Liminality and the Modern offers a comprehensive introduction to this concept, discussing its development and laying out a conceptual and experiential framework for thinking about change in terms of liminality. Applying this framework to questions surrounding the implosion of ‘non-spaces’, the analysis of major historical periods and the study of political revolution, the book also explores its possible uses in social science research and its implications for our understanding of the uncertainty and contingency of the liquid structures of modern society.

This book provides the history and genealogy of an increasingly important subject: liminality. Coming to the fore in recent years in social and political theory and extending beyond is original use as developed within anthropology, liminality has come to denote spaces and moments in which the taken-for-granted order of the world ceases to exist and novel forms emerge, often in unpredictable ways. Liminality and the Modern offers a comprehensive introduction to this concept, discussing its development and laying out a conceptual and experiential framework for thinking about change in terms of liminality. Applying this framework to questions surrounding the implosion of ’non-spaces’, the analysis of major historical periods and the study of political revolution, the book also explores its possible uses in social science research and its implications for our understanding of the uncertainty and contingency of the liquid structures of modern society. Shedding new light on a concept central to social thought, as well as its capacity for pushing social and political theory in new directions, this book will be of interest to scholars across the social sciences and philosophy working in fields such as social, political and anthropological theory, cultural studies, social and cultural geography, and historical anthropology and sociology.

Upon the 25th anniversary of his passing, this collection addresses the wide application of Victor Turner’s thought to cultural performance in the early 21st century. From anthropology, sociology, and religious studies to performance, cultural, and media studies, Turner’s ideas have had a prodigious interdisciplinary impact. Examining his relevance in studies of performance and popular culture, media, and religion, along with the role of Edith Turner in the Turnerian project, contributors explore how these ideas have been re-engaged, renovated, and repurposed in studies of contemporary cultural performance.

Many of the contributors to this volume focus on the links between women and the architecture of religion in Europe.

This volume was published on the occasion of the exhibition in 1994 at the Wellington City Gallery. There are essays by Ian Wedde, Simon During, Marianna Torgovnick and Peter Brunt. Sulu'ape Paulo II provides an article about Samoan tattooing, and there is an interview with Fuimaono Tuiasau who was tattooed with Fomison. The catalogue reproduces the 104 works from the exhibition, several in colour, and provides notes about the exhibits. There is a supplementary catalogue listing all known works in alphabetical order. Two of Fomison's articles are reprinted, and a chronology of Fomison's life and shows is included.

Research Paper (postgraduate) from the year 2010 in the subject Didactics - English - History of Literature, Eras, Lovely Professional University, Punjab, course: English Literature & Literary Theory, language: English, abstract: Objective of this paper is to discuss how culture of a nation gets formed strongly and how it affects literature of that very nation. Homi Bhabha's Location of Culture is found sufficient example of thinking culture as epesteme of mimicry, liminality and hybridity of its ur-culture. The proposed paper elucidates and illustrates ideas of Homi K Bhabha, he has given in Location of Culture.