"An inventory of the private possessions of Lorenzo il Magnifico de' Medici, head of the ruling Medici family during the apogee of the Florentine Renaissance"--Provided by publisher.

Alfred von Reumont's 'Lorenzo de' Medici, the Magnificent' is a captivating portrayal of the life and reign of one of the most influential figures of the Italian Renaissance. Von Reumont's detailed account sheds light on Lorenzo de' Medici's political prowess, patronage of the arts, and profound impact on the cultural landscape of Florence. The book is written in a scholarly yet engaging style, making it accessible to readers interested in both history and literature. Von Reumont masterfully weaves together historical facts with insightful analysis, providing a comprehensive understanding of Lorenzo de' Medici's complex character and legacy. Set against the backdrop of 15th-century Italy, the book offers a nuanced perspective on a pivotal period in European history. Alfred von Reumont, a renowned historian and expert on Italian Renaissance, brings his expertise to 'Lorenzo de' Medici, the Magnificent'. His deep understanding of the political and cultural dynamics of the time illuminates the motivations and actions of Lorenzo de' Medici, offering a fresh perspective on this influential ruler. I highly recommend 'Lorenzo de' Medici, the Magnificent' to anyone interested in the Renaissance, Italian history, or political intrigue. Von Reumont's insightful analysis and captivating storytelling make this book a must-read for scholars and history buffs alike.

Lorenzo de' Medici, the Magnificent is a two-part biography on the life and achievements of Lorenzo de' Medici (1449-1492), an Italian administrator, leader of the Florentine Republic and one of the most influential benefactors of Renaissance culture in Italy. Also known as Lorenzo the Magnificent, he is recognized for his patronage of artists such as Botticelli and Michelangelo. His life spanned concurrently with the stable part of the Italian Renaissance and the Golden Age of Florence.

Inventories are among the oldest documents to survive from ancient times. Textiles take an important place within them and inform – among other things – about value, context of use, material, fashion, trade or techniques. This is all the more relevant, as textiles were then the most important trade goods after bullion and food. The articles of this volume focus on the time between the High Middle Ages and the Early Modern Period. They represent different approaches to this fascinating topic whose social framework includes popes, kings, merchants and farmers.

In the past half century scholars have downplayed the significance of Lorenzo de' Medici (1449–1492), called "the Magnificent," as a patron of the arts. Less wealthy than his grandfather Cosimo, the argument goes, Lorenzo was far more interested in collecting ancient objects of art than in commissioning contemporary art or architecture. His earlier reputation as a patron was said to be largely a construct of humanist exaggeration and partisan deference. Although some recent studies have taken issue with this view, no synthesis of Lorenzo as art patron and art lover has yet emerged. In Lorenzo de' Medici and the Art of Magnificence historian F. W. Kent offers a new look at Lorenzo's relationship to the arts, aesthetics, collecting, and building—especially in the context of his role as the political boss (maestro della bottega) of republican Florence and a leading player in Renaissance Italian diplomacy. As a result of this approach, which pays careful attention to the events of his short but dramatic life, a radically new chronology of Lorenzo's activities as an art patron emerges, revealing them to have been more extensive and creative than previously thought. Kent's Lorenzo was broadly interested in the arts and supported efforts to beautify Florence and the many Medici lands and palaces. His expertise was well regarded by guildsmen and artists, who often turned to him for advice as well as for patronage. Lorenzo himself was educated in the arts by such men, and Kent explores his aesthetic education and taste, taking into account what is known of Lorenzo's patronage of music and manuscripts, and of his own creative work as a major Quattrocento poet. Richly illustrated with photographs of Medici landmarks by Ralph Lieberman, Lorenzo de' Medici and the Art of Magnificence offers a masterful portrait of Lorenzo as a man whose achievements might have rivaled his grandfather's had he not died so young.

In early modern Europe precious and semiprecious stones were valued not only for their beauty and rarity but also for their medical and magical properties. Lorenzo de’ Medici, Philip II of Spain, and Popes Leo X and Clement VII were all treated with expensive potions incorporating ground gems such as rubies, diamonds, and emeralds. Medical and magical/astrological lapidaries, texts describing the stones’ occult and medical qualities as well as their abilities to ward off demons and incantations, were essential resources for their use. First published in Venice in 1502, Camillo Leonardi’s Speculum Lapidum is an encyclopedic summary of all classical and medieval sources of lithotherapy. In describing the natural, manifest, and occult properties of precious and semiprecious stones as well as their graven images and applications, the Speculum Lapidum provides tremendous insight into the role that medical astrology and astral magic played in the life of an Italian court in the early modern period. Liliana Leopardi’s English translation, complete with critical apparatuses, gives unprecedented access to this key text within the magical lapidary genre. A vital addition to the existing canon of lapidaria in translation, Leopardi’s work will be of special importance for students and scholars of the history of magic, medicine, religion, and Renaissance humanism, and it will fascinate anyone interested in the occult properties of precious and semiprecious stones.