Critics rarely associate popular film with German cinema, despite the international success of such films as Das Boot (1981), The Never-Ending Story (1984), Run, Lola, Run (1998), and recent German comedies, all representing a rich body of work outside the parameters of high culture. This very success compels the authors of Light Motives to take an unprecedented look at German popular film across the historical spectrum and to challenge the tendency among critics to divvy up German film, like Germans themselves, into the Good and the Bad. Together the essays reexamine popular film production along with larger cultural, historical, and political meanings suggested by the term "popular." Most critical accounts have focused on the golden era of Weimar film and the New German Cinema of the 1960s and 70s leaving much of popular film by the wayside. This volume attributes the division to such sources as Frankfurt School dictates, Goethe Haus film offerings, and state-funded film production during the 1970s, which promoted high-culture art films to broadcast the success of West German democratization. The essays challenge the traditional shape of German film history, while offering in-depth analyses of films that have until now been beyond the pale of critical attention. What emerges is a "Never-Ending Story" of oft-repeated obsessions, overlapping generic forms, omnipresent or subtle nods to Hollywood, and myriad political concerns irreducible to a unified message or aesthetic form-all bearing witness to the vibrancy of German culture.

Roman Ingarden studied under Husserl before and during the first world war. He belonged to the so-called Gottingen group of Husserl's pupils. Husserl's doctrine was accepted by them and interpreted in a realist vein. Ingarden defended this view all his life. He opposed the development of phenomenology towards idealism. A considerable part of Ingarden's great creative effort is dedicated to the construction of a realist phenomenology and thus, according to him, to continuing the erection of the theoret ical structure whose foundations were laid by Husserl in his Logical Investigations. From Ingarden's standpoint the question of idealism versus realism was a crucial one. Ingarden published several studies on Husserl. The first one was written in 1918 and the last one was published posthumously. The present essay was printed in Ingarden's book Z badan nad filozofi:t wsp61czesn:t- (Inquiries into Contemporary Philosophy 1963) along with a number of other essays on Husserl and his philoso phy. This one is representative for Ingarden's positions. It is a good example of his contribution to an important controversy in the history of phenomenology, and it gives the reader an idea of Ingarden's critique of Husserlian idealism against the background of his argument for realism. Thanks and acknowledgements are due to Mr. J. E. Llewelyn of Edinburgh University. This translation was undertaken in collaboration with him. Arn6r Hannibalsson K6pavogur, Iceland 2I. II.

Advances in Financial Economics Vol 19 is peer reviewed and focusses on International Corporate Governance.

In Mystics of the Renaissance, Rudolf Steiner examines the thought of eleven European mystics (Eckhart, Tauler, Suso, Ruysbroek, Nicholas of Cusa, Agrippa von Nettesheim, Paracelsus, Weigel, Boehme, Giordano Bruno, and Angelus Silesius) through a collection of essays and explains their ideas and how they relate to modern concepts. Scriptoria Books has transcribed this edition word for word from the original text. It was then edited, formatted, typeset, and proofread through each revision. Our procedures are not automated. Our editions are not facsimiles and do not contain OCR interpreted text. Our books are carefully created new editions of classic works.

Energy is at the heart of physics and of huge importance to society and yet no book exists specifically to explain it, and in simple terms. In tracking the history of energy, this book is filled with the thrill of the chase, the mystery of smoke and mirrors, and presents a fascinating human-interest story. Moreover, following the history provides a crucial aid to understanding: this book explains the intellectual revolutions required to comprehend energy, revolutions as profound as those stemming from Relativity and Quantum Theory. Texts by Descartes, Leibniz, Bernoulli, d'Alembert, Lagrange, Hamilton, Boltzmann, Clausius, Carnot and others are made accessible, and the engines of Watt and Joule are explained. Many fascinating questions are covered, including: - Why just kinetic and potential energies - is one more fundamental than the other? - What are heat, temperature and action? - What is the Hamiltonian? - What have engines to do with physics? - Why did the steam-engine evolve only in England? - Why S=klogW works and why temperature is IT. Using only a minimum of mathematics, this book explains the emergence of the modern concept of energy, in all its forms: Hamilton's mechanics and how it shaped twentieth-century physics, and the meaning of kinetic energy, potential energy, temperature, action, and entropy. It is as much an explanation of fundamental physics as a history of the fascinating discoveries that lie behind our knowledge today.

Title 10, Energy, Parts 200-499