By day, young Gilbert Bagnani studied archaeology in Greece, but by night he socialised with the elite of Athenian society. Secretly writing for the Morning Post in London, he witnessed both antebellum Athens in 1921 and the catastrophic collapse of Christian civilisation in western Anatolia in 1922. While there have been many accounts by refugees of the disastrous flight from Smyrna, few have been written from the perspective of the west side of the Aegean. The flood of a million refugees to Greece brought in its wake a military coup in Athens, the exile of the Greek royal family and the execution or imprisonment of politicians, whom Gilbert knew. Gilbert's weekly letters to his mother in Rome reveal his Odyssey-like adventures on a voyage of discovery through the origins of western civilisation. As an archaeologist in Greece, he travelled through time seeing history repeat itself: Minoan Knossos, Byzantine Constantinople and Ottoman Smyrna were all violently destroyed, but the survivors escaped to the new worlds of Mycenaean Greece, Renaissance Venice and modern Greece. At Smyrna in the twentieth century, history was written not only by the victors but was also recorded by the victims. At the same time, however, the twentieth century itself was so filled with reports of ethnic cleansings on such a scale that the reports brutalized the humanity of the supposedly civilized people reading about them, and the tragedy of Smyrna disappeared from public awareness between the cataclysmic upheavals of the First and Second World Wars.

Ancient Greece and Rome in Modern Science Fiction introduces and analyses the reception of classical antiquity in contemporary science fiction. By using up-to-date methods from classical reception theory, science-fiction analysis and fictional-world studies, the book will help furnish the reader’s understanding of the ways in which the literature, culture, history and mythology of ancient Greece and Rome are appropriated and represented across multiple media platforms in the science-fiction genre today. The book will therefore serve as an entry point into several areas of study: the reception of classics in popular culture, antiquity in modern media, the uses of the ancient world in science-fiction, and broader science-fiction criticism. The chapters – structured by medium – principally offer a roughly chronological overview of that medium and its treatment of ancient history, mythology, literature and culture. An abundance of case studies from literature, film and television and videogames including Star Trek, Battlestar Galactica, Fallout: New Vegas, the Mass Effect franchise and Assassin’s Creed show how classical antiquity is reused, encountered, re-encountered by creators and consumers of the present – how we bounce off it, and it bounces off us, and how this reciprocation creates new visions of Greece and of Rome.

DigiCat presents to you this unique SF collection, designed and formatted to the highest digital standards and adjusted for readability on all devices. Contents: H. G. Wells: The Time Machine The War of the Worlds The Invisible Man... Jules Verne: Journey to the Center of the Earth 20.000 Leagues under the Sea... Mary Shelley: Frankenstein The Last Man Edwin A. Abbott: Flatland Jack London: Iron Heel The Scarlet Plague... R. L. Stevenson: Dr Jekyll and Mr Hyde George MacDonald: Lilith H. Rider Haggard: King Solomon's Mines She William H. Hodgson: The Night Land... Edgar Allan Poe: Some Words with a Mummy Mellonta Tauta... H. P. Lovecraft: The Cats of Ulthar Celephaïs Edward Bellamy: Looking Backward: 2000–1887 Equality... Mark Twain: A Connecticut Yankee in King Arthur's Court George Orwell: 1984 Animal Farm Aldous Huxley: Brave New World Sinclair Lewis: It Can't Happen Here Yevgeny Zamyatin: We Owen Gregory: Meccania the Super-State Margaret Cavendish: The Blazing World Jonathan Swift: Gulliver's Travels William Morris: News from Nowhere Samuel Butler: Erewhon Edward Bulwer-Lytton: The Coming Race James Fenimore Cooper: The Monikins Charlotte Gilman: Herland... Hugh Benson: Lord of the World Fred M. White: The Doom of London Ignatius Donnelly: Caesar's Column Ernest Bramah: The Secret of the League Arthur D. Vinton: Looking Further Backward Robert Cromie: The Crack of Doom Anthony Trollope: The Fixed Period Cleveland Moffett: The Conquest of America Richard Jefferies: After London Milo Hastings: City of Endless Night Francis Stevens: The Heads of Cerberus Percy Greg: Across the Zodiac...

Enjoy this meticulously edited SF Collection, jam-packed with space adventures, dystopian apocalyptic tales and the greatest sci-fi classics: H. G. Wells: The Time Machine The War of the Worlds The Island of Doctor Moreau The Invisible Man… Jules Verne: Journey to the Center of the Earth 20.000 Leagues under the Sea The Mysterious Island… Mary Shelley: Frankenstein The Last Man Edgar Wallace: Planetoid 127 The Green Rust… Otis Adelbert Kline: The Venus Trilogy The Mars Series Malcolm Jameson: Captain Bullard Series Garrett P. Serviss: Edison's Conquest of Mars A Columbus of Space The Sky Pirate… Arthur Conan Doyle: The Professor Challenger Series Francis Bacon: New Atlantis Edwin A. Abbott: Flatland Jack London: Iron Heel The Scarlet Plague The Star Rover… Robert Louis Stevenson: Dr Jekyll and Mr Hyde George MacDonald: Lilith H. Rider Haggard: King Solomon's Mines She William H. Hodgson: The House on the Borderland The Night Land… Edgar Allan Poe: Some Words with a Mummy Mellonta Tauta… H. P. Lovecraft: Beyond the Wall of Sleep The Cats of Ulthar Celephaïs Edward Bellamy: Looking Backward: 2000–1887 Equality… Mark Twain: A Connecticut Yankee in King Arthur's Court Owen Gregory: Meccania the Super-State Margaret Cavendish: The Blazing World Jonathan Swift: Gulliver's Travels William Morris: News from Nowhere Samuel Butler: Erewhon Edward Bulwer-Lytton: The Coming Race James Fenimore Cooper: The Monikins Hugh Benson: Lord of the World Fred M. White: The Doom of London Ignatius Donnelly: Caesar's Column Ernest Bramah: The Secret of the League Arthur D. Vinton: Looking Further Backward Robert Cromie: The Crack of Doom Anthony Trollope: The Fixed Period Cleveland Moffett: The Conquest of America Richard Jefferies: After London Francis Stevens: The Heads of Cerberus Percy Greg: Across the Zodiac David Lindsay: A Voyage to Arcturus Stanley G. Weinbaum: Stories from the Solar System Edward Everett Hale: The Brick Moon Abraham Merritt: The Moon Pool The Metal Monster… C. J. Cutcliffe Hyne: The Lost Continent Lewis Grassic Gibbon: Three Go Back

Musaicum Books presents to you this unique SF collection, designed and formatted to the highest digital standards and adjusted for readability on all devices. H. G. Wells: The Time Machine The War of the Worlds The Island of Doctor Moreau The Invisible Man… Jules Verne: Journey to the Center of the Earth 20.000 Leagues under the Sea The Mysterious Island… Mary Shelley: Frankenstein The Last Man Edgar Wallace: Planetoid 127 The Green Rust… Otis Adelbert Kline: The Venus Trilogy The Mars Series Malcolm Jameson: Captain Bullard Series Garrett P. Serviss: Edison's Conquest of Mars A Columbus of Space The Sky Pirate… Arthur Conan Doyle: The Professor Challenger Series Francis Bacon: New Atlantis Edwin A. Abbott: Flatland Jack London: Iron Heel The Scarlet Plague The Star Rover… Robert Louis Stevenson: Dr Jekyll and Mr Hyde George MacDonald: Lilith H. Rider Haggard: King Solomon's Mines She William H. Hodgson: The House on the Borderland The Night Land… Edgar Allan Poe: Some Words with a Mummy Mellonta Tauta… H. P. Lovecraft: Beyond the Wall of Sleep The Cats of Ulthar Celephaïs Edward Bellamy: Looking Backward: 2000–1887 Equality… Mark Twain: A Connecticut Yankee in King Arthur's Court Owen Gregory: Meccania the Super-State Margaret Cavendish: The Blazing World Jonathan Swift: Gulliver's Travels William Morris: News from Nowhere Samuel Butler: Erewhon Edward Bulwer-Lytton: The Coming Race James Fenimore Cooper: The Monikins Hugh Benson: Lord of the World Fred M. White: The Doom of London Ernest Bramah: The Secret of the League Arthur D. Vinton: Looking Further Backward Robert Cromie: The Crack of Doom Anthony Trollope: The Fixed Period Cleveland Moffett: Richard Jefferies: After London Francis Stevens: The Heads of Cerberus Percy Greg: Across the Zodiac David Lindsay: A Voyage to Arcturus Stanley G. Weinbaum: Stories from the Solar System Abraham Merritt: The Moon Pool The Metal Monster… Hyne: The Lost Continent

The 'SCIENCE FICTION Ultimate Box Set: 170+ Dystopian Novels, Space Adventures, Lost World Classics & Apocalyptic Tales' presents an unparalleled amalgamation of literary genius, weaving together the profound imaginations of some of the most paramount figures in the science fiction genre. The anthology spans a multitude of themes including dystopia, interstellar travel, exploration of unknown worlds, and the existential ponderings of humanity in the face of apocalypse, realized through a diverse range of literary styles, from the suspenseful and foreboding atmospheres crafted by H.P. Lovecraft to the intricate societal critiques embodied by George Orwell. This collection not only showcases the broad spectrum of speculative fiction but also highlights standout pieces that have fundamentally shaped the course of science fiction literature. The contributing authors and editors, from Jules Vernes pioneering adventures to H.G. Wells groundbreaking societal allegories, represent an era-spanning cadre of visionaries who collectively pressed the boundaries of the imagination and confronted the societal and philosophical questions of their times. Their works, deeply entrenched in varying historical, cultural, and literary movements - from the romanticism of Mary Shelleys 'Frankenstein' to the modernist satire in Aldous Huxleys 'Brave New World' - provide a comprehensive overview of the evolution of science fiction as a reflective lens on society. For readers seeking to immerse themselves in the expansive universe of speculative fiction, this anthology offers an extraordinary journey through time and space, exploring humanitys greatest fears, hopes, and ethical dilemmas. By traversing the imaginations of over forty authors, the collection affords a unique opportunity to engage with the seminal texts that have defined and continued to shape the science fiction landscape. Delve into the 'SCIENCE FICTION Ultimate Box Set' to experience the vast educational value, embrace the diversity of thought, and partake in the ongoing dialogue between these monumental works and the present-day reader.

*Winner of the AFS Elli Köngäs-Maranda Prize 2016* Multidisciplinary or post-disciplinary research is what is needed when dealing with such complex subjects as ritual behaviour. This research, therefore, combines ethnography with historical sources to examine the relationship between modern Greek death rituals and ancient written and visual sources on the subject of death and gender. The central theme of this work is women’s role in connection with the cult of the dead in ancient and modern Greece. The research is based on studies in ancient history combined with the author’s fieldwork and anthropological analysis of today’s Mediterranean societies. Since death rituals have a focal and lasting importance, and reflect the gender relations within a society, the institutions surrounding death may function as a critical vantage point from which to view society. The comparison is based on certain religious festivals that are dedicated to deceased persons and on other death rituals. Using laments, burials and the ensuing memorial rituals, the relationship between the cult dedicated to deceased mediators in both ancient and modern society is analysed. The research shows how the official ideological rituals are influenced by the domestic rituals people perform for their own dead, and vice versa, that the modern domestic rituals simultaneously reflect the public performances. As this cult has many parallels with the ancient official cult, the following questions are central: Can an analysis of modern public and domestic rituals in combination with ancient sources tell the reader more about the ancient death cult as a whole? What does such an analysis suggest about the relationship between the domestic death cult and the official? Since the practical performance of the domestic rituals was – and still remains – in the hands of women, it is crucial to discover the extent of their influence to elucidate the real power relations between women and men. This research represents a new contribution to earlier presentations of the Greek “reality”, but mainly from the female perspective, which is highly significant since men produced most of the ancient sources. This means that the principal objective for this endeavour is to question the ways in which history has been written through the ages, to supplement the male with a female perspective, perhaps complementing an Olympian Zeus with a Chthonic Mother Earth. The research brings both ancient and modern worlds into mutual illumination; its relevance therefore transcends the Greek context both in time and space.

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