"Lotus Buds" by Amy Carmichael is a collection of insightful and heartwarming stories that revolve around the experiences of children in India. Amy Carmichael, a Christian missionary and writer, shares narratives that reflect her deep love and compassion for the children she encountered during her work in Southern India. The stories within "Lotus Buds" provide glimpses into the lives, struggles, and joys of Indian children, particularly those in and around the Dohnavur Fellowship, a Christian mission founded by Carmichael. The title, "Lotus Buds," is symbolic, representing the potential for beauty and purity in the lives of these young ones despite challenging circumstances. Carmichael's writing is characterized by empathy and a keen understanding of the cultural context. Through these tales, she conveys important moral and spiritual lessons, often drawing parallels between the natural world and the spiritual realm. This collection is suitable for readers interested in missionary literature, Indian culture, and stories that celebrate the resilience and innocence of children. "Lotus Buds" stands as a testament to Amy Carmichael's dedication to her mission and her commitment to sharing the transformative power of love and faith.

The Jain Temples At Dilwara In Mount Abu Evoke A Sense Of Awe For Their Sculptural Artistry. Unnamed Artists Who Had, For Years Created Exquisite Pieces In Ivory, Now Worked With Marble, Sculpting Ceilings And Domes, Columns And Walls, Creating Works Of Unparalled Beauty. They Carried Forward, And Deepened A Rich Tradition Of Temple Building In India, With Their Plethora Of Images From Indian Myths And Legends. Numerous Gods And Goddesses, Yaksas And Yaksis, Dancers And Musicians, Apsaras And Nagins, As Well As Flowers And Trees-Mythic And Real-Adore Every Nook And Corner Of These Temples. The Most Outstanding Feature Of These Temples Are The Thousand-Petalled Lotuses That Decorate The Domes In The Rangmandaps, Signifying A Very Highly Evolved Technical And Artistic Achievement.Some 200 Kms Away And 500 Years Later, In Ranakpur, The Adisvara Temple Is An Achievement Of A Different Kind. It Is Renowned For Its Architectural Splendour; A Thousand Columns That Define Its Wondrous Spaces Are All Unique, As No Two Are Alike.Using These Temples For A Photographic And A Reflective Study, Professor Sehdev Kumar Explores The Artistic Nuances Of These Temples In The Context Of The Rich Tradition Of Temple Architecture And Iconography In India.

Authoritative commentaries on 187 Indonesian bronzes, ranging from devotional icons, to jewelry, to items created for domestic use. -- Metropolitan Museum of Art website.

Written at the height of the arts and crafts movement in fin-de-siecle Vienna, Alois Riegl's Stilfragen represented a turning point in defining art and understanding the sources of its inspiration. Demonstrating an uninterrupted continunity in the history of ornament from the ancient Egyptian through the Islamic period, Riegl argued that the creative urge manifests itself in both "great art" and the most humble artifact, and that change is an inherent part of style. This new translation, which renders Riegl's seminal work in contemporary, readable prose, allows for a fresh reexamination of his thought in light of current revisionist debate. His discovery of infinite variation in the restatement of several decorative motifs--the palmette, rosette, tendril--led Riegl to believe that art is completely independent from exterior conditions and is beyond individual volition. This thinking laid the groundwork for his famous concept of Kunstwollen, or artistic intention. "Something that the translation will, I hope, convey, is the passion invsted in Riegl's enterprise. We are made to feel that the issues he discussed mattered vitally to him; it was the very nature of art and its relation to human life that were at stake, art as an absolute necessity." --From the preface of Henri Zerner Alois Reigl (1858-1905) was Curator of Textiles at the Museum of Art and Industry in Vienna during most of his career and wrote many influential works on the history of art, including Spatromische Kunstgeschichte. Evelyn Kain is Associate Professor of Art History at Ripon College, Ripon, Wisconsin. David Castriota is Assistant Professor of Art History at Sarah Lawrence College. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This book assesses the continuity and significance of Hindu-Buddhist design motifs in Islamic mosques in Java. The volume investigates four pre-Islamic motifs in Javanese mosque ornamentation from the 15th century to the present day: prehistoric tumpals, Hindu-Buddhist kala-makaras, lotus buds, and scrolls.

The lotus is the world's most iconic flower. Galvanised by receiving seeds from a three-thousand-year-old lotus, which flowered without difficulty in an English summer, Mark Griffiths set out to track the path of this sublime plant to its home in the Lotus-Lands of Japan. The Lotus Quest unveils a stunning vision of Japan's feudal era, as Griffiths visits shrines, ruins, gardens and wild landscapes, and meets priests and archaeologists, philosophers and anthropologists, gardeners and botanists, poets and artists, and even dines on the lotus in a Tokyo café. Beautifully illustrated, intensely atmospheric and full of suspense, The Lotus Quest shows how the deep crimson of the lotus runs like a tracer dye, tracking the spread, fusion and fission of the world's great civilizations.