Many women, driven by a need for change in their lives, contact a marriage agency. These are their stories – ironic, woeful, romantic, and often very funny – as varied and as wonderful as the women themselves. Working as a matchmaker in the 1990’s Irina had seen a lot related to the international dating phenomenon, particularly as it was viewed through the eyes of Russian Women. The author is a Russian, but she has written these stories in a charming idiosyncratic English.

How does the sudden onset of disability impact the sense of self in a person whose identity was, at least in part, predicated on the possession of what is culturally understood to be an "able" body? How does this experience make visible the structures enabling society's shared notions of heteronormative masculinity? In the United States, the Second World War functioned as a key moment in the emergence of modern understandings of disability, demonstrating that an increased concern with disability in the postwar period would ultimately lead to greater incoherence in the definitions and cultural meanings of disability in America. The Illegible Man examines depictions of disability in American film and literature in twentieth-century postwar contexts, beginning with the first World War and continuing through America's war in Vietnam. Will Kanyusik searches for the origin of discourse surrounding disability and masculinity after the Second World War, examining both literature and film—both fiction and documentary—their depictions of disability and masculinity, and how many of these texts were created by the relationship between the culture industry and the Office of War Information in the 1940s. Supported by original archival research, The Illegible Man presents a new understanding of disability, masculinity, and war in American culture.

An anthology featuring the world's greatest mystery authors writing about theworld's greatest mystery novels.

These stories share a common concept: man has dreamed for centuries about space flight, about happiness, about immortality. If only I could fly to the moon, he has told himself, if only I could find true happiness, if only I could live forever ... then I would be like a god. These stories, however, go on to demonstrate that every dream come true brings unforeseen consequences. The power of man to dream and make his dreams come true is unlimited, but each step forward must be paid for, there is no such thing as a free lunch, and some dreams are nightmares.

In Depictions of Home in African American Literature, Trudier Harris analyzes fictional homespaces in African American literature from those set in the time of slavery to modern urban configurations of the homespace. She argues that African American writers often inadvertently create and follow a tradition of portraying dysfunctional and physically or emotionally violent homespaces. Harris explores the roles race and religion play in the creation of homespaces and how geography, space, and character all influence these spaces. Although many characters in African American literature crave safe, happy homespaces and frequently carry such images with them through their mental or physical migrations, few characters experience the formation of healthy homespaces by the end of their journeys. Harris studies the historical, cultural, and literary portrayals of the home in works from well-known authors such as Richard Wright, James Baldwin, Toni Morrison, and August Wilson as well as lesser-studied authors such as Daniel Black, A.J. Verdelle, Margaret Walker, and Dorothy West.

Welcome to the 3 Books To Know series, our idea is to help readers learn about fascinating topics through three essential and relevant books. These carefully selected works can be fiction, non-fiction, historical documents or even biographies. We will always select for you three great works to instigate your mind, this time the topic is: Native American. - The Last of the Mohicans by James Fenimore Cooper. - Ramona by Helen Hunt Jackson . - Myths Of The Cherokee By James Mooney.The Last of the Mohicans: A Narrative of 1757 is a historical novel written by James Fenimore Cooper in 1826. The novel is set primarily in the upper New York wilderness, detailing the transport of the two daughters of Colonel Munro, Alice and Cora, to a safe destination at Fort William Henry. Among the caravan guarding the women are the frontiersman Natty Bumppo, Major Duncan Heyward, and the Indians Chingachgook and Uncas, the latter two being the novel's title characters. These characters are sometimes seen as a microcosm of the budding American society, particularly with regard to their racial composition. Ramona is an 1884 American novel written by Helen Hunt Jackson. Set in Southern California after the Mexican–American War, it portrays the life of a mixed-race Irish–Native American orphan girl, who suffers racial discrimination and hardship. The novel's influence on the culture and image of Southern California was considerable. Its sentimental portrayal of Mexican colonial life contributed to establishing a unique cultural identity for the region. As its publication coincided with the arrival of railroad lines in the region, countless tourists visited who wanted to see the locations of the novel. Myths of the Cherokee is a compilation of tales from the oral tradition of the Cherokee people. The work is part of a series of ethnographic studies by James Mooney of the native populations of the USA. This is one of many books in the series 3 Books To Know. If you liked this book, look for the other titles in the series, we are sure you will like some of the topics

Reprint of the original, first published in 1875.

Analyzing literary texts, plays, films and photographs within a transatlantic framework, this volume explores the inseparable and mutually influential relationship between different forms of national identity in Great Britain and the United States and the construction of masculinity in each country. The contributors take up issues related to how certain kinds of nationally specific masculine identifications are produced, how these change over time, and how literature and other forms of cultural representation eventually question and deconstruct their own myths of masculinity. Focusing on the period from the end of World War II to the 1980s, the essays each take up a topic with particular cultural and historical resonance, whether it is hypermasculinity in early cold war films; the articulation of male anxieties in plays by Arthur Miller, David Mamet and Sam Shepard; the evolution of photographic depictions of masculinity from the 1960s to the 1980s; or the representations of masculinity in the fiction of American and British writers such as Patricia Highsmith, Richard Yates, John Braine, Martin Amis, Evan S. Connell, James Dickey, John Berger, Philip Roth, Frank Chin, and Maxine Hong Kingston. The editors and contributors make a case for the importance of understanding the larger context for the emergence of more pluralistic, culturally differentiated and ultimately transnational masculinities, arguing that it is possible to conceptualize and emphasize difference and commonality simultaneously.