The history of the Madhyamaka, one of the two main Indian Mahāyāna Buddhist philosophical traditions, began around the second century A.D. with the appearance of the writings of Nāgārjuna and Nāgārjuna's followers. Several of these writings were transmitted to China in the first decade of the fifth century, and had exerted a considerable influence on the development of Chinese Buddhist thought. This book examines the three stages of development of Chinese Madhyamaka, focussing attention on the different ways the representative figures of each stage applied basic Madhyamaka principles to deal with the central Buddhist doctrinal issues of their age. The chief aim of this book is to locate an ideological nucleus and to trace a general pattern of transformation, referring to which the precise significance of the key theoretical elements and the exact relationship between the main doctrinal aspects of a broad Buddhist intellectual trend can be clearly demonstrated and accurately defined.

This book originates from a thesis work whereby it is one of the first comprehensive study of Chi-Tsang`s treatment of The Two Truths in English. The work aims to build up a strong interest in readers, particularly, people in Western socities who are unfamiliar with Chinese tradition, culture and language. The topic is not only important in the theoritical approach but also critical to a practitioner to comprehend Chinese Buddhism for its ability to be a good reference work.

How do Chinese and Western philosophical traditions interact today? In the underlying collection of articles both Chinese and Western scholars carefully examine the issue, one of fundamental importance for the mutual understanding of China and the West. The volume is the result of a symposium which sought to initiate a dialogue between China and the West on questions ranging from philosophy to politics and aesthetics. The papers deal with various topics of cross-cultural hermeneutics, such as differences between Chinese and Western concepts of man’s relation to the universe, human rights, self and community, good and evil, and beauty. In some of the contributions attempts are made to adapt the Chinese philosophical inheritance to the modern or post-modern condition. A useful reference for all those - historians of ideas, political scientists, and China watchers alike - who want to understand the dynamics of the cultural flow between East and West and the significance of Chinese thought in a global context.

He (和), or harmony, has traditionally been a central concept in Chinese thought, and to this day continues to shape the way in which people in China and East Asia think about ethics and politics. Yet, there is no systematic and comprehensive introduction of harmony as has been variously articulated in different Chinese schools. This edited volume aims to fill this gap. The individual contributions elaborate the conceptions of harmony as these were exemplified in central Chinese schools of thought, including Daoism, Confucianism, Legalism, Mohism, Buddhism, and trace their impact on contemporary Chinese philosophy. The volume explores the various meanings and implications of harmony so as to consider its relevance as a value and virtue in the modern world. It provides an accessible but substantial introductory work for readers interested in learning about pertinent core concepts and theories in Chinese thought, as well as engages specialists in Chinese philosophy by explicating its implications for ethical, political, epistemological, and metaphysical reflection as the basic point of reference.

Xun Zi, one of the principal thinkers of the pre-imperial period and as such still widely read, ought to appear on any reading list on Chinese intellectual history. Dr. Sato's volume deals with the origin and formation of Xun Zi’s political thought, with close focus on the intellectual activity of the Jixia Academy and its impact on this synthesizer’s theory on rituals and social norms. The author convincingly deals with the problems of textual authenticity and biography. The main part of the work treats the shift of intellectual inquiry from an argument of ethical matters to an analysis of the principle(s) of socio-political mechanism, thus showing Xun Zi as a formative synthesizer of the two main streams of early Chinese intellectual discourse.

In this final volume on emptiness, the Dalai Lama skillfully reveals the Prasangikas’ view of the ultimate nature of reality so that we will gain the correct view of emptiness, the selflessness of both persons and phenomena, and have the means to eliminate our own and others’ duhkha. In this last of three volumes on emptiness, the Dalai Lama takes us through the Sautrantika, Yogacara, and Svatantrika views on the ultimate nature of reality and the Prasangikas’ thorough responses to these, so that we gain the correct view of emptiness—the selflessness of both persons and phenomena. This view entails negating inherent existence while also being able to establish conventional existence: emptiness does not mean nothingness. We then learn how to meditate on the correct view by cultivating pristine wisdom that is the union of serenity and insight as taught in the Pali, Chinese, and Tibetan traditions. Such meditation, when combined with the altruistic intention of bodhicitta, leads to the complete eradication of all defilements that obscure our minds. This volume also introduces us to the tathagatagarbha—the buddha essence—and how it is understood in both Tibet and China. Is it permanent? Does everyone have it? In addition, the discussion of sudden and gradual awakening in Zen (Chan) Buddhism and in Tibetan Buddhism is fascinating.

An examination of both excavated and transmitted texts that link ethics and natural philosophy, Material Virtue narrates the history of a neglected tradition that argues virtue has physical presence in the body, and rewrites the formative period of Confucianism.

This book analyzes the role of oral stories in Chinese witch-hunts. Of interest to historians of oral traditions, folklore and witch-hunts, but also to those working on anti-Christian movements and the intersection of popular fears and political history in China.

The Glory of Yue is the first translation into any Western language of the Yuejue shu, a collection of essays on history, literature, religion, architecture, economic thought, military science, and philosophy related to the ancient kingdoms of Wu and Yue, in present day eastern China. This book consists of sixteen chapters, together with three additional chapters of explanation written by the compilers in approximately 25 CE. This translation is presented with copious annotations and explanations, linking the concepts discussed with the development of the mainstream Chinese cultural tradition, and draws on both modern Western and Chinese exegesis, as well as archeological discoveries, to elucidate this highly complex and unjustly neglected text.

The surviving examples of the early medieval "shelun," a subgenre of the "fu," are translated and interpreted against their political background in this original contribution to Chinese "Nanbeichao" studies.