As fur traders were driven across northern North America by economic motivations, the landscape over which they plied their trade was punctuated by sound: shouting, singing, dancing, gunpowder, rattles, jingles, drums, fiddles, and – very occasionally – bagpipes. Fur trade interactions were, in a word, noisy. Daniel Laxer unearths traces of music, performance, and other intangible cultural phenomena long since silenced, allowing us to hear the fur trade for the first time. Listening to the Fur Trade uses the written record, oral history, and material culture to reveal histories of sound and music in an era before sound recording. The trading post was a noisy nexus, populated by a polyglot crowd of highly mobile people from different national, linguistic, religious, cultural, and class backgrounds. They found ways to interact every time they met, and facilitating material interests and survival went beyond the simple exchange of goods. Trust and good relations often entailed gift-giving: reciprocity was performed with dances, songs, and firearm salutes. Indigenous protocols of ceremony and treaty-making were widely adopted by fur traders, who supplied materials and technologies that sometimes changed how these ceremonies sounded. Within trading companies, masters and servants were on opposite ends of the social ladder but shared songs in the canoes and lively dances during the long winters at the trading posts. While the fur trade was propelled by economic and political interests, Listening to the Fur Trade uncovers the songs and ceremonies of First Nations people, the paddling songs of the voyageurs, and the fiddle music and step-dancing at the trading posts that provided its pulse.

Long before Confederation created a nation-state in northern North America, Indigenous people were establishing vast networks and trade routes. Volcanic eruptions pushed the ancestors of the Dene to undertake a trek from the present-day Northwest Territories to Arizona. Inuit migrated across the Arctic from Siberia, reaching Southern Labrador, where they met Basque fishers from northern Spain. As early as the fifteenth century, fishing ships from western Europe were coming to Newfoundland for cod, creating the greatest transatlantic maritime link in the early modern world. Later, fur traders would take capitalism across the continent, using cheap rum to lubricate their transactions. The contributors to Before Canada reveal the latest findings of archaeological and historical research on this fascinating period. Along the way, they reframe the story of the Canadian past, extending its limits across time and space and challenging us to reconsider our assumptions about this supposedly young country. Innovative and multidisciplinary, Before Canada inspires interest in the deep history of northern North America.

This book provides a practical introduction to researching and performing early Anglo-American secular music and dance with attention to their place in society. Supporting growing interest among scholars and performers spanning numerous disciplines, this book contributes quality new scholarship to spur further research on this overshadowed period of American music and dance. Organized in three parts, the chapters offer methodological and interpretative guidance and model varied approaches to contemporary scholarship. The first part introduces important bibliographic tools and models their use in focused examinations of individual objects of material musical culture. The second part illustrates methods of situating dance and its music in early American society as relevant to scholars working in multiple disciplines. The third part examines contemporary performance of early American music and dance from three distinct perspectives ranging from ethnomusicological fieldwork and phenomenology to the theatrical stage. Dedicated to scholar Kate Van Winkle Keller, this volume builds on her legacy of foundational contributions to the study of early American secular music, dance, and society. It provides an essential resource for all those researching and performing music and dance from the revolutionary era through the early nineteenth century.

The Enlightenment Atlantic was awash in deep feelings. People expressed the ardour of patriots, the homesickness of migrants, the fear of slave revolts, the ecstasy of revivals, the anger of mobs, the grief of wartime, the disorientation of refugees, and the joys of victory. Yet passions and affections were not merely private responses to the events of the period – emotions were also central to the era’s most consequential public events, and even defined them. In Enthusiasms and Loyalties Keith Grant shows that British North Americans participated in a transatlantic swirl of debates over emotions as they attempted to cultivate and make sense of their own feelings in turbulent times. Examining the emotional communities that overlapped in Cornwallis Township, Nova Scotia, between 1770 and 1850, Grant explores the diversity of public feelings, from disaffected loyalists to passionate patriots and ecstatic revivalists. He shows how certain emotions – especially enthusiasm and loyalty – could be embraced or weaponized by political and religious factions, and how their use and meaning changed over time. Feelings could be the glue that made loyalties stick, or a solvent that weakened community bonds. Taking a history of emotions approach, Enthusiasms and Loyalties aims to recover and understand the wide range of political and religious emotions that were possible – feelable – in the Enlightenment Atlantic.

"The Oxford Handbook of Community Singing shows in abundant detail that singing with others is thriving. Using an array of interdisciplinary methods, chapter authors prioritize participation rather than performance and provide finely grained accounts of group singing in community, music therapy, religious, and music education settings. Themes associated with protest, incarceration, nation, hymnody, group bonding, identity, and inclusivity infuse the 47 chapters. Written almost wholly during the 2020-21 COVID-19 pandemic, the Handbook features a section dedicated to collective singing facilitated by audiovisual or communications media (mediated singing), some of it quarantine-mandated. The last of eight substantial sections is a repository of new theories about how group singing practices work. Throughout, the authors problematize the limitations inherited from the western European choral music tradition and report on workable new remedies to counter those constraints"--

Do Glaciers Listen? explores the conflicting depictions of glaciers to show how natural and cultural histories are objectively entangled in the Mount Saint Elias ranges. This rugged area, where Alaska, British Columbia, and the Yukon Territory now meet, underwent significant geophysical change in the late eighteenth and nineteenth centuries, which coincided with dramatic social upheaval resulting from European exploration and increased travel and trade among Aboriginal peoples. European visitors brought with them varying conceptions of nature as sublime, as spiritual, or as a resource for human progress. They saw glaciers as inanimate, subject to empirical investigation and measurement. Aboriginal oral histories, conversely, described glaciers as sentient, animate, and quick to respond to human behaviour. In each case, however, the experiences and ideas surrounding glaciers were incorporated into interpretations of social relations. Focusing on these contrasting views during the late stages of the Little Ice Age (1550-1900), Cruikshank demonstrates how local knowledge is produced, rather than discovered, through colonial encounters, and how it often conjoins social and biophysical processes. She then traces how the divergent views weave through contemporary debates about cultural meanings as well as current discussions about protected areas, parks, and the new World Heritage site. Readers interested in anthropology and Native and northern studies will find this a fascinating read and a rich addition to circumpolar literature.

What people wore in the distant past is often challenging to determine, owing to the disintegration of natural textiles and materials over time. Yet when new findings from archaeological excavations are compared with documentation about early Acadia, a fascinating picture of the society’s early fashions is revealed. Fashioning Acadians is a history of clothesmaking and dress in Acadia from 1650 to 1750. Through the analysis of four Acadian settlements in what is now Nova Scotia, Hilary Doda uncovers the regional fashions and trends that had begun to emerge prior to the violence of the deportations of 1755. Men’s and women’s wardrobes are described from head to toe, from headdresses and hairstyles down to stockings and shoes, along with accessories such as buttons, buckles, and jewellery. While Acadians retained many aspects of the fashion systems of France, New France, and New England, a distinctive Acadian identity can be seen to take shape as their dress evolved and was influenced by other regional styles. Exploring the possibilities of a new methodology for identifying lost or decayed garments, Doda argues that surviving notions, sewing tools, and accessories – the small finds of archaeological sites – are important sources of information not only about domestic life, but about manufacturing processes, dress and textile cultures, and the influence of intersecting fashion systems in colonial spaces. Fashioning Acadians expands our understanding of Acadian lives and their connections to both the Atlantic world of goods and the landscapes of Nova Scotia.

Born in Scotland and trained as a sugar broker in England, Sir George Simpson was appointed as governor of Ruperts Land and the Indian territories in 1820. By his friendliness, strict discipline, and vigorous and constant travel, he brought peace and prosperity to the vast empire under his control.

Presenting ten titles in the Quest Biography series that profiles prominent figures in Canada’s history. The important Canadian lives detailed here are: painters Tom Thomson and James Wilson Morrice; explorer Vilhjalmur Stefansson; frontiersman Simon Girty; railway baron William C. Van Horne; early politicians George Simpson and James Douglas; revolutionary Metis leader Louis Riel; writer Robertson Davies; and early movie star Mary Pickford. Includes Louis Riel James Wilson Morrice Vilhjalmur Stefansson Robertson Davies James Douglas William C. Van Horne George Simpson Tom Thomson Simon Girty Mary Pickford