This is the first substantial commentary on Lucian's Verae Historiae ("True Histories"), a fantastic journey narrative considered the earliest surviving example of Science Fiction in the Western tradition. The Introduction situates the work in the context of Lucian's oeuvre, especially his preoccupation with distinguishing truth from fiction and exposing the lies of philosophers. In their commentary, the editors trace the sources and the meaning of the numerous intertextual allusions and parodies of philosophers, poets, historians and paradoxographers. The Verae Historiae emerges from this scrutiny as a remarkably complex text with some very "modern" concerns: it problematizes the act of reading, allegorical interpretation, authorial reliability, and the validity of cultural norms and literary genres.

Lucian of Samosata's True History is a fantastical tale of voyage and imagination. No editor, translator, or reader knows quite how to describe it or fit it comfortably into a familiar genre of Greek literature: 'satires' and 'dialogues' only partially describe the genre or genres he wrote in. Of all the ancient Greco-Roman writers, Lucian is without doubt one of the most inventive and witty. The Greek text in this edition of the True History is accompanied by a facing page English translation, making it an accessible and informative resource aimed at students and teachers of Greek. Whether used in the classroom or in research, readers will benefit from an introduction to Lucian and his place in imperial Greek literature, as well as a translation and commentary that bring out the wonders of his True History.

A captivating new interpretation of Lucian as a fictional theorist and writer to stand alongside the novelists of the day.

This landmark collection presents a wide variety of viewpoints on the value and role of reception theory within the modern discipline of classics. A pioneering collection, looking at the role reception theory plays, or could play, within the modern discipline of classics. Emphasizes theoretical aspects of reception. Written by a wide range of contributors from young scholars to established figures, from Europe, the UK and the USA. Draws on material from many different fields, from translation studies to the visual arts, and from politics to performance. Sets the agenda for classics in the future.

"Examining the act of wandering through many lenses, Wandering in Ancient Greek Culture addresses questions such as: Why did the Greeks associate the figure of the wanderer with the condition of exile? How was the expansion of the world under Rome reflected in the connotations of wandering? Does a person learn by wandering, or is wandering a deviation from the truth? In the end, this matchless volume shows how the transformations that affected the figure of the wanderer coincided with new perceptions of the world and of travel, and invites us to consider its definition and import today."--BOOK JACKET.

Fantasy in Greek and Roman Literature offers an overview of Greek and Roman excursions into fantasy, including imaginary voyages, dream-worlds, talking animals and similar impossibilities. This is a territory seldom explored and extends to rarely read texts such as the Aesop Romance, The Battle of the Frogs and the Mice, and The Pumpkinification of the Emperor Claudius. Bringing this diverse material together for the first time, Anderson widens readers’ perspectives on the realm of fantasy in ancient literature, including topics such as dialogues with the dead, Utopian communities and fantastic feasts. Going beyond the more familiar world of myth, his examples range from The Golden Ass to the Late Antique Testament of a Pig. The volume also explores ancient resistance to the world of make-believe. Fantasy in Greek and Roman Literature is an invaluable resource not only for students of classical and comparative literature, but also for modern writers on fantasy who want to explore the genre’s origins in antiquity, both in the more obvious and in lesser-known texts.

Spider Evolution: Genetics, Behavior, and Ecological Influences provides a thorough exploration of the evolutionary trail of arachnids, particularly spider species, from prehistoric origins to current sustainability issues. This book analyzes extinct organisms in the Arachnida class, specifically looking at their phylogenomics and molecular footprints to understand evolutionary changes in diversification in today's species. Sections cover spider origins and their influences on behavioral traits, physiology of sensory organs, and biomechanics, also touching on spiders as prey and predators and how their roles have changed in the 400 million years of Arachnida existence. The book then focuses upon current environmental issues facing spider species and how these have, and can, affect the evolution of these organisms. Topics include biodiversity minimization, climate change and natural disasters. This book is a much-needed resource for entomologists and arachnid- or arthropod-driven researchers. Advanced undergraduate and graduate students will also benefit from the historic review, current assessment and future predictions of spider evolution provided in this book. - Provides a complete view of spider species from their first fossil evidence nearly 400 million years ago - Focuses on climate change and biodiversity threats as environmental factors currently affecting these organisms - Contains the most up-to-date knowledge on evolutionary genetics, physiology changes and behavioral outcomes

Within the newly thriving field of ancient Greek and Roman performance and dance studies, The Anatomy of Dance Discourse offers a fresh and original perspective on ancient perceptions of dance. Focusing on the second century CE, it provides an overview of the dance discourse of this period and explores the conceptualization of dance across an array of different texts, from Plutarch and Lucian of Samosata, to the apocryphal Acts of John, Longus, and Apuleius. The volume is divided into two parts: while the second part discusses ekphraseis of dance performance in prose and poetry of the Roman imperial period, the first delves more deeply into an examination of how both philosophical and literary treatments of dance interacted with other areas of cultural expression, whether language and poetry, rhetoric and art, or philosophy and religion. Its distinctive contribution lies in this juxtaposition of ancient theorizations of dance and philosophical analyses of the medium with literary depictions of dance scenes and performances, and it attends not only to the highly encoded genre of pantomime, which dominated the stage in the Roman Empire, but also to acrobatic, non-representational dances. This twofold nature of dance sparked highly sophisticated reflections on the relationship between dance and meaning in the ancient world, and the volume defends the novel claim that in the imperial period it became more and more palpable that dance, unlike painting or sculpture, could be representational or not: a performance of nothing but itself. It argues that dance was understood as a practice in which human beings, whether as dancers or spectators, are confronted with the irreducible reality of their own physical existence, which is constantly changing, and that its way to cognition and action is physical experience.

If personal and national identity is often constructed in terms of place, how do our identities and values change as places themselves are transformed? What happens to the spaces in which we live as societal values and identities change? These questions can be asked of almost any discipline, whether one is taking a photograph or mapping a literary topography, tracing linguistic change in a geographic region or language’s importance to our conception of a political territory, building a house or place of worship on a physical plot of land, or constructing them from words on a page or computer software. Few places are ever uniquely our own. We share them, knowing that the geographic points stabilizing our own identities serve, on their reverse side, to support an entirely different set of meanings. We project our cultural (or disciplinary) markers onto landscapes which are already hardly blank, but full of others’ meanings. This collection brings together scholars from a range of disciplines including literary and cultural studies, history, political science, architecture, anthropology, photography and art history, communications, sociology, lexicography, linguistics, tourism management and theoretical psychoanalysis, each shedding light on how place is both a transforming subject and a transformed object.

Alexandrianism was among the trends that defined the formation of Roman literature across genres since the early decades of Roman literary history. This volume introduces a collection of original essays that contribute to a developing appreciation of the comedy of Plautus, the leading representative of Roman comedy, as a multi-faceted text that engages in a creative dialogue with various contemporary cultural and literary developments. The studies here, both individually and as parts of a longer, interactive discussion, offer a comprehensive examination of the first complete expression of the intellectual reception of Greek and Hellenistic literature and culture in Rome, and, at the same time, examine Plautus’ correspondence with the popularization of science and medicine, the Romanization of philosophy, and contemporary religious practices. As the first Latin poet whose work survives in extant form, Plautus is also examined here as a major literary figure who significantly influenced the development of Latin literature. This book will appeal to specialist scholars of Roman comedy, but also to graduate students working in the fields of classics and literary history. All long quotations of Greek and Latin are translated.