Finalist • The Marfield Prize [National Award for Arts Writing] “Not since the late Leonard Bernstein has classical music had a combination salesman-teacher as irresistible as Kapilow.” —Kansas City Star “If you want to understand American history, listen to its popular music,” writes renowned NPR host Rob Kapilow. “If you want to understand America’s popular music, listen to its history.” Through the songs of eight legendary American composers—Kern, Porter, Gershwin, Arlen, Berlin, Rodgers, Bernstein, and Sondheim—Kapilow listens for the history not just of musical theater, but of America itself. Combining close readings of Broadway hits like “Summertime” and “Stormy Weather” with a wide-angled historical point of view, Listening for America shows us how we too can listen along as America discovered its identity through the epochal transformations of the twentieth century.

Lively, sophisticated, and filled with first-person tributes and glorious images, Sondheim: His Life, His Shows, His Legacy lifts the curtain on a Broadway legend. "Aside from Sondheim's own exceptional books...this may be the best coffee-table volume devoted to his work."(Shelf Awareness) Brimming with insights from a veritable Who's Who of Broadway Babies and complemented by more than two hundred color and black-and-white images, Sondheim: His Life, His Shows, His Legacy offers a witty, multidimensional look at the musical genius behind Company, Follies, A Little Night Music, Into the Woods, Sunday in the Park with George, Sweeney Todd, and the landmark West Side Story and Gypsy. Exploring the unique bond between Sondheim and his audiences, author Stephen M. Silverman further examines the challenging Sondheim works that continue to develop devoted new followings: Anyone Can Whistle, Pacific Overtures, Merrily We Roll Along, Assassins, and Passion. The result is a lavish, highly engrossing documentation of the dynamic force who reshaped twentieth-century American musical history.

This book provides a unique chronicle and analysis of the work of Richard Maltby, Jr. and David Shire, an extraordinary Broadway songwriting team whose work is revered by musical theater aficionados. Anyone interested in Broadway musicals will enjoy this book, which covers other well-known figures who feature prominently in the Maltby/Shire story, including Stephen Sondheim, Harold Prince, Francis Ford Coppola, Craig Lucas, Mike Ockrent, Susan Stroman, Garth Drabinsky, and Jonathan Tunick. The book includes enlightening, entertaining interviews with the subjects as well as illuminating analyses of some of Maltby and Shire's greatest songs.

Harold Arlen's songs like "Over the Rainbow" and "Stormy Weather" form a crucial part of the American soundscape of the twentieth century. From their origins at the Cotton Club of Harlem, the Broadway stage, and Hollywood film studios, they capture an extraordinary range of emotions and styles. Harold Arlen and His Songs is the first book to look at Arlen's music across his long career and through his collaborations with the top lyric writers of his time, including Ted Koehler, Yip Harburg, Johnny Mercer, and Ira Gershwin. The book also discusses Arlen's activities as a singer of his music, as well as the performances of vocalists with a strong affinity for it, like Ethel Waters, Judy Garland, Ella Fitzgerald, and Barbra Streisand.

When people imagine 1920s Chicago, they usually (and justifiably) think of Al Capone, speakeasies, gang wars, flappers and flivvers. Yet this narrative overlooks the crucial role the Windy City played in the modernization of America. The city's incredible ethnic variety and massive building boom gave it unparalleled creative space, as design trends from Art Deco skyscrapers to streamlined household appliances reflected Chicago's unmistakable style. The emergence of mass media in the 1920s helped make professional sports a national obsession, even as Chicago radio stations were inventing the sitcom and the soap opera. Join Joseph Gustaitis as he chases the beat of America's Jazz Age back to its jazz capital.

This is the first book to dedicate critical attention to the work of influential theater-maker Taylor Mac. Mac is particularly celebrated for the historic performance event A 24-Decade History of Popular Music, in which Mac, in fantastical costumes designed by collaborator Machine Dazzle, sang the history of the United States for 24 straight hours in October 2016. The MacArthur Foundation soon thereafter awarded their “genius” award to a “writer, director, actor, singer, and performance artist whose fearlessly experimental works dramatize the power of theater as a space for building community . . . [and who] interacts with the audience to inspire a reconsideration of assumptions about gender, identity, ethnicity, and performance itself.” Featuring essays, interviews, and commentaries by noted critics and artists, the volume examines the vastness of Mac’s theatrical imagination, the singularity of their voice, the inclusiveness of their cultural insights and critiques, and the creativity they display through stylistic and formal qualities and the unorthodoxies of their personal and professional trajectories. Contributors consider the range of Mac’s career as a playwright, performer, actor, and singer, expanding and enriching the conversation on this much-celebrated and deeply resonant body of work.

The Diary of President Barack Obama The White House May 19, 2010 I was going to write about tonight’s state dinner for Mexico and the amnesty plan, but we’ve got a national crisis here! I think somebody’s been snooping in this diary! The pages are all wrinkled! And the most personal entries are dog-eared! WHAT THE HELL’S GOING ON HERE? (WASHINGTON, D.C.) On May 20, 2010, Laura Ingraham received a package from an anonymous source that will change the history of the United States and the legacy of President Barack Obama. While retrieving her automobile from the underground garage at the Watergate complex (where she had just enjoyed her weekly pedicure), Ingraham discovered a manila envelope on the hood of her car. When she picked it up, a deep baritone voice called out from a nearby stairwell: "Just read it. You’ll know what to do." The shadowy figure then disappeared into the darkness without another word. The envelope contained copies of what appeared to be diary entries written by President Barack Obama, his family, and high-ranking administration officials. Because the "diaries" are so revealing, Ingraham felt compelled to release them to the American public and the citizens of the world. Major media outlets love to describe the president as "no drama Obama," but The Obama Diaries tells a different tale. Through these "diary entries," readers will see past the carefully constructed Obama façade to the administration’s true plans to "remake America." In The Obama Diaries, Ingraham hilariously skewers the president and his minions. She takes aim at: •the cynical "razzle-dazzle" marketing of Obama’s radical agenda •the use of the Obama "brand" and family to obscure Obama’s true aims •Michelle Obama’s gardening and anti-obesity initiative; and much more. Informative and hugely entertaining, The Obama Diaries will inspire both laughter and critical thinking about the future of the nation and the man currently at the helm. •the use of the Obama "brand" and family to obscure Obama’s true aims •Michelle Obama’s gardening and anti-obesity initiative; and much more. Informative and hugely entertaining, The Obama Diaries will inspire both laughter and critical thinking about the future of the nation and the man currently at the helm. Excerpts from Laura Ingraham’s The Obama Diaries Obama on Sarah Palin: "Hell, doesn’t Palin have anything better to do than criticize me? Shouldn’t she be back home shooting some endangered wolf species from a helicopter?" (April 9, 2010) Michelle on being First Lady: "I’ll be damned if all this fabulosity is going to go to waste reading Dr. Seuss to snot-nosed kids all day." (January 23, 2009) Vice President Joe Biden on Michelle Obama: "She’s kind of like a black Hillary Clinton. I mean that in a good way." (May 5, 2009) Obama on his visit to the Vatican: "If I can ingratiate myself with a few more of these red-hats, the pope thing might not be a bad follow-up to the presidency." (July 10, 2009)