The literature of the 16th and 17th centuries was informed by the symbolic thought embodied in the mixed art form of emblems. This study explores the relationship between the emblem and the literature of England and Germany during the period.

This study examines representations of early modern female consorts and regnants via extra-literary emblematics such as paintings, jewelry, miniature portraits, carvings, placards, masques, funerary monuments, and imprese.

This volume examines, in English, the role of emblems in the Portuguese-speaking world, their distinctive qualities and their links with the wider European tradition. Luis Gomes brings together studies ranging over a wide corpus of material, in both Portugal and Brazil, from manuscripts to printed books to the famous azulejos."

This volume, first published in 2007, examines the role of religion as a vehicle for cultural exchange.

Katherine Calloway explores the relationship between science and religion through a wide-ranging selection of early modern English poets.

Reimagining Constancy in the English Civil Wars exposes writers' reliance on conservative language during one of the most radical periods of English history. In case studies of both familiar genres (country house poem, love lyric, epic) and understudied ones (emblem book, prose romance), it shows how the conservative language of "constancy" was used to justify opposing positions in the period's most pressing controversies, including monarchical rule, ecclesiastical order, Catholicism, and England's relationship to the wider world. At the same time, writers like John Milton, Andrew Marvell, Hester Pulter, Percy Herbert, and others establish the virtue's importance to literary tradition, as they use "constancy" to retain, yet reimagine inherited formal structures and strategies. This book thus uses women's writing and non-canonical texts to highlight cross-factional conservatism and international investment in what scholars often describe as the "English Revolution".

Exemplary Spenser analyses the reading experience of The Faerie Queene, as it is construed through the didactic poetics espoused in the Letter to Ralegh. Grogan pays close attention to Spenser's interrogation of visual as well as literary paradigms of knowledge and moral learning, and to his influences, including Sidney, Plutarch, and, importantly, Xenophon.

Lady Anne Bacon Drury (1572-1624) devised dozens of panels comprised of pictures and Latin mottoes for the walls of her closet or study. The panels functioned as a 'book' of meditations to enable her - well-connected, wealthy, and well-educated as she was - to cope with the disappointments of her life. For the first time in 400 years, Meakin thoroughly investigates the personal, social, and intellectual contexts of Lady Drury's closet.