Once called "the most gifted character actor of our time" by Broadway theater producer Arthur Hopkins, Lionel Barrymore (1878–1954) was part of the illustrious Barrymore acting dynasty. Although he garnered success on stage and screen and was a talented actor, writer, director, visual artist, and composer, he never quite escaped the shadow of his family members—including his brother, John, famous for his leading roles. Barrymore won the Academy Award for Best Actor in A Free Soul (1931) and was nominated for Best Director for Madame X (1930). However, he is best known for his role as Mr. Potter in It's a Wonderful Life (1946) and as the voice of Ebenezer Scrooge in radio broadcasts of A Christmas Carol from 1934 to 1953. He spent the last two decades of his career playing versions of his signature character—the curmudgeonly but lovable gentleman—in a variety of films from You Can't Take It With You (1938) to Key Largo (1948). Barrymore worked alongside some of Hollywood's most recognizable names, including Humphrey Bogart, James Stewart, Frank Capra, Lauren Bacall, Clark Gable, and Ava Gardner, and his legacy is enshrined at the Hollywood Walk of Fame, where he has two stars—one for radio and one for film. In Lionel Barrymore: Character and Endurance in Hollywood's Golden Age, Kathleen Spaltro examines Barrymore as an individual rather than just a supporting cast member of the famous dynasty. This comprehensive study divides Barrymore's life into three compelling acts. Act One follows Barrymore's early days—his failed endeavor as a visual artist, his performances in the family vaudeville acts, his first silent motion pictures, and his greatest successes and failures on the stage. Act Two details Barrymore's establishment as a fixture at MGM, his foray into directing, his success as the first actor to thrive in the talkies, and his estimable Oscar-winning performance. Finally, Act Three expounds on Barrymore's curation of his trademark character—the endearing grouch—his exploits in radio, and his fateful final years. Spaltro also unearths Barrymore's personal challenges, recounts his difficulties with—and sometimes estrangement from—members of his family, and delves into the devastating losses Barrymore suffered: his divorce, the deaths of his two daughters, and later, the death of his second wife and the accidents that eventually led to permanent disabilities requiring the use of a wheelchair. Lionel Barrymore is a detailed, multifaceted portrait of a brilliant character actor.

In 1989 alone, for example, there were some forty-five major motion pictures which were sequels or part of a series. The film series phenomenon crosses all genres and has been around since the silent film era. This reference guide, in alphabetical order, lists some 906 English Language motion pictures, from 1899 to 1990, when the book was initially published. A brief plot description is given for each series entry, followed by the individual film titles with corresponding years, directors and performers. Animated pictures, documentaries and concert films are not included but movies released direct to video are.

Living in the shadow of a famous parent can have powerful effects, from professional opportunities to pressure so great it leads to suicide. Some children of stars are proud of their roots while others live in secrecy. This is a rare look into the private lives of the children (and, in a few cases, grandchildren) of these classic Hollywood icons, revealing the stresses and inspirations of living with great performers who may or may not have been great parents. Some movie stars protected their offspring, but others used them as publicity props or even made them into rivals. Despite their unusual upbringing, some of the children succeeded in the movies or elsewhere, but many never lived up to the public expectations. Many lost their parents, whether to the extremes of the celebrity lifestyle, to divorce, or to their careers. From the beautiful bedtime stories Harpo Marx and his wife told their four adopted children to explain where they'd come from, to the studded belt Bing Crosby used to punish his sons for not obeying the strict family rules, this work tells the best and worst of growing up in a celebrity home. Families covered include those of W.C. Fields, the Marx Brothers, Eddie Cantor, Mario Lanza, Ruth Hussey, Jerry Lewis, Douglas Fairbanks and Boris Karloff. Research is drawn from interviews with celebrity offspring, who also provided never-before-published snapshots of Hollywood legends at home.

"As someone who worked with and knew Lillian Gish for years, I found Charles Affron’s portrait revealing and moving. He rekindles the life of this intuitive and generous artist beautifully."—Eva Marie Saint

"I've done everything in the theatre except marry a property man," Fanny Brice once boasted. "I've acted for Belasco and I've laid 'em out in the rows at the Palace. I've doubled as an alligator; I've worked for the Shuberts; and I've been joined to Billy Rose in the holy bonds. I've painted the house boards and I've sold tickets and I've been fired by George M. Cohan. I've played in London before the king and in Oil City before miners with lanterns in their caps." Fanny Brice was indeed show business personified, and in this luminous volume, Herbert G. Goldman, acclaimed biographer of Al Jolson, illuminates the life of the woman who inspired the spectacularly successful Broadway show and movie Funny Girl, the vehicle that catapulted Barbra Streisand to super stardom. In a work that is both glorious biography and captivating theatre history, Goldman illuminates both Fanny's remarkable career on stage and radio--ranging from her first triumph as "Sadie Salome" to her long run as radio's "Baby Snooks"--and her less-than-triumphant personal life. He reveals a woman who was a curious mix of elegance and earthiness, of high and low class, a lady who lived like a duchess but cursed like a sailor. She was probably the greatest comedienne the American stage has ever known as well as our first truly great torch singer, the star of some of the most memorable Ziegfeld Follies in the 1910s and 1920s, and Goldman covers her theatrical career and theatre world in vivid detail. But her personal life, as Goldman shows, was less successful. The great love of her life, the gangster Nick Arnstein, was dashing, handsome, sophisticated, but at bottom, a loser who failed at everything from running a shirt hospital to manufacturing fire extinguishers, and who spent a good part of their marriage either hiding out, awaiting trial, or in prison. Her first marriage was over almost as soon as it was consummated, and her third and last marriage, to Billy Rose, the "Bantam Barnum," ended acrimoniously when Rose left her for swimmer Eleanor Holm. As she herself remarked, "I never liked the men I loved, and I never loved the men I liked." Through it all, she remained unaffected, intelligent, independent, and, above all, honest. Goldman's biography of Al Jolson has been hailed by critics, fellow biographers, and entertainers alike. Steve Allen called it "an amazing job of research" and added "Goldman's book brings Jolson back to life indeed." The Philadelphia Inquirer said it was "the most comprehensive biography to date," and Ronald J. Fields wrote that "Goldman has captured not only the wonderful feel of Al Jolson but the heartbeat of his time." Now, with Fanny Brice, Goldman provides an equally accomplished portrait of the greatest woman entertainer of that illustrious era, a volume that will delight every lover of the stage.

Hollywood's Golden Era? I'd pick the period from 1939 through 1960. Here are 144 classic movies from this Golden Age of the Cinema, ranging (alphabetically) from "The Admiral Was a Lady" to "You Were Never Lovelier". Other films discussed in comprehensive detail (and with full background and release information) in this book include "The Adventures of Mark Twain", "The Chase", "Daisy Kenyon", "The Ghost of Frankenstein", "Humoresque", "In Old California", "Joan of Paris", "Letter from an Unknown Woman", "Magic Town", "Nightmare Alley", The Paradine Case", "Roughly Speaking", "The Scarlet Claw", "Where the Sidewalk Ends" and "You'll Never Get Rich".

THE STORY: BARRYMORE'S GHOST opens up the life of the legendary actor John Barrymore in a unique, theatrical manner. Mr. John Barrymore, or Jack Barrymore or Jake Barrymore, is presented as a ghost haunting an unknown theatre which, at the moment,

Today when most Americans think of the Great Depression, they imagine desperate hoboes riding the rails in search of work, unemployed men selling pencils to indifferent crowds, bootleggers hustling illegal booze to secrecy-shrouded speakeasies, FDR smiling, or Judy Garland skipping along the yellow brick road. Hard times have become an abstraction. But there was a time when economic suffering was real, when hunger stalked the land, and Americans tried to forget their troubles in movie theaters or in front of a radio. From the stock market crash of October 1929 to Germany's invasion of Norway, France, and the Low Countries in 1940, the Great Depression blanketed the world economy. Its impact was particularly deep and direct in the United States. This was the era when the federal government became a major player in the national economy and Americans bestowed the responsibility for maintaining full employment and stable prices on Congress and the White House, making the Depression years a major watershed in U.S. history. In more than 500 essays, this book provides a ready reference to those hard times, covering the diplomacy, popular culture, intellectual life, economic problems, public policy issues, and prominent individuals of the era.