Literature Suppressed on Sexual Grounds, Revised Edition examines the issues underlying the suppression of more than 100 works deemed sexually obscene. The entries new to this edition include America by Jon Stewart, Sex by Madonna, The Buffalo Tree by Adam Rapp, and many more. Also included are updates to entries such as Forever by Judy Blume, and more

When Tolstoy's The Kreutzer Sonata was banned from distribution through the mail (except for first class) in 1890, New York street vendors began selling it from pushcarts carrying large signs reading "Suppressed!" In 1961, the United States Supreme Court pondered whether D.H. Lawrence's Lady Chatterley's Lover was lewd or literary. In 1969, the novel was required reading in many college literature courses. Changing sexual mores have moved many formerly forbidden books out of locked cabinets and into libraries and classrooms. Literature Suppressed on Sexual Grounds, Fourth Edition examines the issues underlying the suppression of more than 120 works deemed sexually obscene. Entries include: America: The Book (Jon Stewart) An American Tragedy (Theodore Dreiser) The Arabian Nights (Sir Richard Burton, trans.) The Art of Love (Ovid) The Bluest Eye (Toni Morrison) Forever (Judy Blume) Gossip Girl series (Cecily von Ziegesar) How the Garcia Girls Lost Their Accents (Julia Alvarez) Lady Chatterley's Lover (D.H. Lawrence) Lolita (Vladimir Nabokov) Looking for Alaska (John Green) Rabbit, Run (John Updike) Snow Falling on Cedars (David Guterson) Song of Solomon (Toni Morrison) This Boy's Life (Tobias Wolff) Ulysses (James Joyce) and more.

Literature Suppressed on Social Grounds, Revised Edition discusses writings that have been banned over the centuries because they offended or merely ignored official truths; challenged widely held assumptions; or contained ideas or language unacceptable to a state, religious institution, or private moral watchdog. The entries new to this edition include the Captain Underpants series, We All Fall Down by Robert Cormier, and Jake and Honeybunch Go to Heaven by Margaret Zemach. Also included are updates to the censorship histories of such books as To Kill a Mockingbird and Of Mice and Men.

Literature Suppressed on Social Grounds, Fourth Edition discusses the many works that have been banned over the centuries because they offended or merely ignored official truths; challenged widely held assumptions; or contained ideas or language unacceptable to a state, religious institution, or private moral watchdog. Entries include: The Absolutely True Diary of a Part-Time Indian (Sherman Alexie) Adventures of Huckleberry Finn (Mark Twain) The Adventures of Sherlock Holmes (Sir Arthur Conan Doyle) Alice's Adventures in Wonderland (Lewis Carroll) Anne Frank: The Diary of a Young Girl (Anne Frank) As I Lay Dying (William Faulkner) Beloved (Toni Morrison) The Color Purple (Alice Walker) Drama (Raina Telgemeier) Fahrenheit 451 (Ray Bradbury) The Great Gatsby (F. Scott Fitzgerald) Howl and Other Poems (Allen Ginsberg) I Know Why the Caged Bird Sings (Maya Angelou) The Kite Runner (Khaled Hosseini) One Flew Over the Cuckoo's Nest (Ken Kesey) Of Mice and Men (John Steinbeck) To Kill a Mockingbird (Harper Lee) and more.

Literature Suppressed on Religious Grounds, Revised Edition profiles the censorship of many such essential works of literature. The entries new to this edition include extensive coverage of the Harry Potter series, which has been frequently banned in the United States on the grounds that it promotes witchcraft, as well as entries on two popular textbook series, The Witches by Roald Dahl, Women Without Men: A Novel of Modern Iran, and more. Also included are updates to such entries as The Satanic Verses by Salman Rushdie and On the Origin of Species by Charles Darwin.

Throughout history, tyrants, totalitarian states, church institutions, and democratic governments alike have banned books that challenged their assumptions or questioned their activities. Political suppression also occurs in the name of security and the safeguarding of official secrets and is often used as a weapon in larger cultural or political battles. Literature Suppressed on Political Grounds, Fourth Edition illustrates the extent and frequency of such censorship in nearly every form of writing. Entries include: Animal Farm (George Orwell) The Appointment (Herta Müller) Born on the Fourth of July (Ron Kovic) Burger's Daughter (Nadine Gordimer) Cancer Ward (Aleksandr Solzhenitsyn) Doctor Zhivago (Boris Pasternak) The Fugitive (Pramoedya Anata Toer) Girls of Riyadh (Rajaa Alsanea) The Grapes of Wrath (John Steinbeck) Gulliver's Travels (Jonathan Swift) The Hate U Give (Angie Thomas) The Jungle (Upton Sinclair) Kiss of the Spider Woman (Manuel Puig) Manifesto of the Communist Party (Karl Marx and Friedrich Engels) Les Misérables (Victor Hugo) Mein Kampf (Adolf Hitler) Slaughterhouse-Five (Kurt Vonnegut Jr.) Snow (Orhan Pamuk) The Struggle Is My Life (Nelson Mandela) The Things They Carried (Tim O'Brien) The Vaněk Plays (Václav Havel) and more.

This book is designed to prepare K-12 preservice and inservice teachers to address the social, cultural, and critical issues of our times through the use of multicultural children's books. It will be used as a core textbook in courses on multicultural children's literature and as a supplement in courses on children's literature and social studies teaching methods. It can also be used as a supplement in courses on literacy, reading, language arts, and multicultural education.

This landmark volume is the first to bring together leading scholarship on children’s and young adult literature from three intersecting disciplines: Education, English, and Library and Information Science. Distinguished by its multidisciplinary approach, it describes and analyzes the different aspects of literary reading, texts, and contexts to illuminate how the book is transformed within and across different academic figurations of reading and interpreting children’s literature. Part one considers perspectives on readers and reading literature in home, school, library, and community settings. Part two introduces analytic frames for studying young adult novels, picturebooks, indigenous literature, graphic novels, and other genres. Chapters include commentary on literary experiences and creative production from renowned authors and illustrators. Part three focuses on the social contexts of literary study, with chapters on censorship, awards, marketing, and literary museums. The singular contribution of this Handbook is to lay the groundwork for colleagues across disciplines to redraw the map of their separately figured worlds, thus to enlarge the scope of scholarship and dialogue as well as push ahead into uncharted territory.

Christians of all theological and political backgrounds ought to be ardent advocates of advancing, not curbing, freedom of speech within their own ranks and in the increasingly secular societies in which they live. Christians, Free Expression, and the Common Good presents the concept of free expression, and its opposite of censorship, as a tool for the Western church (and the U.S. church in particular) to respond more wisely and effectively to controversy. In their most severe form, these controversies lead to both formal and informal limitations on free expression, as Christians seek to silence those with whom they most stridently disagree. This study is timely given the Western church’s current state of flux as it tries to determine its identity and mission in a post-Christian setting. Christians, Free Expression, and the Common Good will appeal to a wide range of thoughtful religious scholars and others who would welcome ideas on how the church should refine and live out its mission in the early twenty-first century.

Freedom of the printed word is a defining feature of the modern world. Yet censorship and the suppression of literature never cease, and remain topical issues even in the most liberal of democracies. Today, just as in the past, advances in media technology are followed by new regulatory mechanisms. Similarly, any attempt to control cultural expression inevitably spurs fresh discussions about freedom of speech. In Forbidden Literature scholars from a variety of disciplines address censorship's past and present, whether in liberal democracies or totalitarian regimes. Through in-depth case studies they trace a historical continuum in which literature reveals its two-sided nature: it demands both regulation and protection. The contributors investigate the logic of literary repression, particularly in the twentieth and twenty-first centuries, and analyze why it is thought essential to control literature. Moreover, the authors determine how literary practices are shaped and transformed by regulation and censorship.