A come-out-swinging collection of reviews and essays that pits the nation's leading critics against each other, as they take opposing sides on the most hotly debated movie controversies of the decade. From Spike Lee to Oliver Stone, from the ratings war to the war of the sexes, this book offers widely divergent yet always enlightening views of films, filmmakers, performers, and trends.

Bakersfield was established in 1863 in the western shadow of the Sierra Nevada at the intersection of two of the country's defining events: the California Gold Rush and the Civil War. Bakersfield's first generation of pioneers--gold-seekers, Southern sympathizers, and European immigrants--tamed the region's confluence of swamps and built a frontier town. Over the next century, the town at the southern tip of California's San Joaquin Valley produced a noteworthy array of heroes, poets, leaders, and scoundrels, including the most influential Supreme Court chief justice in the nation's history, two best-selling country artists, decorated athletes, brilliant innovators, and corrupt lawmen. Founded by Col. Thomas Baker, Bakersfield prospered atop fertile soil unmatched anywhere on the planet and crude oil reserves that had few peers. During the Dust Bowl migration, it became a beacon of hope to the refugees of the nation's most dire ecological disaster and, consequently, a unique region that writer Gerald Haslam came to call the Other California. Today, Bakersfield is California's ninth-largest city and among its fastest-growing. The story of its first century is presented here in words and pictures.

A cultural and social study of the origins and evolution of “rocknroll”.

There was a time when "American popular entertainment" referred only to radio and motion pictures. With the coming of talking pictures, Hollywood cashed in on the success of big-time network radio by bringing several of the public's favorite broadcast personalities and programs to the screen. The results, though occasionally successful, often proved conclusively that some things are better heard than seen. Concentrating primarily on radio's Golden Age (1926-1962), this lively history discusses the cinematic efforts of airwave stars Rudy Vallee, Amos 'n' Andy, Fred Allen, Joe Penner, Fibber McGee & Molly, Edgar Bergen, Lum & Abner, and many more. Also analyzed are the movie versions of such radio series as The Shadow, Dr. Christian and The Life of Riley. In addition, two recent films starring contemporary radio headliners Howard Stern and Garrison Keillor are given their due.

An illustrated collection of hundreds of riddles in categories such as "Fast & Freaky," "Pet Talk," and "Reverse Riddles."

Long before his momentous teaming with Oliver Hardy, comedian Stan Laurel (1890-1965) was a motion picture star in his own right. From his film debut in Nuts in May (1917) through his final solo starring effort Should Tall Men Marry? (1928), Laurel headlined dozens of short comedies for a variety of producers and production companies, often playing characters far removed from the meek, dimwitted "Stanley" persona that we know and love. This is a film-by-film look at the pictures Stan made as a solo artist, as well as those he wrote and directed for other stars, shows his development as a movie comedian and filmmaker. Comedy legend Jerry Lewis, a longtime friend and admirer of Stan Laurel, provides an affectionate and eloquent foreword. Included are several rare photographs and production stills.

Beginning with Charlie Chaplin's Shoulder Arms, released in America near the end of World War I, the military comedy film has been one of Hollywood's most durable genres. This generously illustrated history examines over 225 Army, Navy and Marine-related comedies produced between 1918 and 2009, including the abundance of laughspinners released during World War II in the wake of Abbott and Costello's phenomenally successful Buck Privates (1941), and the many lighthearted service films of the immediate postwar era, among them Mister Roberts (1955) and No Time for Sergeants (1958). Also included are discussions of such subgenres as silent films (The General), military-academy farces (Brother Rat), women in uniform (Private Benjamin), misfits making good (Stripes), anti-war comedies (MASH), and fact-based films (The Men Who Stare at Goats). A closing filmography is included in this richly detailed volume.