Sunday, 8.30 p.m. (1833). Before beginning to copy or count words,[59] I must write you one line of love, my dear little lunatic. I love you—do you understand, I love you! This is a profession of faith which comprises all my duty and integrity. I love you, ergo, I am faithful to you, I see only you, think only of you, speak only to you, touch only you, breathe you, desire you, dream of you; in a word, I love you! that means everything. Do not therefore give way any more to melancholy; permit yourself to be loved and to be happy. Fear nothing from me, never doubt me, and we shall be blissful beyond words. I am expecting you shortly, and am ready with warm and tender caresses which, I hope, will cheer you. Your Juju. (1833). Since you left me I carry death in my heart. If you go to the ball to-night, it must be at the cost of a definite rupture between us. The pain I suffer at imagining you moving among that throng of fascinating, careless women, is too great for you to be able to inflict it without incurring guilt towards me. Write to me “Care of Madame K....” If I do not hear from you before midnight, I shall understand that you care very little for me ... that all is over between us ... and for ever. J. Wednesday, 2.30 p.m. (1833). I cannot refrain, dearly beloved, from commenting upon the profound melancholy you were in this morning, and upon the doubt you manifest on every occasion as to the sincerity of my love. This unjustifiable suspicion on your part disheartens me beyond all expression. It intimidates me and makes me fear to confide to you the incidents my dubious position exposes me to. To-day, for instance, I concealed from you the visit of a creditor, who presented himself to the porter, but was not shown up. I paid him out of my own resources, without your knowledge, because you are always telling me I do not love you. This expression from you makes me feel that you hold a shameful opinion of me and my character, rendered possible perhaps by my situation, but none the less false, unjust, and cruel. I love you because I love you, because it would be impossible for me not to love you. I love you without question, without calculation, without reason good or bad, faithfully, with all my heart and soul, and every faculty. Believe it, for it is true. If you cannot believe, I being at your side, I will make a drastic effort to force you to do so. I shall have the mournful satisfaction of sacrificing myself utterly to a distrust as absurd as it is unfounded. Meanwhile, I ask your pardon for the guilty thought that came to me this morning, and which may possibly recur, if you continue to see in my love only a mean-spirited compliance and an unworthy speculation. This letter is very lengthy, and very sad to write. I trust with all my soul, that I may never have to reiterate its sentiments. I love you. Indeed I love you. Believe in me. Juliette. Wednesday, 8.15 p.m. (1833).

Juliette Drouet's Love-Letters to Victor Hugo : Edited with a Biography of Juliette Drouet In the first portion we present the biography of Juliette Drouet in the form of a series of synthetic tableaux, each tableau summarising several lustres of her life. We thus avoid the long-drawn-out narrative, year by year, of an existence devoid of incident or adventure. In the second, we publish those letters which strike us as peculiarly eloquent, witty, or lyrical. In the light shed upon them by the preliminary biography, they form, as one might say, its justification and natural sequel. At the outset of her liaison with the poet Juliette does not date her “scribbles”; she merely notes the time of day and the day of the week, until about 1840; we have therefore been obliged to content ourselves with the classification effected by her in the collection of her manuscripts, and preserved by her executor. From 1840 she dated every sheet. Consequently our work simultaneously achieves more precision and certainty.

Purchase of this book includes free trial access to www.million-books.com where you can read more than a million books for free. This is an OCR edition with typos. Excerpt from book: CHAPTER III la Tristesse D'olympio IN the neighborhood of Paris, about four miles from Versailles, nestles a valley, which the modern devotees of romance should deem worthy of a visit. Not because it boasts of any special features such as mighty torrents thundering from giddy heights into abysmal chasms below?on the contrary?its character is harmonious and serene; it is more like a French park decked with flowers by nature, and watered by chance. But it was in these classic surroundings that about the year 1830, circumstances led the great men of the new school to seek temporary repose for their fretted souls. To us, these peaceful meadows, flanked by pensive willows weeping on the borders of the silent Bievre, must evermore be peopled by those troubled shades: by Lammenais, the priestly keeper of consciences; Montalembert, the angelic doctor; Ste. Beuve, the purveyor of ideas; Berlioz, the musician, and lastly by the poet, Victor Hugo, who followed meekly in the Love Letters of Juliette Drouet rear, while awaiting the glory of conducting the procession. They used to arrive in the summer, some for a couple of days, others for weeks together, to stay with Monsieur Bertin, editor of the Journal des Debats and owner of Les Roches,1 a property situated midway between the villages of Bievre and Jouy-en-Josas. Genial and lively, as Ingres represents him in his celebrated portrait, Monsieur Bertin loved to divine, promote, and where needful encourage, their vocations and plans. His housekeeping was on a modest scale, but his hospitality delightful?a mixture of go-as- you-please and kindly despotism; perfect freedom outwardly, but in reality, careful ministrations skillfully disguised. Louise Bertin, the eldest daughter of the old man and one of the muses of the period, wil...

This meticulously edited collection is formatted for your eReader with a functional and detailed table of contents: Introduction: Victor Hugo: His Life and Work Novels & Novellas: Les Misérables The Hunchback of Notre-Dame The Man Who Laughs Toilers of the Sea Hans of Iceland Bug-Jargal The Last Day of a Condemned Man; or, A Criminal's Last Hours Ninety-Three Claude Gueux (A Crime Story) A Fight with a Cannon Plays: Cromwell Hernani Marion De Lorme The King Amuses Himself Mary Tudor Esmeralda Ruy Blas Poetry: The Legend of the Alps "My Daughter, Hence and Pray! See, Night is Stealing o'er us" The Tomb and the Rose Miscellaneous Poems Essays & Speeches: Medley of Philosophy and Literature Napoleon the Little William Shakespeare The History of a Crime "In Defense of His Son" Address to the Workman's Congress at Marseille Oration on Voltaire Memoirs & Letters: The Memoirs of Victor Hugo Juliette Drouet's Love- Letters to Victor Hugo Letter to the London News Regarding John Brown Letter to Mrs. Maria Weston Chapman on American Slavery

"Love Letters of Great Men and Women: From The Eighteenth Century To The Present Day" is a collection of love letters written between 1688 and 1910. Letters within this book were featured in the 2008 feature film "Sex and the City". This charming volume includes a short treatise on love letter writing by the editor as well as love letters by notable historical figures including Beethoven, Napoleon Bonaparte, Robert Burns, Gustave Flaubert, Lord Bayron, Victor Hugo, Franz Kafka, Vincent Van Gogh and many others.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

In 'War Medals and Their History' by William Augustus Steward, the author delves deep into the significance and evolution of war medals throughout history. Steward's meticulous research and attention to detail shine through in this scholarly work, providing readers with a comprehensive understanding of the cultural and historical importance of these medals. The book is written in a clear and concise style, making it accessible to both academic researchers and general readers interested in military history and medal collecting. Steward also explores the symbolism and design of various war medals, shedding light on the stories and achievements they represent. With a keen eye for detail, Steward expertly weaves together the stories behind these iconic decorations, offering readers a captivating journey through time. William Augustus Steward's background as a military historian and collector undoubtedly influenced his decision to write 'War Medals and Their History,' making him the perfect author to tackle this complex and fascinating subject. His passion for preserving and sharing the rich history of war medals is evident throughout the book, making it a must-read for anyone interested in military history or the art of medal collecting. Whether you are a seasoned collector or just curious about the stories behind these symbols of honor, Steward's book is sure to enlighten and captivate you.

Though he wrote more than a century ago, French author Victor Hugo (1802-1885) continues to capture the imagination of contemporary readers both in France and around the world. In the United States, he is best remembered as the author of the novel Les Mis^D'erables (1862), which has been adapted for the stage, and of Notre-Dame-de-Paris (1831), more commonly known to Americans as The Hunchback of Notre Dame. But Hugo was also a poet and dramatist, a great religious and social thinker, and one of the most important shapers of French Romanticism. As a poet, he created new verse forms, explored historical and mythological themes, and criticized social issues of his time. Through his drama, he united prose and poetry and examined the politics of England and Spain. In all of his works, he discussed such theological and social issues as the problem of evil, the nature of war and peace, and the problems of capital punishment. The volume begins with a short biography that places Hugo within the context of 19th-century France. The biography tells of his early years during which he began to form his religious and political views, his maturation as a writer and thinker during the 1830s, and his political exile, during which he wrote some of his finest poetry. The alphabetically arranged entries that follow discuss his works, characters, themes, and ideas, as well as historical persons and places that figured prominently in his life and writings. Many of the entries cite sources of additional information, and the volume closes with a selected, general bibliography.