My name is Sean Peyton Ross. I write this book for present and future generations to read while I still have enough mental capacity and memory to write it before my injury depletes me. I was basically a late term miscarriage born by c section at 6 and 3/4 months old. 5 times I should have died. I am and always have lived on borrowed time. I was kept alive in an incubator by the doctors until I weighed enough and developed enough to survive outside the incubator. I was always a sickly child and was small. The other kids beat up and bullied on me. All my life, through school where I excelled in academics I was beaten up and bullied on. I was put down by the kids who wanted to be bad and the rich kids who thought they were the last word in society. I was bullied in the Navy, In college, at work and in the State Defense Force where I spoke up for the troops and inadvertently caused 3 generals to be fi red after a mission of mercy from a tornado in my hometown started going awry. I had to leave the State Defense Force under duress from the Commanding General. I now have been black listed and no one remembers the good I tried to do while in uniform. I now live in fear for my family and myself. This book is to serve as a journal and as a warning of how diffi cult, cruel and ugly life can be sometimes. It also serves as a guide to those who read this book so that the readers will be able to learn from what I have written. It will inspire those who read it to try harder to improve themselves and the world they now live in. The world cannot advance as a people socially if we only dwell on the triumphs of yesterday do not know of or take heed of the sins and mistakes of the past.

Georgia has played a formative role in the writing of America. Few states have produced a more impressive array of literary figures, among them Conrad Aiken, Erskine Caldwell, James Dickey, Joel Chandler Harris, Carson McCullers, Flannery O'Connor, Jean Toomer, and Alice Walker. This volume contains biographical and critical discussions of Georgia writers from the nineteenth century to the present as well as other information pertinent to Georgia literature. Organized in alphabetical order by author, the entries discuss each author's life and work, contributions to Georgia history and culture, and relevance to wider currents in regional and national literature. Lists of recommended readings supplement most entries. Especially important Georgia books have their own entries: works of social significance such as Lillian Smith's Strange Fruit, international publishing sensations like Margaret Mitchell's Gone With the Wind, and crowning artistic achievements including Jean Toomer's Cane. The literary culture of the state is also covered, with information on the Georgia Review and other journals; the Georgia Center for the Book, which promotes authors and reading; and the Townsend Prize, given in recognition of the year's best fiction. This is an essential volume for readers who want both to celebrate and learn more about Georgia's literary heritage.

In Game of My Life Georgia Bulldogs, several prominent Georgia players of the past share their fondest single-game experience and memories, in their own words. Some of these games involve championships, and others seem ordinary save for significant personal meaning. In each case, it is the player who singles out the game, that moment in time that to him is the most defining of his Bulldog career. From Pro Football Hall of Famer Charley Trippi to Tra Battle, who in 2006 helped the Bulldogs shock Auburn, and many more great Bulldogs in between, the players have created a plethora of memorable experiences on the football field. In this book, they can tell you about those games when everything seemed to come together to create an experience that they will never forget.

The Sunday drive. Mom, dad and the kids would head out to see the countryside. An ice cream treat usually waited at day's end. Back in the Burma-Shave days, mom-and-pop drive-ins and gas station biscuits fed folks. Cheap gas filled cars, and people made Sunday drives through a land where See Rock City barns, sawdust piles and trains and junkyards gave them plenty to see. Men in seersucker suits ran old stores with oscillating fans, and if the kids ate too much penny candy, grandma had a home remedy for them. It was a time for dinner on church grounds, yard art and old-fashioned petunias. Join author Tom Poland as he revisits disappearing traditions.

In The House I Live In, award-winning historian Robert J. Norrell offers a truly masterful chronicle of American race relations over the last one hundred and fifty years. This scrupulously fair and insightful narrative--the most ambitious and wide-ranging history of its kind--sheds new light on the ideologies, from white supremacy to black nationalism, that have shaped race relations since the Civil War. Norrell argues that it is these ideologies, more than politics or economics, that have sculpted the landscape of race in America. Beginning with Reconstruction, he shows how the democratic values of liberty and equality were infused with new meaning by Abraham Lincoln, only to become meaningless for generations of African Americans as the white supremacy movement took shape. The heart of the book paints a vivid portrait of the long, often dangerous struggle of the Civil Rights movement to overcome decades of accepted inequality. Norrell offers fresh appraisals of key Civil Rights figures and dissects the ideas of racists. He offers striking new insights into black-white history, observing for instance that the Civil Rights movement really began as early as the 1930s, and that contrary to much recent writing, the Cold War was a setback rather than a boost to the quest for racial justice. He also breaks new ground on the role of popular culture and mass media in first promoting, but later helping defeat, notions of white supremacy. Though the struggle for equality is far from over, Norrell writes that today we are closer than ever to fulfilling the promise of our democratic values. The House I Live In gives readers the first full understanding of how far we have come.

The "Life and Times of a Black Man from Georgia" provides profound stimulating and fun reading for people in all walks of life: high school, college students, teachers, housewives, employers, employees and retirees. It is a book that can make you feel better about yourself. It provides an opportunity for in dept soul searching and the chance to look at various aspects of your life.

Love and Money argues that we can’t understand contemporary queer cultures without looking through the lens of social class. Resisting old divisions between culture and economy, identity and privilege, left and queer, recognition and redistribution, Love and Money offers supple approaches to capturing class experience and class form in and around queerness. Contrary to familiar dismissals, not every queer television or movie character is like Will Truman on Will and Grace—rich, white, healthy, professional, detached from politics, community, and sex. Through ethnographic encounters with readers and cultural producers and such texts as Boys Don’t Cry, Brokeback Mountain, By Hook or By Crook, and wedding announcements in the New York Times, Love and Money sees both queerness and class across a range of idioms and practices in everyday life. How, it asks, do readers of Dorothy Allison’s novels use her work to find a queer class voice? How do gender and race broker queer class fantasy? How do independent filmmakers cross back and forth between industry and queer sectors, changing both places as they go and challenging queer ideas about bad commerce and bad taste? With an eye to the nuances and harms of class difference in queerness and a wish to use culture to forge queer and class affinities, Love and Money returns class and its politics to the study of queer life.

Fatal Promises is a ficticious story with real-life overtones that allude to the ills of society in the historical South. An 18-year-old colored boy becomes despondent with the lack of opportunities in a small South Georgia town, so he migrates to New York, hoping for a better life. A six-year-old colored boy is emotionally wounded when his father abandons his mother with no means of support. He vows always to care for his family, if he ever has one. A young, rich southern belle becomes intimate with her employee, whom she vows to love forever, but fate intervenes. A wealthy elderly lady, the sole survivor of her family, hires two young mulattos, promising to defray the cost of their education if they will work in her home for a year. She is very fond of them, but her reward is much greater than her promise. Fatal Promises is about love, hate, wealth, poverty, good, evil, commitment and success. It is a story that will capture your attention and your heart.