Darkness has taken over her land, and Zora has to find a solution before her world and the Shadow Kingdom merge once and for all—and before Griffin is lost to her forever. Joined by unlikely allies and facing enemies at every turn, she journeys to a dangerous island where dark secrets are kept, and nobody gets out alive. Griffin is in enemy territory and has to play a dangerous game if he wants to stay alive and save the people he loves, even if it might mean losing them forever. The Dawn and the Prince is the action packed, emotional finale in the series Kingdom of Curses and Shadows. Get ready for more adventure, romance, and strange magic.

The 1930s were perhaps the seminal decade in twentieth-century history, a dark time of global depression that displaced millions, paralyzed the liberal democracies, gave rise to totalitarian regimes, and, ultimately, led to the Second World War. In this sweeping history, Piers Brendon brings the tragic, dismal days of the 1930s to life. From Stalinist pogroms to New Deal programs, Brendon re-creates the full scope of a slow international descent towards war. Offering perfect sketches of the players, riveting descriptions of major events and crises, and telling details from everyday life, he offers both a grand, rousing narrative and an intimate portrait of an era that make sense out of the fascinating, complicated, and profoundly influential years of the 1930s.

While Western films can be seen as a mode of American exceptionalism, they have also become a global genre. Around the world, Westerns exemplify colonial cinema, driven by the exploration of racial and gender hierarchies and the progress and violence shaped by imperialism. Transnationalism and Imperialism: Endurance of the Global Western Film traces the Western from the silent era to present day as the genre has circulated the world. Contributors examine the reception and production of American Westerns outside the US alongside the transnational aspects of American productions, and they consider the work of minority directors who use the genre to interrogate a visual history of oppression. By viewing Western films through a transnational lens and focusing on the reinterpretations, appropriations, and parallel developments of the genre outside the US, editors Hervé Mayer and David Roche contribute to a growing body of literature that debunks the pervasive correlation between the genre and American identity. Perfect for media studies and political science, Transnationalism and Imperialism reveals that Western films are more than cowboys; they are a critical intersection where issues of power and coloniality are negotiated.

Flip Lochner is a weary and disillusioned newspaper crime reporter. Curious to find out more about the origins of a casual acquaintance, he descends into Devil's Valley where, like Dante's Virgil, he encounters a bewildering array of mysterious characters and events that lead him to reevaluate the world in which he lives and which he thought he knew. Fusing invention and reality, magic realism and earthy humour, Lochner's adventures in the valley centre around the journey he undertakes to discover the truth about the elusive and erotic figure of Emma, one of Brink's most remarkable creations.

When the power shuts off, how long will it take for everything to fall apart? Lukas Calloway was a loner—and happy about it. He doesn’t like crowds and while he’d do anything for his family, he loves living by himself. But when a massive coronal mass ejection destroys earth’s power grids and plunges mankind into the 1800s, Lukas is forced to choose: help others or go it alone. Either way, he has to reach his family and fulfill a vow to his brother, stuck on the other side of the world. Lukas will do anything to protect his family but with the world falling apart around him, will he survive the journey? Will mankind survive the storm? The Long Road Home is a stand alone novel set in the Solar Storm universe. It takes place in the early stages of the CME crisis depicted in the Solar Storm books 1-5.

The New York Times bestselling series! “Maximum suspense, unusual magic—a whole new, thrilling approach to fantasy!” —Tamora Pierce, #1 New York Times bestselling author Powerful magic. A deadly legacy. A world at the edge of war. Prepare to be spellbound by fantasy series, The Black Witch Chronicles. Elloren Gardner is the spitting image of her grandmother, who drove back the enemy forces in the last Realm War. But while her people believe she will follow in her grandmother's footsteps and become the next Black Witch of prophecy, Elloren is devoid of power in a society that prizes magical ability above all else. When she is granted the opportunity to pursue her dream of becoming an apothecary, Elloren joins her brothers at Verpax University. But she soon realizes that the university may be the most treacherous place of all for the granddaughter of the Black Witch. As evil looms and the pressure to live up to her heritage builds, Elloren's best hope of survival may be among a secret band of rebels…if only she can find the courage to trust those she’s been taught to fear. Critics are raving about Laurie Forest’s incredible debut, The Black Witch: “Forest uses a richly imagined magical world to offer an uncompromising condemnation of prejudice and injustice.” —Booklist, starred review “A noteworthy debut.” —Publishers Weekly, starred review “Briskly paced, tightly plotted.” —Kirkus Reviews, starred review Books in The Black Witch Chronicles: The Black Witch The Iron Flower The Shadow Wand The Demon Tide The Dryad Storm Wandfasted (ebook novella)* Light Mage (ebook novella)* * Also available in print in The Rebel Mages anthology

The re-conceptualization of South Africa as a democracy in 1994 has influenced the production and reception of texts in this nation and around the globe. The literature emerging after 1994 provides a vision for reconciling the fragmented past produced by the brutality of apartheid policies and consequently shifting social relations from a traumatized past to a reconstructed future. The purpose of the essays in this anthology is to explore, within the literary imagination and cultural production of a post-apartheid nation and its people, how the trauma and violence of the past are reconciled through textual strategies. What role does memory play for the remembering subject working through the trauma of a violent past?

A daring and brilliant military tactician, Morenga was fluent in several languages and by all reports a man of compassion, intelligence, and integrity, as he led his people towards freedom.

Jesse recovered the missing ke’tain to keep her parents safe, but it came at a high price. In the weeks after her brush with death, she struggles to adapt to her new life, while burdened with the terrible secret she learned about her brother Caleb. On her first visit to Faerie, Jesse faces new challenges and perils amid the splendor of the Unseelie court. Her relationship with Lukas grows stronger, but her happiness is overshadowed by a threat to both worlds. She might be the only one who can save them if she is willing to risk her own future to do it. Together with an old friend, Jesse takes on the most dangerous job of her life. She discovers an inner strength she never knew she possessed; one she will need when she confronts her greatest enemy. Secrets are revealed and lives are changed forever. Jesse will make her last play, but will it be enough for her to survive the final showdown of this lethal game?