Emotions in Byzantium came to life through hymnody, which invited the faithful to step into a liturgical world of compunction.

Byzantinists entered the study of emotion with Henry Maguire’s ground-breaking article on sorrow, published in 1977. Since then, classicists and western medievalists have developed new ways of understanding how emotional communities work and where the ancients’ concepts of emotion differ from our own, and Byzantinists have begun to consider emotions other than sorrow. It is time to look at what is distinctive about Byzantine emotion. This volume is the first to look at the constellation of Byzantine emotions. Originating at an international colloquium at Dumbarton Oaks, these papers address issues such as power, gender, rhetoric, or asceticism in Byzantine society through the lens of a single emotion or cluster of emotions. Contributors focus not only on the construction of emotions with respect to perception and cognition but also explore how emotions were communicated and exchanged across broad (multi)linguistic, political and social boundaries. Priorities are twofold: to arrive at an understanding of what the Byzantines thought of as emotions and to comprehend how theory shaped their appraisal of reality. Managing Emotion in Byzantium will appeal to researchers and students alike interested in Byzantine perceptions of emotion, Byzantine Culture, and medieval perceptions of emotion.

In Hymns, Homilies and Hermeneutics the authors explore the sacred stories, affective scripts and salvific songs which were the literature of Byzantine liturgical communities and provide a window into lived Christianity in this period.

This sharply honed and well-constructed work brings to the fore and explores the New Testament story regarding the woman who entered a house where Jesus was dining and anointed him with precious oil shortly before His Passion and Crucifixion. The author unveils the intricate nature of the tradition of the Church that gives the woman a voice and elucidates her backstory through its liturgical poetry, oratory, and other writings. Scholarly consideration is given to all these sources in addressing questions such as: Who was this woman? Where did she come from? How did she acquire the precious oil? How did she enter into the house of Simon uninvited? How did she perceive her own bold actions? The reader will learn that in the liturgical tradition of the Orthodox Church, as found in the hymnology of Holy Week, this sinful woman is shown to be an example of repentance and unconstrained love. The intricate nature of the hymns and homilies of the Orthodox Church give greater scope and application to the biblical record primarily in Greek and Syriac manuscripts, with particular attention given to the former texts, too often overshadowed by the latter. The author shares previously inaccessible texts of late antiquity such as homilies by Amphilochius of Iconium and Ephrem Graecus found here in English for the first time. This in-depth and readable study will engage those who encounter the story of the sinful woman in the living tradition of worship within the Orthodox Church, together with those who have encountered this story in Scripture, or in the course of their academic studies.

Drawing together contributions from scholars across history, art history, literature, geography, architecture and theology, Sacred Mobilities in Byzantium and Beyond explores the nexus between mobility and Orthodox Christianity in the Byzantine empire and in the centuries after its fall.

Compunction was one of the most important emotions for medieval Christianity; in fact, through its confessional function, compunction became the primary means for an affective sinner to gain redemption. Cultures of Compunction in the Medieval World explores how such emotion could be expressed, experienced and performed in medieval European society. Using a range of disciplinary approaches – including history, philosophy, art history, literary studies, performance studies and linguistics – this book examines how and why emotions which now form the bedrock of modern western culture were idealized in the Middle Ages. By bringing together expertise across disciplines and medieval languages, this important book demonstrates the ubiquity and impact of compunction for medieval life and makes wider connections between devotional, secular and quotidian areas of experience.

Liturgical Subjects examines the history of the self in the Byzantine Empire, challenging narratives of Christian subjectivity that focus only on classical antiquity and the Western Middle Ages. As Derek Krueger demonstrates, Orthodox Christian interior life was profoundly shaped by patterns of worship introduced and disseminated by Byzantine clergy. Hymns, prayers, and sermons transmitted complex emotional responses to biblical stories, particularly during Lent. Religious services and religious art taught congregants who they were in relation to God and each other. Focusing on Christian practice in Constantinople from the sixth to eleventh centuries, Krueger charts the impact of the liturgical calendar, the eucharistic rite, hymns for vigils and festivals, and scenes from the life of Christ on the making of Christian selves. Exploring the verse of great Byzantine liturgical poets, including Romanos the Melodist, Andrew of Crete, Theodore the Stoudite, and Symeon the New Theologian, he demonstrates how their compositions offered templates for Christian self-regard and self-criticism, defining the Christian "I." Cantors, choirs, and congregations sang in the first person singular expressing guilt and repentence, while prayers and sermons defined the collective identity of the Christian community as sinners in need of salvation. By examining the way models of selfhood were formed, performed, and transmitted in the Byzantine Empire, Liturgical Subjects adds a vital dimension to the history of the self in Western culture.

Prayer and Worship in Eastern Christianities, 5th to 11th Centuries forges a new conversation about the diversity of Christianities in the medieval eastern Mediterranean, centered on the history of practice, looking at liturgy, performance, prayer, poetry, and the material culture of worship. It studies prayer and worship in the variety of Christian communities that thrived from late antiquity to the middle ages: Byzantine Orthodoxy, Syrian Orthodoxy, and the Church of the East. Rather than focusing on doctrinal differences and analyzing divergent patterns of thought, the essays address common patterns of worship, individual and collective prayer, hymnography and liturgy, as well as the indigenous theories that undergirded Christian practices. The volume intervenes in standard academic discourses about Christian difference with an exploration of common patterns of celebration, commemoration, and self-discipline. Essays by both established and promising, younger scholars interrogate elements of continuity and change over time – before and after the rise of Islam, both under the control of the Eastern Roman Empire and in the lands of successive caliphates. Groups distinct in their allegiances nevertheless shared a common religious heritage and recognized each other – even in their differences – as kinds of Christianity. A series of chapters explore the theory and practice of prayer from Greco-Roman late antiquity to the Syriac middle ages, highlighting the transmission of monastic discourses about prayer, especially among Syrian and Palestinian ascetic teachers. Another set of essays examines localization of prayer within churches through inscriptions, donations, dedications, and incubation. Other chapters treat the composition and transmission of hymns to adorn the liturgy and articulate the emotions of the Christian calendar, structuring liturgical and eschatological time.

From the reception of imperial ekphraseis in Hagia Sophia to the sounds and smells of the back streets of Constantinople, the sensory perception of Byzantium is an area that lends itself perfectly to an investigation into the experience of the Byzantine world. The theme of experience embraces all aspects of Byzantine studies and the Experiencing Byzantium symposium brought together archaeologists, architects, art historians, historians, musicians and theologians in a common quest to step across the line that divides how we understand and experience the Byzantine world and how the Byzantines themselves perceived the sensual aspects of their empire and also their faith, spirituality, identity and the nature of ’being’ in Byzantium. The papers in this volume derive from the 44th Spring Symposium of Byzantine Studies, held for the Society for the Promotion of Byzantine Studies by the University of Newcastle and University of Durham, at Newcastle upon Tyne in April 2011. They are written by a group of international scholars who have crossed disciplinary boundaries to approach an understanding of experience in the Byzantine world. Experiencing Byzantium is volume 18 in the series published by Ashgate on behalf of the Society for the Promotion of Byzantine Studies.

From the reception of imperial ekphraseis in Hagia Sophia to the sounds and smells of the back streets of Constantinople, the sensory perception of Byzantium is an area that lends itself perfectly to an investigation into the experience of the Byzantine world. The theme of experience embraces all aspects of Byzantine studies and the Experiencing Byzantium symposium brought together archaeologists, architects, art historians, historians, musicians and theologians in a common quest to step across the line that divides how we understand and experience the Byzantine world and how the Byzantines themselves perceived the sensual aspects of their empire and also their faith, spirituality, identity and the nature of ‘being’ in Byzantium. The papers in this volume derive from the 44th Spring Symposium of Byzantine Studies, held for the Society for the Promotion of Byzantine Studies by the University of Newcastle and University of Durham, at Newcastle upon Tyne in April 2011. They are written by a group of international scholars who have crossed disciplinary boundaries to approach an understanding of experience in the Byzantine world. Experiencing Byzantium is volume 18 in the series published by Ashgate on behalf of the Society for the Promotion of Byzantine Studies.