The eighteenth-century text Work on Women by Louise Dupin (also known as Madame Dupin, 1706-1799) is the French Enlightenment's most in-depth feminist analysis of inequality--and its most neglected one. Angela Hunter and Rebecca Wilkin here offer the first-ever edition of selected translations of Dupin's massive project, developed from manuscript drafts. Hunter and Wilkin provide helpful introductions to the four sections of Work on Women (Science, History and Religion, Law, and Education and Mores) which contextualize Dupin's arguments and explain the work's construction--including the role of her secretary, Jean-Jacques Rousseau. Dupin's central claim in Work on Women is that French jurists have gradually disenfranchised women through reductive interpretations of Roman law. As a result, modern marriage is founded on an abusive, illegitimate contract that enriches one party and impoverishes the other. This manifest injustice is enabled by the "masculine vanity" that aggrandizes men, diminishes women, and distorts all realms of knowledge. Dupin shows how the most reputable scientists incorporate old notions of women's weakness into new understandings of the body, while historians denigrate female rulers or erase them altogether. Even in everyday conversation, men assert their entitlement to social dominance through casual misogyny. Thus, although Dupin advocates for meaningful education for girls, she insists that the upbringing of boys must also be reformed. This volume fills an important gap in the history of feminist thought and will appeal to readers eager to hear new voices that challenge established narratives of intellectual history.

Julie Candler Hayes explores the contributions of seventeenth and eighteenth-century French women philosophers and intellectuals to moralist writing, a genre focusing on dispassionate observations on the human condition and traditionally viewed through its best-known male writers. This study, the first of its kind, includes both famous thinkers--such as Émilie Du Châtelet and Germaine de Staël--and nearly two dozen of their contemporaries. Hayes demonstrates how, through their critique of institutions and practices, their valorization of introspection and self-expression, and their engagement with philosophical issues, women moralists carved out an important space for the public exercise of their reason.

The Routledge Handbook of Women and Early Modern European Philosophy is an outstanding reference source for the wide range of philosophical contributions made by women writing in Europe from about 1560 to 1780. It shows the range of genres and methods used by women writing in these centuries in Europe, thus encouraging an expanded understanding of our historical canon. Comprising 46 chapters by a team of contributors from all over the globe, including early career researchers, the Handbook is divided into the following sections: I. Context II. Themes A. Metaphysics and Epistemology B. Natural Philosophy C. Moral Philosophy D. Social-Political Philosophy III. Figures IV. State of the Field The volume is essential reading for students and researchers in philosophy who are interested in expanding their understanding of the richness of our philosophical past, including in order to offer expanded, more inclusive syllabi for their students. It is also a valuable resource for those in related fields like gender and women’s studies; history; literature; sociology; history and philosophy of science; and political science.

In contrast to traditional Enlightenment studies that focus solely on authors and ideas, Gary Kates' employs a literary lens to offer a wholly original history of the period in Europe from 1699 to 1780. Each chapter is a biography of a book which tells the story of the text from its inception through to the revolutionary era, with wider aspects of the Enlightenment era being revealed through the narrative of the book's publication and reception. Here, Kates joins new approaches to book history with more traditional intellectual history by treating authors, publishers, and readers in a balanced fashion throughout. Using a unique database of 18th-century editions representing 5,000 titles, the book looks at the multifaceted significance of bestsellers from the time. It analyses key works by Voltaire, Adam Smith, Madame de Graffigny, Jean-Jacques Rousseau and David Hume and champions the importance of a crucial innovation of the age: the rise of the 'erudite blockbuster', which for the first time in European history, helped to popularize political theory among a large portion of the middling classes. Kates also highlights how, when, and why some of these books were read in the European colonies, as well as incorporating the responses of both ordinary men and women as part of the reception histories that are so integral to the volume.

Scottish engineer Daniel Wilson (1790–1849) helped launch the industrial revolution in France and acquired a major art collection. His daughter, Marguerite (1836–1902), restored the château de Chenonceau, near the Loire Valley. His son, Daniel (1840–1919), close to Marguerite, became an MP, founded a newspaper chain, rose to become a leading republican politician, and married the daughter of President of the Republic Jules Grévy. The younger Daniel Wilson’s business activities and news strategies offended many and prompted his involvement in a scandal (the sale of the Legion of Honour decoration) that led to his downfall and that of President Grévy. Wilson’s name became and remains synonymous with political corruption. This book is the first to examine the nexus of political and press connections in early republican France from his viewpoint. The struggle for press freedom since the 1789 Revolution culminating in the 1881 Press Law is assessed by considering the stance of Wilson, Grévy, and the leading press magnate Emile de Girardin and other press tycoons. The flamboyant Marguerite, who hosted Gustave Flaubert in Chenonceau and journeyed to India, colours the saga.

This volume sets out to examine the ways in which an equality between the sexes is constructed, conceptualised, imagined or realised in early modern France, a period and a country which produced some of the earliest theorisations on equality. In so doing, it aims to contribute towards the development of the history of equality as an intellectual category within the history of political thought, and to situate "the woman question" within that history. The eleven chapters in the volume span the fields of political theory, philosophy, literature, history and history of ideas, bringing together literary scholars, historians, philosophers and scholars of political thought, and examining an extensive range of primary sources. Whilst most of the chapters focus on the conceptualisation of a moral, metaphysical or intellectual equality between the sexes, space is also given to concrete examples of a de facto gender equality in operation. The volume is aimed at scholars and graduate students of political thought, history of philosophy, women’s history and gender studies alike. It aims to throw light on the history of Western ideas of equality and difference, questions which continue to preoccupy cultural historians, philosophers, political theorists and feminist critics.

The eighteenth-century text Work on Women by Louise Dupin (also known as Madame Dupin, 1706-1799) is the French Enlightenment's most in-depth feminist analysis of inequality--and its most neglected one. Angela Hunter and Rebecca Wilkin here offer the first-ever edition of selected translations of Dupin's massive project, developed from manuscript drafts. Hunter and Wilkin provide helpful introductions to the four sections of Work on Women (Science, History and Religion, Law, and Education and Mores) which contextualize Dupin's arguments and explain the work's construction--including the role of her secretary, Jean-Jacques Rousseau. Dupin's central claim in Work on Women is that French jurists have gradually disenfranchised women through reductive interpretations of Roman law. As a result, modern marriage is founded on an abusive, illegitimate contract that enriches one party and impoverishes the other. This manifest injustice is enabled by the "masculine vanity" that aggrandizes men, diminishes women, and distorts all realms of knowledge. Dupin shows how the most reputable scientists incorporate old notions of women's weakness into new understandings of the body, while historians denigrate female rulers or erase them altogether. Even in everyday conversation, men assert their entitlement to social dominance through casual misogyny. Thus, although Dupin advocates for meaningful education for girls, she insists that the upbringing of boys must also be reformed. This volume fills an important gap in the history of feminist thought and will appeal to readers eager to hear new voices that challenge established narratives of intellectual history.

"Les Beaux Messieurs de Bois-Dore Vol. 1" is a historical novel penned through the renowned French creator George Sand. Originally published in the mid-19th century, the narrative is about towards the backdrop of the Wars of Religion in France, mainly in the course of the tumultuous length of the 16th century. The 1st volume of the series keeps the saga of the characters delivered in the first installment. It intricately weaves collectively factors of romance, political intrigue, and adventure as the plot unfolds in opposition to a backdrop of societal upheaval. The novel explores the lives of the the Aristocracy, their relationships, and the challenges they face in a time marked by using religious conflicts. Known for tough societal norms, Sand frequently addressed issues of affection, elegance war, and individual freedom in her works. "Les Beaux Messieurs de Bois-Dore Vol. 1" is a testomony to her storytelling prowess, offering readers a rich tapestry of ancient activities and characters in opposition to which the human drama unfolds. Sand's narrative fashion and vibrant characterizations make contributions to the long-lasting attraction of this historical novel.

"Les Beaux Messieurs de Bois-Dore Vol. 2" is a historical novel penned through the renowned French creator George Sand. Originally published in the mid-19th century, the narrative is about towards the backdrop of the Wars of Religion in France, mainly in the course of the tumultuous length of the 16th century. The 2nd volume of the series keeps the saga of the characters delivered in the first installment. It intricately weaves collectively factors of romance, political intrigue, and adventure as the plot unfolds in opposition to a backdrop of societal upheaval. The novel explores the lives of the the Aristocracy, their relationships, and the challenges they face in a time marked by using religious conflicts. Known for tough societal norms, Sand frequently addressed issues of affection, elegance war, and individual freedom in her works. "Les Beaux Messieurs de Bois-Dore Vol. 2" is a testomony to her storytelling prowess, offering readers a rich tapestry of ancient activities and characters in opposition to which the human drama unfolds. Sand's narrative fashion and vibrant characterizations make contributions to the long-lasting attraction of this historical novel.

Work on Women is the French Enlightenment's most in-depth feminist analysis of inequality--and its most neglected one. In it, Louise Dupin, also known as Madame Dupin (1706-1799), reveals the sexist bias ("masculine vanity") that informs the knowledge and institutions that shape women's lives and argues that the subjection of women is a modern phenomenon, based on an illegitimate, abusive marriage contract. This is the first-ever edition of selected translations of Dupin's massive project, developed from manuscript drafts. Robust introductions to the text contextualize Dupin's working method.