Two Correspondents In A Race To Save the World... and More Thrilling Horrors! Herein, you'll meet a psychotic school teacher, the lineal descendent of Keziah Mason and obedient servant of mindless Azathoth; a group of youngsters attempting to bring about the return of Yog-Sothoth; a famed, bodiless detective who foils the devotees of Shub-Niggarath; Alan Hasrad on his cosmic odyssey and interview with the King in Yellow; a sentient altar awaiting the return of Tsathoqqua; Holmes and Watson investigating a severed tentacle the strangest Indian warrior you've ever seen, who has absolutely no sense of humor; Alan and his plan to summon the Warder of Knowledge; a rather nasty ex-con who unhappily meets the followers of Nyarlathotep. To round out these wicked and oft times dryly amusing morsels is ""Menace at Devil Reef,"" a lengthy novelette in which you'll share the adventures of two of the most improbable characters ever to scamper through the pages of a Lovecraftian Mythos story.

Modern practicing occultists have argued that renowned horror writer H. P. Lovecraft was in possession of in-depth knowledge of black magick. Literary scholars claim that he was a master of his genre and craft, and his findings are purely psychological, nothing more. Was Lovecraft a practitioner of the dark arts himself? Was he privileged to knowledge that cannot be otherwise explained? Weaving the life story of Lovecraft in and out of an analysis of various modern magickal systems, scholar John Steadman has found direct and concrete examples that demonstrate that Lovecraft’s works and specifically his Cthulhu Mythos and his creation of the Necronomicon are a legitimate basis for a working magickal system. Whether you believe Lovecraft had supernatural powers or not, no one can argue against Lovecraft’s profound influence on many modern black arts and the darker currents of western occultism.

Providing a new perspective on Lovecraft's life and work, Horror as Racism in H.P. Lovecraft focuses on the overlap between the writer's personal beliefs and the racist images and narratives in his speculative fiction. Building on recent debates about Lovecraft and drawing on the concept of "white fragility," John Steadman argues that the writer's fiction reflects his feelings of resentment and anger towards non-white persons and was used to advocate for his racist, xenophobic political beliefs – that western civilization was in decline and slavery was justifiable among "superior" civilizations. In making these claims, Lovecraft's tales pit humans against extra-terrestrial aliens, developing a terrifying, futuristic vision of the Earth as a plantation planet. The familiar image of Lovecraft as a reclusive, creative genius and mentor to young writer-friends is dismantled through close readings of his fiction and nonfiction – including correspondence, essays, and poetry – and examination of his early biography. This image is replaced by that of a cruel, callous, and, at times, psychotic man, a violently vitriolic racist and white supremacist who hated most of the non-white races. While some will dismiss the author outright and others will read his fiction but ignore the racism, Horror as Racism in H.P. Lovecraft takes a middle ground: acknowledging Lovecraft's personal history and heinous intentions, it helps readers navigate the author's disturbing biography while also getting a better sense of the stories, which remain significant within American science fiction.

What if a book existed that gave answers to everything you've ever wondered about? What would you do to learn its secrets? Tales of such books have abounded for millennia and are legend in occult history. One of the most pervasive modern iterations is that of the Necronomicon, said to be a genuine occult text from the 8th century. The Necronomicon really is the creation of science fiction writer H.P. Lovecraft (1891-1937), in whose books the magic volume first appears in print. In The Necronomicon Files two occult authorities explore all aspects of The Necronomicon, from its first appearance in Lovecraft's fiction to its ongoing pervasive appearance in cult and occult circles. The Necronomicon Files, revised and expanded further, reveals the hoax of the Necronomicon. Harms and Gonce show that the apocryphal history of the Necronomicon was concocted by Lovecraft to lend it verisimilitude in his fiction. The magical text was transformed into an icon among Lovecraft's literary circle, who added to the book's legend by referring to it in their own writing. People became convinced that it was a real book and its references in literature and film continue to grow. The book also examines what people have undergone to find the Necronomicon and the cottage industry that has arisen over the past three decades to supply the continuing demand for a book that does not exist. Scholarly yet accessible, humorous and intriguing, The Necronomicon Files illuminates the depth of the creative process and the transformations of modern myth, while still managing to preserve much of the romance and fascination that surrounds the Necronomicon in our culture.

This volume attempts an objective reassessment of the controversial works and life of American horror writer H. P. Lovecraft. Ignoring secondary accounts and various received truths, Gavin Callaghan goes back to the weird texts themselves, and follows where Lovecraft leads him: into an arcane world of parental giganticism and inverted classicism, in which Lovecraft's parental obsessions were twisted into the all-powerful cosmic monsters of his imaginary cosmology.

A Coven of Vampires is a collection of thirteen classic vampire tales that encompasses erotic vampires, bestial vampires, teenage vampires, tentacled vampires, vampiric gods, ghouls, lamias, witch's familiars and blood-suckers. Stories included in this collection: What Dark God? Back Row The Strange Years The Kiss of the Lamia Recognition The Thief Immortal Necros The Thing From the Blasted Heath Uzzi Haggopian The Picknickers Zack Phalanx is Vlad the Impaler The House of the Temple

The Gothic, Romanticism's gritty older sibling, has flourished in myriad permutations since the eighteenth century. In Gothicka, Victoria Nelson identifies the revolutionary turn it has taken in the twenty-first. Today's Gothic has fashioned its monsters into heroes and its devils into angels. It is actively reviving supernaturalism in popular culture, not as an evil dimension divorced from ordinary human existence but as part of our daily lives. To explain this millennial shift away from the traditionally dark Protestant post-Enlightenment Gothic, Nelson studies the complex arena of contemporary Gothic subgenres that take the form of novels, films, and graphic novels. She considers the work of Dan Brown and Stephenie Meyer, graphic novelists Mike Mignola and Garth Ennis, Christian writer William P. Young (author of The Shack), and filmmaker Guillermo del Toro. She considers twentieth-century Gothic masters H. P. Lovecraft, Anne Rice, and Stephen King in light of both their immediate ancestors in the eighteenth century and the original Gothic-the late medieval period from which Horace Walpole and his successors drew their inspiration. Fictions such as the Twilight and Left Behind series do more than follow the conventions of the classic Gothic novel. They are radically reviving and reinventing the transcendental worldview that informed the West's premodern era. As Jesus becomes mortal in The Da Vinci Code and the child Ofelia becomes a goddess in Pan's Labyrinth, Nelson argues that this unprecedented mainstreaming of a spiritually driven supernaturalism is a harbinger of what a post-Christian religion in America might look like.

A definitive look at the life and work of horror writer H.P. Lovecraft, by a leading scholar of the fantasy and horror field. INTRODUCTION, by Darrell Schweitzer NOTES ON AN ENTITY, by Robert Bloch A LITERARY COPERNICUS, by Fritz Leiber, Jr. THE FOUR FACES OF THE OUTSIDER, by Dirk W. Mosig THE FIRST LEWIS THEOBALD, by R. Boerem STORY-WRITING: A Letter from H. P. Lovecraft CHARACTER GULLIBILITY IN WEIRD FICTION, by Darrell Schweitzer SOME THOUGHTS ON LOVECRAFT, by Arthur Jean Cox THE DERLETH MYTHOS, by Richard L. Tierney GENESIS OF THE CTHULHU MYTHOS, by George Wetzel LOVECRAFT’S LADiES, by Ben P. Indick WHEN THE STARS ARE RIGHT, by Richard L. Tierney LOVECRAFT AND LORD DUNSANY, by Darrell Schweitzer H. P. LOVECRAFT AND PSEUDOMATHEMATICS, by Robert Weinberg TEXTUAL PROBLEMS IN LOVECRAFT: A Preliminary Survey, by S. T. Joshi H. P. LOVECRAFT: THE BOOKS, by Lin Carter H. P. LOVECRAFT: A BASIC READING LIST, compiled by Darrell Schweitzer

First published in 2003, Book of Lies was hailed as a 21st century grimoire and instantly became a cult classic. Now reformatted for the next generation of magicians and all counterculture devotees, it gathers an unprecedented cabal of occultists, esoteric scholars,and forward thinkers, all curated by Disinformation’s former "wicked warlock" Richard Metzger. This compendium of the occult includes entries on topics as diverse and dangerous as Aleister Crowley, secret societies, psychedelics, and magick in theory and practice. The result is an alchemical formula that may well rip a hole in the fabric of your reality: Mark Pesce, author of The Playful World, compares computer programming and spellcasting. Genesis Breyer P-Orridge, father of Industrial Music and Rave culture explains how samples in a rave song can have magical consequences. William Burroughs and the occult. Nevill Drury, Australia's most noted occult writer, tells of Dion Fortune, Austin Spare, and Rosaleen Norton. Donald Tyson's "The Enochian Apocalypse Working" ask if the seeds of the end of the world sown in the Elizabethan era. A biographical essay on Marjorie Cameron, the fascinating character from Los Angeles' occult and beatnik scene. Hitler and the occult--Peter Levenda interview by Tracy Twyman. Robert Temple on how his book The Sirius Mystery's, controversial thesis (for which he was ridiculed) was proven by the Hubble telescope twenty-five years late. An exclusive Anton LaVey interview by Michael Moynihan, author of best-selling book Lords of Chaos. Erik Davis, author of Techgnosis, looks at H. P. Lovecraft's Magick Realism Robert Anton Wilson on Timothy Leary and Aleister Crowley Comics genius Grant Morrison offers Magic for the people. It’s all here and more!

Born in darkness, they arise. Seductive angels of murder, madness, and horrors beyond imagining. COVEN Bathed in moonlight, they feed their darkest hungers in a festival of perversion and death, demented orgies that serve a cruel, unspeakable will... COVEN They are irresistible sirens in black, corrupting the living and raising the dead. Now the silent town of Exham will surrender to their loving embrace, their haunting beauty, and their ravenous need for human flesh. Surrender—and die... COVEN Beauty is only skin deep.