There is a marked awareness about the language of literature and its meaning both in Indian and Western aesthetic thinking. The aestheticians of both schools hold that the language of literature embodies a significant aspect of human experience, and represents a creative pattern of verbal structure to impart meaning effectively. Modern Western aesthetic thinking, which includes theories like formalism, new criticism, stylistics, structuralism, post-structuralism, deconstruction, discourse analysis, semiotics and dialogic criticism, in one way or another emphasizes the study of the language of literature in order to understand its meaning. Similarly, there is a distinct focus on the language of literature and its meaning in Indian literary theories which include the theory of rasa (aesthetic experience), alaṁkāra (the poetic figure), rīti (diction), dhvani (suggestion), vakrokti (oblique expression) and aucitya (propriety). This book explores how the language of literature and its meaning have been dealt with in both Indian and Western aesthetic thinking. In doing so, the study concentrates on Kuntaka’s theory of vakrokti and Ānandavardhana’s theory of dhvani in Indian aesthetic thinking and Russian formalism and deconstruction in Western thinking. The book categorically focuses on the intersection between the theory of vakrokti and Russian formalism and the meeting-point between the theory of dhvani and deconstruction.

Professor Robson considers particular works and authors in the light of the preceding discussion of critical principles.

Literature, Interpretation and Ethics argues for the centrality of hermeneutics in the context of ongoing debates about the value and values of literature, and about the role and ethics of literary study. Hermeneutics is the endeavor to understand the nature of interpretation, as it poses vital questions about how we make sense of works of art, our own lives, other people and the world around us. The book outlines the contribution of hermeneutics to literary study through detailed accounts of role of interpretation in the work of key thinkers such as Martin Heidegger, Hans-Georg Gadamer, Paul Ricoeur, Umberto Eco, Jacques Derrida and Emmanuel Levinas. It also illustrates problems of interpretation posed by specific literary texts and films, emphasising how our interpretive acts also entail ethical engagements. The book develops a ‘hermeneutics of (guarded) trust’, which calls for attention to the agency of art without surrendering critical vigilance. Through a series of forays into theoretical texts, literary works and films, the book contributes to contemporary debates about critical practice and the cultural value. Interpretation, it suggests, is always fallible but it is also essential to our place in the world, and to the importance of the humanities.

This collection brings together eighteen of the author’s original papers, previously published in a variety of academic journals and edited collections over the last three decades, on the process of interpretation in literature and the visual arts in one comprehensive volume. The volume highlights the centrality of artistic texts to the study of multimodality, organized into six sections each representing a different modality or semiotic system, including literature, television, film, painting, sculpture, and architecture. A new introduction lays the foundation for the theoretically based method of analysis running through each of the chapters, one that emphasizes the interplay of textual details and larger thematic purposes to create an open-ended and continuous approach to the interpretation of artistic texts, otherwise known as the "hermeneutic spiral". Showcasing Michael O’Toole’s extensive contributions to the field of multimodality and in his research on interpretation in literature and the visual arts, this book is essential reading for students and scholars in multimodality, visual arts, art history, film studies, and comparative literature.

'The Book of Changes: A Modern Adaptation and Interpretation' attempts to breathe new life into the Book of Changes by making it relevant to the present time and day. It does so by using archaeological evidence to trace the origins of the Book of Changes, starting with numeric trigrams and hexagrams, making its way up to early divination manuals, and ending with the oldest extant version of the Books of Changes—usually referred to as the ‘received version.’ It also explains the development of the Book of Changes from a divination manual into a philosophical text dealing with change. However, its main focus is on delineating sixty-four patterns of change in the Book of Changes, patterns based on novel metaphorical interpretations of the line texts in the Book of Changes that serve as the foundation for a new handbook on change. Each metaphorical interpretation consists of 1) a hexagram and the Chinese character associated with it, 2) a ‘description’ of the hexagram, 3) the Chinese characters for the line texts, 4) translations of the line texts, 5) a general interpretation of the line texts based on those translations, 6) and some explanatory notes that attempt to clarify each interpretation. Translations and the interpretations based on those translations reference Traditional and Modernist understandings of the line text materials, ancient texts/dictionaries/lexicons from the period when the Book of Changes was compiled, and the ideas of the author as he works to create a new Chinese ‘philosophy of change,’ complete with examples of how it can be adapted in modern-day life. The clear and concise general introduction to the Book of Changes that is incorporated into this work, the many interpretations of the line texts contained in it, and a popular philosophical content make this book a welcome addition to the field and will attract interested scholars and teachers, engage business people or those looking to better understand Chinese culture, and appeal to those focused on spirituality and holistic living.

DigiCat Publishing presents to you this special edition of "Vocal Expression: A Class-book of Voice Training and Interpretation" by Katherine Jewell Everts. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

This volume consists of sixteen essays, most of which are revised versions of papers read at a symposium held in May 1995 in Jerusalem at the Hebrew University and the Institute for Advanced Studies. Students of various religious and cultural traditions present their research in Jewish and Christian biblical interpretation. Fields covered include the Second Temple Period (Dead Sea Scrolls and the Life of Adam and Eve), Rabbinic literature, Early Greek and Syriac Antiochene exegesis, Syriac literature, Armenian reflections of Greek and Syriac exegesis (esp. the Armenian translations and reworkings of Eusebius of Emesa, Ephrem the Syrian and Jacob of Edessa), Ethiopic commentary tradition. Particular attention is devoted to the interrelationship between various traditions, e.g. Jewish and Christian, Greek and Syriac, Syriac and Armenian. The volume gives some telescoped insight into the cultural complexity of the Near East in Late Antiquity, where dynamic processes of cultural and religious interaction were continuously at work.