When she was twenty-two, Yan Le's eyes had problems. Doctors told her that if she wasn't careful, her vision would slowly decline until she was completely blind. That was the year she felt nothing but despair.At the age of 23, under the pressure of her mother's marriage, she couldn't bear to leave that family and wanted to lead a different life.At the age of 24, she became Zhong Zian's wife and the president of the Zhong family. But at the wedding, Zhong Zian only coldly said one sentence to her, "Yan Le, how can you be so shameless?"A single marriage had given her everything that others could struggle for their entire lives, so how could a mere love be worthy of concern?

Osho, one of the greatest spiritual thinkers of the twentieth century, explores the connections between ourselves and others in Love, Freedom, and Aloneness: The Koan of Relationships. In today’s world, freedom is our basic condition, and until we learn to live with that freedom, and learn to live by ourselves and with ourselves, we are denying ourselves the possibility of finding love and happiness with someone else. Love can only happen through freedom and in conjunction with a deep respect for ourselves and the other. Is it possible to be alone and not lonely? Where are the boundaries that define “lust” versus “love”...and can lust ever grow into love? In Love, Freedom, and Aloneness you will find unique, radical, and intelligent perspectives on these and other essential questions. In our post-ideological world, where old moralities are out of date, we have a golden opportunity to redefine and revitalize the very foundations of our lives. We have the chance to start afresh with ourselves, our relationships to others, and to find fulfillment and success for the individual and for society as a whole. Osho challenges readers to examine and break free of the conditioned belief systems and prejudices that limit their capacity to enjoy life in all its richness. He has been described by the Sunday Times of London as one of the “1000 Makers of the 20th Century” and by Sunday Mid-Day (India) as one of the ten people—along with Gandhi, Nehru, and Buddha—who have changed the destiny of India. Since his death in 1990, the influence of his teachings continues to expand, reaching seekers of all ages in virtually every country of the world.

Having fought to extricate himself from a devastating relationship with a charming but fickle woman, and desperate to reach a state of serenity, William leaves her to live alone in an old dilapidated house by the sea and devote himself to music and astronomy but his distraught state of mind induces him to seek temporary relief and he meets Dorothy.

Founded in 1935, The American Record Guide is America's oldest classical music review magazine. In 1987, when Donald Vroon assumed its editorship, he took on the Herculean task of writing editorials on a vast array of subjects, amassing a wealth of commentary and criticism on not only the foibles and failings, but glimmers of light in American culture. A staunch defender of the highbrow pleasures of good music composed, played, and heard with intelligence, Vroon takes no prisoners in assessing the challenges and failures and possible successes that confront America’s future as a nation of music listeners. In Classical Music in a Changing Culture: Essays from The American Record Guide, Vroon delves into a variety of topics: orchestra finances, contemporary music, classical music marketing, attracting young crowds, musical aesthetics, the future of classical music, the sale and distribution of music in the modern era; the decline of American culture and its causes; the role of misguided ideologies that affect American music, from political correctness to multiculturalism to period performance practice, and the true richness of our music and its subculture. As Vroon argues, since all criticism is cultural criticism, music criticism in the broadest sense—from its composition to its distribution to its reception—is a window onto broader culture issues. Classical Music in a Changing Culture should appeal to anyone serious about classical music and worried about its increasing marginalization in our contemporary culture. These essays are not written for specialists but for thinking readers who love music and care about its place in our lives.

The worlds of celebrity and sports are brilliantly dissected and turned upside down in the debut thriller from the bestselling author and creator of the hit Netflix drama The Stranger. Theirs was a marriage made in tabloid heaven, but no sooner had supermodel Laura Ayars and Celtics star David Baskin said “I do” than tragedy struck. While honeymooning on Australia’s Great Barrier Reef, David went out for a swim—and never returned. Now widowed and grieving, Laura has a thousand questions and no answers. Her search for the truth will draw her into a web of lies and deception that stretches back thirty years—while on the court at Boston Garden, a rookie phenom makes his spectacular debut...

Frank Morgan, captain of the bargue Pegasus, always claimed he had two wives. The deeply respectable Hilda back in north London - and the sea. But in the spring of 1885, outward bound for Boston with a cargo of cheap furniture and poverty-stricken Irish emigrants, a new and overwhelming emotion enters his iron-disciplined life. Teresa O'Dee is young, lovely and with a spirit that awakens unnerving, long-buried memories of times past. A the age of sail gives way finally to steam, everything in Frank Morgan's life is about to change...

A three-novel anthology that wallows in dark, twisted humour, sexual obsession and the latent violence of the male animal. Book 1: Looking For Sarah Jane Smith Marty's living in a Welsh town he hates, doing a job he's lost interest in and so bored he can't even be bothered with sex. But a new life beckons in Australia. It's also a chance to get away from his stupid mates, the loveable loser John and the ultra-macho Wasp Boy. Maybe he'll even meet an exquisite girl like his Doctor Who heroine, Sarah Jane Smith, and live happily ever after… Looking for Sarah Jane Smith – For anyone who suspects life's a bit rubbish. Part road trip and part celebration of idiotic male friendship, Looking for Sarah Jane Smith is sure to strike a chord with those who appreciate Withnail & I, Peep Show and Bill Hicks. '...if there's one thing that stands out about this, it's how bloody funny it is. I actually packed Looking for Sarah Jane Smith for a long-haul flight and such a page-turner did it prove to be that I finished it within a couple of hours.' - Living Abroad Magazine '...A bitter, crude, but funny book... These boys are not particularly likeable, but their story is raw, honest, unsophisticated and rooted in bittersweet reality.' - Post Newspapers 'An agreeably raucous novel that touches on Dr Who and men behaving badly. Its strong language and adult scenes make it the perfect Christmas gift for that impressionable nephew.' - The West Australian Book 2: Girls Like Funny Boys Part coming of age story, part exploration of the maddening nature of dreams, Girls Like Funny Boys is a potent mix of sexual obsession, guilt and fame. "Gina crouched, resting on her haunches to continue the conversation. Her legs were too far apart. There was a hole in her black tights just above the left knee. Johnny felt a hot urge to poke a finger in it. He wished she'd leave him alone. He wished she wasn't wearing tights. He stared at her lopsided mouth and the way her fat lower lip jutted out. It was so red it bordered on purple, the colour of strawberries on the turn." Meet Johnny Goodwin. He's grown up in a quiet Brisbane suburb with loving parents, a faithful dog and an unrequited yearning for his teenage sweetheart, Angie Everson. Now in his last year at school, he's finally caught her eye by starring in a teacher-baiting pantomime. Dreams are already taking shape of a career in entertainment, perhaps with Angie by his side. All he's got to do is pass his exams, get to uni and keep away from Gina Wood, that weird girl who once let him touch her… 'Girls Like Funny Boys wasn't what I expected - and that's simply not fair as Dave Franklin's not meant to be writing to a formula. But I really didn't expect to find this as engaging, involving and quite as emotional as I did. I loved Johnny, rode the waves of his life every step of the way. Most of all I just loved this book.' - Australian Crime Fiction Book 3: To Dare A Future A van driver with abduction and murder on his mind. An eleven-year-old girl snatched on her way home from ballet. A tortured reporter, happy to use her death and the terrifying reign of a child killer to help make his name… To Dare A Future – We all have black thoughts. It's just some of us act on them. 'Don't let the rather bland title put you off – this is an impressive read, spiced with ethical dilemmas as well as earthy dialogue and humour.' – Sunday Times

First published in 1947, with a second edition in 1950, the original blurb reads: 'This is an illuminating description of a complete Freudian analysis of a single case. From the first interview to the last the reader’s attention is engrossed with the almost-normal personality of the individual who is being analysed. We see his thoughts, philosophy, and emotions gradually unfolding under the application of analytical technique (lightly explained in the second chapter), until – and this is where the book is such a tremendous advance upon the psychological novel – the very springs and mechanisms of his psychic pattern and emotional structure are abundantly and lucidly revealed. We see and understand the hidden depths of the nature of the human mind, and obtain introductory insight not only into normal mental functioning, but into almost all its psychopathic aberrations including frigidity, impotence, love, hate, hysteria, obsessions, and even paranoia and schizophrenia – all in minor degrees an integral part of normality. In spite of this the book is light reading and, though particularly instructive to doctor and professional psychologist, understandable to the average intelligent layman.' This book is a re-issue originally published in 1950. The language used is a reflection of its era and no offence is meant by the Publishers to any reader by this re-publication.