade. Based on extensive fieldwork and theoretical analysis this ground-breaking book proposes a new critical approach to energy and environmental security and explores the important role that both local and transnational environmental movements are playing, in the absence of effective and democratic governments, in providing ’activist environmental governance’ for energy projects throughout the region. By comparing the nature of this activism under two very different political regimes it delivers crucial theoretical insights with both academic and policy implications for the sustainable and equitable development of the South’s natural resources.