The divine mystery, as interpreted by Paul, offers transformation. The believer who identifies with the death and resurrection of Christ by putting to death the old way of life (Rom 6:5-11; Gal 2:20) enters into a new sphere of influence characterized by intimate fellowship with Christ. One who is in this sphere is free from the snare of Adam and the world and is no longer bound by the power of sin and death. The divine mystery also offers a new source of power by the indwelling Holy Spirit. The Spirit brings gifts to those in Christ that enable them to function as community. The highest and most significant of these is love which brings diversity together into unity. The indicative is that the Spirit graces believers with love. The imperative is that they should follow after the example of Paul, and hence Christ, in loving others. The divine Spirit is described as holy and makes holiness possible for those in Christ. The indicative is that fellowship with Christ is possible because of redemption. The imperative is that Christ demands loyalty which cannot be shared with any other, particularly with prostitutes who represent the ways of the world or idols that open doors for demons. --from the Conclusion

With the twelve-volume series Feasting on the Word, Westminster John Knox Press offers one of the most extensive and well-respected resources for preaching on the market today. When complete, the twelve volumes will cover all of the Sundays in the three-year lectionary cycle, along with moveable occasions. The page layout is truly unique. For each lectionary text, preachers will find brief essays-- one each on the exegetical, theological, pastoral, and homiletical challenges of the text. Each volume will also contain an index of biblical passages so that nonlectionary preachers may make use of its contents. The printed volumes for Ordinary Time include the complementary stream during Year A, the complementary stream during the first half of Year B, the semicontinuous stream during the second half of Year B, and the semicontinuous stream during Year C. Beginning with the season after Pentecost for Year C, the alternate lections for Ordinary Time not in the print volumes will be available online at feastingontheword.net.

Since 2000, The Brooklyn Rail has been a platform for artists, academics, critics, poets, and writers in New York and abroad. The monthly journal’s continued appeal is due in large part to its diverse contributors, many of whom bring contrasting and often unexpected opinions to conversations about art and aesthetics. No other publication devotes as much space to the artist’s voice, allowing ideas to unfold and idiosyncrasies to emerge through open discussion. Since its inception, cofounder and artistic director Phong Bui and the Rail’s contributors have interviewed over four hundred artists for The Brooklyn Rail. This volume brings together for the first time a selection of sixty of the most influential and seminal interviews with artists ranging from Richard Serra and Brice Marden, to Alex Da Corte and House of Ladosha. While each interview is important in its own right, offering a perspective on the life and work of a specific artist, collectively they tell the story of a journal that has grown during one of the more diverse and surprising periods in visual art. There is no unified style or perspective; The Brooklyn Rail’s strength lies in its ability to include and champion difference. Selected and coedited by Jarrett Earnest, a frequent Rail contributor, with Lucas Zwirner, the book includes an introduction to the project by Phong Bui as well as many of the hand-drawn portraits he has made of those he has interviewed over the years. This combination of verbal and visual profiles offers a rare and personal insight into contemporary visual culture. Interviews with Vito Acconci, Ai Weiwei, Lynda Benglis, James Bishop, Chris Burden, Vija Celmins, Francesco Clemente, Bruce Conner, Alex Da Corte, Rosalyn Drexler, Keltie Ferris, Simone Forti, Andrea Fraser, LaToya Ruby Frazier, Suzan Frecon, Coco Fusco, Robert Gober, Leon Golub, Ron Gorchov, Michelle Grabner, Josephine Halvorson, Sheila Hicks, David Hockney, Roni Horn, House of Ladosha, Alfredo Jaar, Bill Jensen, Alex Katz, William Kentridge, Matvey Levenstein, Nalini Malani, Brice Marden, Chris Martin, Jonas Mekas, Shirin Neshat, Thomas Nozkowski, Lorraine O’Grady, Genesis Breyer P-Orridge, Joanna Pousette-Dart, Ernesto Pujol, Martin Puryear, Walid Raad, Dorothea Rockburne, Tim Rollins and K.O.S., Robert Ryman, Dana Schutz, Richard Serra, Shahzia Sikander, Nancy Spero, Hiroshi Sugimoto, Sarah Sze, Rirkrit Tiravanija, James Turrell, Richard Tuttle, Luc Tuymans, Kara Walker, Stanley Whitney, Jack Whitten, Yan Pei-Ming, and Lisa Yuskavage Special thanks to Furthermore, a program of the J.M. Kaplan Fund, for their support of The Brooklyn Rail.

A Commentary in Twleve Volumes.

Includes Sacred choral music and Secular choral music.

Translated by David H. Rosenthal Here is a recovered Renaissance classic, a Catalan novel of chivalry done into English for the first time by a gifted poet and translator. Cervantes singles out Tirant lo Blanc for very special praise in Don Quixote—in the scene in which the don’s friends, eager to save his sanity, are making a bonfire of the romances of chivalry which have constituted his sole intellectual and spiritual nourishments. Cervantes makes a pointed exception of this work, putting into the mouth of a character the suggestion that the book deserves to remain in print throughout the ages. So it has—and now it can be read in David H. Rosenthal’s lively English. Tirant lo Blanc presents the life of the Renaissance nobility: politics, lovemaking, and war. The hero participates in all these activities with a great deal of dash and good humor, there is much excellent conversation along the way, and by the time the story has come to its satisfying conclusion, the modern reader is convinced that life was quite as complex 500 years ago as it is today—and, for the European nobility, perhaps a good deal more entertaining.

The resurrection teachings Jesus taught to his disciple. Matthew 13:10 confirms the separate teachings: The disciples came to Jesus and asked, “Why do you speak to the people in parables?” He replied, “The knowledge of the secrets of the kingdom of heaven has been given to you, but not to them. For this people’s heart has become calloused; they hardly hear with their ears, and they have closed their eyes. Otherwise they might see with their eyes, hear with their ears, understand with their hearts and turn, and I would heal them. This is why I speak to them in parables: Though seeing, they do not see; though hearing, they do not hear or understand. In them is fulfilled the prophecy of Isaiah: “ ‘You will be ever hearing but never understanding; you will be ever seeing but never perceiving.’ ” But blessed are your eyes because they see, and your ears because they hear. For truly I tell you, many prophets and righteous people longed to see what you see but did not see it, and to hear what you hear but did not hear it. " – Matthew 13:10-16 It is not only important to fully understand all of the knowledge within Jesus' teachings, the level within the heavens you will inherit, after your life, depends upon it.