Explore the philosophy at the core of the apocalyptic future of Mad Max Beneath the stylized violence and thrilling car crashes, the Mad Max films consider universal questions about the nature of human life, order and anarchy, justice and moral responsibility, society and technology, and ultimately, human redemption. In Mad Max and Philosophy, a diverse team of political scientists, historians, and philosophers investigates the underlying themes of the blockbuster movie franchise, following Max as he attempts to rebuild himself and the world around him. Requiring no background in philosophy, this engaging and highly readable book guides you through the barren wastelands of a post-apocalyptic future as you explore ethics and politics in The Wasteland, the importance of costumes and music, humankind's relationship with nature, commerce, gender, religion, madness, and much more. Covers all of George Miller's Mad Max films, including Mad Max: Fury Road Discusses connections between Mad Max and Nietzsche, Malthus, Mill, Foucault, Sartre, and other major philosophers Follows Max's journey from policeman and family man to lost soul in search of redemption Examines the future of technology and possible impacts on society, the environment, and access to natural resources Delves into feminist themes of Mad Max, such as the reversal of heroic gender roles in Fury Road and relationships between power and procreation Part of the bestselling Blackwell Philosophy and Pop Culture series, Mad Max and Philosophy: Thinking Through the Wasteland is a must-read for anyone wanting to philosophically engage with Max, Furiosa, and their dystopian world.

Explore the philosophy at the core of the apocalyptic future of Mad Max Beneath the stylized violence and thrilling car crashes, the Mad Max films consider universal questions about the nature of human life, order and anarchy, justice and moral responsibility, society and technology, and ultimately, human redemption. In Mad Max and Philosophy, a diverse team of political scientists, historians, and philosophers investigates the underlying themes of the blockbuster movie franchise, following Max as he attempts to rebuild himself and the world around him. Requiring no background in philosophy, this engaging and highly readable book guides you through the barren wastelands of a post-apocalyptic future as you explore ethics and politics in The Wasteland, the importance of costumes and music, humankind's relationship with nature, commerce, gender, religion, madness, and much more. Covers all of George Miller's Mad Max films, including Mad Max: Fury Road Discusses connections between Mad Max and Nietzsche, Malthus, Mill, Foucault, Sartre, and other major philosophers Follows Max's journey from policeman and family man to lost soul in search of redemption Examines the future of technology and possible impacts on society, the environment, and access to natural resources Delves into feminist themes of Mad Max, such as the reversal of heroic gender roles in Fury Road and relationships between power and procreation Part of the bestselling Blackwell Philosophy and Pop Culture series, Mad Max and Philosophy: Thinking Through the Wasteland is a must-read for anyone wanting to philosophically engage with Max, Furiosa, and their dystopian world.

Explore the universe of Frank Herbert’s Dune in all its philosophical richness “He who controls the spice controls the universe.” Frank Herbert’s Dune saga is the epic story of Paul, son of Duke Leto Atreides, and heir to the massive fortune promised by the desert planet Arrakis and its vast reservoirs of a drug called “spice.” To control the spice, Paul and his mother Jessica, a devotee of the pseudo-religious Bene Gesserit order, must find their place in the culture of the desert-dwelling Fremen of Arrakis. Paul must contend with both the devious rival House Harkonnen and the gargantuan desert sandworms—the source of the spice. The future of the Imperium depends upon one young man who will need to lead a new jihad to control the universe. Dune and Philosophy recruits 23 philosophers to sift wisdom from Frank Herbert’s Duniverse, including the first of an expected series of films following Paul “Muad’Dib” Atreides and his descendants, captivatingly brought to the big screen by Denis Villeneuve in 2021. Part of the New Wave of science fiction of the 60s and 70s, Dune is characterized by literary experimentation with shifting styles, differing narrative points of view, and with the “psychedelic” culture of the period. In Dune, the long-term strategies and intricate plots of warring Great Houses are driven not just by Heighliner spacecraft and lasguns, but also by mind-expanding drugs, psychic powers, dystopian themes, race memories, and martial arts allowing control of the mind and the body. Substantial yet accessible chapters address philosophical questions including: Is it morally right to create a savior? Would interplanetary travel change human nature? What is the deeper meaning of desert ecologies? In conflict, how can you stay light years ahead of your opponents? Are there some drugs we would want to be addicted to? Does history repeat itself? Tens of thousands of years into an intergalactic future, can humans endure or will we sacrifice what is most important in our humanity for power, glory, religion and of course, the control of the spice? Dune and Philosophy sets an intellectual course through sand and stars to find out.

Would our world be a better place if some of us were benders? Can Katara repair the world through care? Is Toph a disability pride icon? What does it mean for Zuko to be bad at being good? Can we tell whether uncle Iroh is a fool or a sage? The world is out of sorts. The four nations, Water, Earth, Fire, and Air, are imbalanced because of the unrelenting conquest of the Fire Nation. The only one who can restore balance to the world is the Avatar. On the face of it, Avatar: The Last Airbender is a story about a lone superhero. However, saving the world is a team effort, embodied in Team Avatar, aka the Gaang. Aang needs help from his friends and tutors, even from non-human animals. Through the teachings of Guru Pathik and Huu he comes to realize that though the world and its nations seem separate, we are all one people. We all have the same roots and we are all branches of the same tree. Avatar: The Last Airbender and Philosophy brings to the fore the Eastern, Western, and Indigenous philosophies that are implicit in the show. Following Uncle Iroh’s advice that it is important to draw wisdom from many traditions, this volume features contributions by experts on Buddhist, Daoist, Confucian, and Indigenous schools of thought, next to focusing on Western classical authors such as Plotinus, Kant, and Merleau-Ponty. The volume is also unique in drawing on less common traditions such as black abolitionism, anarchism, and the philosophy of martial arts. Intertwining experience and reflection, ATLA and Philosophy helps readers to deeply engage with today’s burning questions, such as how to deal with ecological destruction, the aftermath of colonialism and genocide, and wealth inequality, using the tools from a wide range of philosophical traditions.

An accessible and engaging journey through the philosophical themes and concepts of Ted Lasso Ted Lasso and Philosophy explores the hidden depths beneath the vibrant veneer of AppleTV’s breakout, award-winning sitcom. Blending philosophical sophistication with winsome appreciation of this feel-good comedy, the collection features 20 original essays canvassing the breadth of the series and carefully considering the ideas it presents, including the goal of competition, the role of mental health, sportsmanship, revenge versus justice, the importance of friendship, the imperative of respect for persons, humility, leadership, identity, character growth, courage, journalistic ethics, belief, forgiveness, what love looks like, and just how evil tea is. In a nod to the show’s many literary allusions, the compilation concludes with a whimsical appendix that catalogs the books most significant to Ted Lasso’s themes and characters. If football is life, as Dani Rojas fondly repeats, then this book’s a fitting primer. Covers the full breadth of the original Ted Lasso series, including the third season Explores every major character and all of the show's significant subplots and elements Written in the spirit of the show, with in-jokes that will appeal to Ted Lasso fans Features an introduction that guides readers through the book’s materials Includes Beard's Bookshelf, a bibliography of the most significant books shown or alluded to in the series Ted Lasso and Philosophy is for the curious, not judgmental. Sport is quite the metaphor, and we can’t wait to unpack it with you.

The question of whether movies can deliver philosophical content is a leading topic in the cognitive and analytic debate on film. But instead of turning to the well-trodden terrain of narrative and emotional engagement, this is the first time fashion and costume choices are analyzed to demonstrate how movies can be said to be doing philosophy. Considering how fashion and costumes can deliver the epistemic content of a film and act as a guidance to the interpretation of the philosophical content of a film, Laura T. Di Summa examines fashion and costume choices in classical and contemporary films. She discusses a number of cinematic examples, and the costumes and fashion elements within them, illustrating the importance of issues such as the performative side of fashion, the alteration between novelty and repetition, the pivotal role of the body, and the relation between fashion, style, and individual as well as collective identity. Featuring close examinations of 1950s melodramas, Hollywood blockbusters and documentaries such as All That Heaven Allows, Mad Max Fury Road, and McQueen, Di Summa uses an innovative new lens to provide fresh philosophical analysis of films. The result is not only an advancement of our understanding of the aesthetic means through which film can do philosophy, but the first insights into a philosophy of fashion.

All the hard questions about human action are about what to include in a story, what can be left out, and how to characterize what gets included. A narrative selects from all the world's motions which ones are part of or relevant to an act, and so narratives give us what narratives have already shaped: the relation is circular. Many narratives can be told of an act, not all consistent. Some features of human action: - events "off-stage" determine what's happening "on-stage"; - many actions ``pass through'' motions in view; - an act can be changed after the fact; - action presupposes language; - what an act is can be highly ambiguous; - we judge acts (and narratives) because we have a stake in them.

Did Joel do the right thing when he saved Ellie? Are those infected by the Cordyceps conscious? Are communities necessary for human survival and flourishing? Should Ellie forgive Joel? Is Abby’s revenge morally justified? Is Ellie’s? The Last of Us franchise includes two of the best video games ever created and the critically acclaimed HBO series. Renowned for brilliant gameplay and world-class narrative, The Last of Us raises timeless and enduring philosophical questions. Beautiful, thrilling, and tragic, Ellie’s story of survival is as philosophical as it is profound. The Last of Us and Philosophy brings together an international team of philosophical experts and fans exploring the timeless questions raised by the video games and the show. Drawing insights ranging from Aristotle and Abby to Buddha and Bill, this book elucidates the roles that trust, community, love, justice, and hope play in The Last of Us. Twenty-four original essays cover both The Last of Us Part I and II and the HBO series, offering accessible and nuanced philosophical analysis of Naughty Dog’s amazing world. Whether you’re a fan of the video games or of the HBO series, The Last of Us and Philosophy will take you on a philosophical journey where you look for the light.

This volume serves to fill a lacuna in the literature of the analytic philosophy of religion by relating key philosophical themes to broader aspects of the humanities, such as visual art, literature, and pop culture studies. The essays here range from discussions of the nature of art and religious experience, to the role of art in religious dialogue, and the function of narrative in religious discourse, as well as cultural media and artistic and phenomenological experience.

The most profound and enduring social theorist of sociology's classical period, Max Weber speaks as cogently to concerns of the new century as he did to those of the past. In Max Weber and the New Century, Alan Sica demonstrated Weber's preeminent position and lasting vitality within social theory by applying his ideas to a broad range of topics of contemporary concern. Max Weber: A Comprehensive Bibliography is a companion volume that offers some 4,600 bibliographic listings of work on Weber, making it the most complete guide to the literature in English and a testament to the continued vitality of Weber's thought. Sica's work supersedes all previous bibliographical efforts covering the Weber literature, both in the quantity and accuracy of its references, and the clarity and convenience of its format. In order to demonstrate the enormous variety of Weberiana in English, Sica has adopted a liberal criterion for inclusion, rather than a critical one, choosing to mix the best with what may be more routine work. Following a preface in which previous bibliographies and bibliographic problems are discussed, the volume opens with a series of five specialized bibliographies. The first lists Weber's works in English translation. The second lists reviews of Weber's major works including those translated into English, while the third covers reviews of recent books and other work on Weber. The fourth section contains a selection of dissertations and theses relating to Weber or his ideas. The fifth includes primary and secondary sources treating Weber on rationality and rationalization processes. The last and largest section offers a comprehensive Weber bibliography of works in English. This large-scale endeavor attempts to identify with accuracy and completeness the entire universe of Weber scholarship in English. It will be an essential scholarly tool for sociologists, historians, economists, and students of cultural and intellectual history. Alan Sica is professor of sociology and director of the Social Thought Program at Pennsylvania State University.