Pleasure seekers have visited Lake Pontchartrain destinations for more than two centuries. From grand resorts like the Pontchartrain Hotel to simple camps at Little Woods, these shores welcomed visitors by steamboat and train to dance, dine, drink and gamble. Milneburg was home to a noted hotel and bathhouses, while Mandeville was a popular spot to escape the heat. Entertainment included the contortionist "Happy Frog" Holman, the Great Wallendas and Armand Piron's Jazz Orchestra. Join author Catherine Campanella for a fascinating look back at the camps, restaurants and amusement parks lost to nature, neglect and changing times.

Humans first inhabited Metairie after the Mississippi River flowed through it, leaving behind natural levees--as well as Bayou Metairie--along Metairie Road. After the surrounding swampland was drained, other areas were developed, and in 2020, Metairie became the sixth-largest census designated place in the nation.

"Recreation without Humiliation is the first comprehensive study of Black amusement venues established by Black Americans for Black Americans. Mary Stanton's extensive research on African American amusement parks in America explores not only segregation, class, and social barriers but also the notion of the 'pursuit of happiness' as an inalienable right for all races and classes of people. Inspired by summers spent on Coney Island, where Stanton became curious about the existence of African American amusement parks in America, Stanton's research uncovered more than fifty such venues, most of which operated during the late nineteenth and early twentieth centuries. These were parks, theaters, juke joints, country clubs, summer colonies, baseball diamonds, and arenas. Although these venues provided much needed recreational services to an underserved Black population, many were threatened by whites, and some destroyed by them. Through her study of these sites of recreation, Stanton illuminates the history of African Americans who strove to create and maintain safe and satisfying entertainment despite segregation. In her research, Stanton also found class divisions among Black American entertainment venues. At the pinnacle of Black society in this era were the upper class, who could afford exclusive Black summer cottages and country clubs. General entertainment for Black working-class families consisted of dancing and drinking in juke joints or patronizing small amusement parks, playgrounds, movie theaters, church-sponsored functions, and Black county fairs. African Americans in the twentieth century, especially in the South, transformed segregation into what historian Earl Lewis calls "congregation." Congregation implies choice, and this congregation "provided space and support for establishing new amusements, entertainments, music, and dance" without interference or oppression"--

A vital and volatile part of the New Orleans landscape and lifestyle, the Lake Pontchartrain Basin actually contains three major bodies of water—Lakes Borgne, Pontchartrain, and Maurepas. These make up the Pontchartrain estuary. Robert W. Hastings provides a thorough examination of the historical and environmental research on the basin, with emphasis on its environmental degradation and the efforts to restore and protect this estuarine system. He also explores the current biological condition of the lakes. Hastings begins with the geological formation of the lakes and the relationship between Native Americans and the water they referred to as Okwa'ta, the “wide water.” From the historical period, he describes the forays of French explorer Pierre Le Moyne D'Iberville in 1699 and traces the environmental history of the basin through the development of the New Orleans metropolitan area. Using the lakes for transportation and then recreation, the surrounding population burgeoned, and this growth resulted in severe water pollution and other environmental problems. In the 1980s, the Lake Pontchartrain Basin Foundation led a concerted drive to restore the lakes, an ongoing effort that has proved significant.

Though thirty years in the making, Phillip Collier's Missing New Orleans was almost another treasure lost to Hurricane Katrina. Final proof was due at the New Orleans printer August 31, 2005, just days after floodwaters breached the levees. To the principals of the book, "missing New Orleans" took on personal, devastating meanings. This pictorial history of New Orleans from the early 1700s to the present offers over 250 images as well as stories of places, entities, and events that were at one time a vital part of the city. Each lost gem tells a unique narrative: the Claiborne Avenue Oaks, the French Opera House, Pontchartrain and Lincoln Beaches, the Gypsy Tea Room, Tulane and Pelican Stadiums, Mr. Bingle, and D. H. Holmes. Images celebrate grand historic structures that once stood along New Orleans thoroughfares, including the St. Louis and St. Charles Hotels from the mid-nineteenth century and the five downtown railroad stations and the Rivergate from the twentieth century. Through the photographs, postcards, posters, maps, and line drawings gathered by New Orleans graphic designer Phillip Collier, those enamored of the Crescent City can explore a time when West End Park and Spanish Fort were lakefront resort destinations, when boxing and horse racing ruled the city's sporting world, when street vendors plied their wares, and steamboats packed the wharves.