Magic is ubiquitous across the world and throughout history. Yet if witchcraft is acknowledged as a persistent presence in the medieval and early modern eras, practical magic by contrast – performed to a useful end for payment, and actually more common than malign spellcasting – has been overlooked. Exploring many hundred instances of daily magical usage, and setting these alongside a range of imaginative and didactic literatures, Tabitha Stanmore demonstrates the entrenched nature of 'service' magic in premodern English society. This, she shows, was a type of spellcraft for needs that nothing else could address: one well established by the time of the infamous witch trials. The book explores perceptions of magical practitioners by clients and neighbours, and the way such magic was utilised by everyone: from lowliest labourer to highest lord. Stanmore reveals that – even if technically illicit – magic was for most people an accepted, even welcome, aspect of everyday life.

‘A brilliant book, written with wit and vigour’ MALCOLM GASKILL ‘Absolutely fascinating’ IAN MORTIMER Historian Tabitha Stanmore transports us to a time when magic was used day-to-day as a way to navigate life's challenges and to solve problems of both trivial and deadly importance. It’s 1600 and you’ve lost your precious silver spoons, or maybe they’ve been stolen. Perhaps your child has a fever. Or you’re facing trial. Maybe you’re looking for love or escaping a husband. What do you do? In medieval and early modern Europe, your first port of call might have been cunning folk: practitioners of ‘service magic’. Neither feared (like witches), nor venerated (like saints), they were essential to everyday life, a ubiquitous presence in a time when the supernatural was surprisingly mundane and a cherished everyday resource. We meet lovelorn widows, dissolute nobles, selfless healers and renegade monks. We listen in on Queen Elizabeth I’s astrology readings and track treasure hunters trying to unearth buried gold without upsetting the fairies that guard it. Much like us, premodern people lived in bewildering times, buffeted by forces beyond their control; and as Stanmore reveals, their faith in magic has much to teach us about how we accommodate ourselves to the irrational in our allegedly enlightened lives today. Charming in every sense of the word, Cunning Folk is at once an immersive reconstruction of a bygone world and a thought-provoking commentary on the beauty and bafflement of being human.

Love Spells is a book of potions, charms, and spells that can help you find love, maintain relationships, or reconnect with old friends.

A New Companion to Renaissance Drama provides an invaluable summary of past and present scholarship surrounding the most popular and influential literary form of its time. Original interpretations from leading scholars set the scene for important paths of future inquiry. A colorful, comprehensive and interdisciplinary overview of the material conditions of Renaissance plays, England's most important dramatic period Contributors are both established and emerging scholars, with many leading international figures in the discipline Offers a unique approach by organizing the chapters by cultural context, theatre history, genre studies, theoretical applications, and material studies Chapters address newest departures and future directions for Renaissance drama scholarship Arthur Kinney is a world-renowned figure in the field

This expansive, inter-disciplinary guide to Renaissance plays and the world they played to gives readers a colorful overview of England's great dramatic age. Provides an expansive and inter-disciplinary approach to Renaissance plays and the world they played to. Offers a colourful and comprehensive overview of the material conditions of England's most important dramatic period. Gives readers facts and data along with up-to-date interpretation of the plays. Looks at the drama in terms of its cultural agency, its collaborative nature, and its ideological complexity.

The definitive source for information about the entire range of religious and social changes that altered the face of Europe in the sixteenth century, encompassing not only issues of church polity and theology but also developments in politics, economics, demographics, art and literature. This broadly cast, interdisciplinary definition allows for a comprehensive social and intellectual history of early modern Europe.

Solariad of Surazeus - Guidance of Solaria presents 114,920 lines of verse in 1,660 poems, lyrics, ballads, sonnets, dramatic monologues, eulogies, hymns, and epigrams written by Surazeus 2006 to 2011.

Salvator Rosa (1615-1673) was one of the boldest and most powerfully inventive artists and personalities of the Italian seventeenth century. He is still best known as `savage Rosa', the creator of wild landscapes, where bandits and hermits lurk amongst shattered trees and rocks. But his range was wide, and he also painted novel allegorical pictures, distinguished by a melancholy poetry; fanciful portraits of romantic figures; macabre witchcraft scenes, which remain amongst the most bizarre images in all seventeenth-century art; rare scenes from ancient history and from the lives of the ancient philosophers, which brought into painting some of the major ethical and scientific concerns of his age.

Historian Peter Charles Hoffer reexamines a notorious episode in American history and presents many of its legal details in true perspective for the first time. Hoffer also shows how rights we take for granted today did not exist in colonial times, and he demonstrates how these cases relate to current instances of children accusing adults of abuse.