The Mahabharata is at once an archive and a living text, a sourcebook complete by itself and an open text perennially under construction. Driving home this striking contemporary relevance of the famous Indian epic, Mahabharata Now focuses on the issues of narration, aesthetics and ethics, as also their interlinkages. The cross-disciplinary essays in the volume imaginatively re-interpret the ‘timeless’ classic in the light of the pre-modern Indian narrative styles, poetics, aesthetic codes, and moral puzzles; the Western theories on modern ethics, aesthetics, metaphysics, psychoanalysis, and philosophy of science; and the contemporary social, ethical and political concerns. The essays are all united in their effort to situate the Mahabharata in the context of here and now without violating the sanctity of the ‘written text’ as we have it today. The book will be of interest to scholars and students of Indian and comparative philosophy, Indian and comparative literature, cultural studies, and history.

The Mahābhārata has been explored extensively as a work of mythology, epic poetry, and religious literature, but the text’s philosophical dimensions have largely been under-appreciated by Western scholars. This book explores the philosophical implications of the Mahābhārata by paying attention to the centrality of dialogue, both as the text’s prevailing literary expression and its organising structure. Focusing on five sets of dialogues about controversial moral problems in the central story, this book shows that philosophical deliberation is an integral part of the narrative. Black argues that by paying attention to how characters make arguments and how dialogues unfold, we can better appreciate the Mahābhārata’s philosophical significance and its potential contribution to debates in comparative philosophy today. This is a fresh perspective on the Mahābhārata that will be of great interest to any scholar working in religious studies, Indian/South Asian religions, comparative philosophy, and world literature.

Notwithstanding its renowned comprehensive narrative encapsulation of the Indic culture, the Mahabharata keeps on posing a challenge to its contemporary readers: how do we relate to something over two-millennia old in today’s context without freezing it in time? This volume looks at the problem from diverse periods and standpoints and shows us that this challenge is, in fact, a legacy of the Mahabharata and the responses to this challenge are what makes the text ever-contemporary to different readers of different times and positions. It traces the evolution of the Mahabharata from its inception in the fifth century BCE to twenty-first century, spanning classical Sanskrit tradition, Persian and Bengali adaptations, the Mahabharata as a serialized TV show to more recent graphic narratives. By attempting to analyse this diversity, this volume further delves into how the issues in the Mahabharata resonate across time, from the world of ancient sages to contemporary struggles of women. The essays in this book adopt a dual perspective to appreciate both the Mahabharata’s historical context, its exploration of war, heroes and heroines, gender, psychology, philosophy, and its implications for the future. This book will be of interest to scholars and researchers of Indian literature, ancient literature and philosophy, English literature, cultural studies, visual studies, gender studies, and translation studies.

The Mahabharata is the more recent of India's two great epics, and by far the longer. First composed by the Maharishi Vyasa in verse, it has come down the centuries in the timeless oral tradition of guru and sishya, profoundly influencing the history, culture, and art of not only the Indian subcontinent but most of south-east Asia. At 100,000 couplets, it is seven times as long as the Iliad and the Odyssey combined: far and away the greatest recorded epic known to man. The Mahabharata is the very Book of Life: in its variety, majesty and, also, in its violence and tragedy. It has been said that nothing exists that cannot be found within the pages of this awesome legend. The epic describes a great war of some 5000 years ago, and the events that led to it. The war on Kurukshetra sees ten million warriors slain, brings the dwapara yuga to an end, and ushers in a new and sinister age: this present kali yuga, modern times. At the heart of the Mahabharata nestles the Bhagavad Gita, the Song of God. Senayor ubhayor madhye, between two teeming armies, Krishna expounds the eternal dharma to his warrior of light, Arjuna. At one level, all the restless action of the Mahabharata is a quest for the Gita and its sacred stillness. After the carnage, it is the Gita that survives, immortal lotus floating upon the dark waters of desolation: the final secret! With its magnificent cast of characters, human, demonic, and divine, and its riveting narrative, the Mahabharata continues to enchant readers and scholars the world over. This new rendering brings the epic to the contemporary reader in sparkling modern prose. It brings alive all the excitement, magic, and grandeur of the original-for our times.

The ancient Indian Sanskrit tradition produced no text more intriguing, or more persistently misunderstood or underappreciated, than the Mahabharata. Its intricacies have waylaid generations of scholars and ignited dozens of unresolved debates. In Rethinking the Mahabharata, Alf Hiltebeitel offers a unique model for understanding the great epic. Employing a wide range of literary and narrative theory, Hiltebeitel draws on historical and comparative research in an attempt to discern the spirit and techniques behind the epic's composition. He focuses on the education of Yudhisthira, also known as the Dharma King, and shows how the relationship of this figure to others-especially his author-grandfather Vyasa and his wife Draupadi-provides a thread through the bewildering array of frames and stories embedded within stories. Hiltebeitel also offers a revisionist theory regarding the dating and production of the original text and its relation to the Veda. No ordinary reader's guide, this volume will illuminate many mysteries of this enigmatic masterpiece. This work is the fourth volume in Hiltebeitel's study of the Draupadi cult. Other volumes include Mythologies: From Gingee to Kuruksetra (Volume One), On Hindu Ritual and the Goddess (Volume Two), and Rethinking India's Oral and Classical Epics (Volume Three).

"The Mahabharata Code is a personal account of the main protagonist Narayan Rao (NR), who claims to be an astronomer with NASA. NR and a few other crew members agree to take part in the NASA mission to visit this mystery planet from which they had received mysterious signals. Here, they meet a man with a long flowing white beard, and he introduces himself as Vyasa. He reveals that he has a crazy plan in mind and seeks NR and his members’ help in implementing this plan. He intends to recreate the entire Mahabharata on this planet to restore the faith of the primitive simpletons here. As the Mahabharata incidents start unfolding, NR realizes that Vyasa intends to recreate them page by page here, if not paragraph by paragraph. Also NR begins to realize that his son, Krishna, who is being groomed by Vyasa as Vishnu’s avatar, is nothing more than a pawn in Vyasa's scheme of things. Other incidents of Mahabharata also unfold according to the original epic. Pandavas and Kauravas grow up hating each other and finally the restaging plan culminates with both the warring sets of cousins facing each other in the battlefield of Kurukshetra. Inexplicably, like the original epic, Arjuna develops cold feet seeing his own cousins, teachers and relatives on the opposite side. He seeks Krishna’s divine intervention. Is the brainwashed “alien” Krishna prepared for this intervention? "

Saiva Philosophy is an outgrowth of the religion characterized by the worship of the phallic form of God siva. Saivasm as a religion has persisted since the pre-historic time of the archaeological finds of Harappa and Mohenjodaro. It has a continuous history of at least five thousand years. It is a living faith praciced all over India. AN OUTLINE HISTORY OF SAIVA PHILOSOPHY first appeared as part of Volume III of Bhaskari in 1954 in the Princess of Wales Saraswati Bhavan Texts Series. The work is now reprinted as an independent volume to meet an increasing demand of the interested readers and scholars.

First published in 1900, this volume reproduces the key events of the Ramayana and Mahabharata Indian epics. It emerged amongst significant academic interest in Indian culture and literature. Whilst many Indian histories had provided abstracts and full texts of the two epics presented here, this book provided reproductions of the main incidents and striking features of these two otherwise imposing, lengthy works. The volume deals with each text separately and presents several key excerpts along with a general introduction and introductory remarks for both texts.

In Indian mythological texts like the Mahābhārata and Rāmāyaṇa, there are recurrent tales about gleaners. The practice of "gleaning" in India had more to do with the house-less forest life than with residential village or urban life or with gathering residual post-harvest grains from cultivated fields. Gleaning can be seen a metaphor for the Mahābhārata poets’ art: an art that could have included their manner of gleaning what they made the leftovers (what they found useful) from many preexistent texts into Vyāsa’s “entire thought”—including oral texts and possibly written ones, such as philosophical debates and stories. This book explores the notion of non-violence in the epic Mahābhārata. In examining gleaning as an ecological and spiritual philosophy nurtured as much by hospitality codes as by eating practices, the author analyses the merits and limitations of the 9th century Kashmiri aesthetician Anandavardhana that the dominant aesthetic sentiment or rasa of the Mahābhārata is shanta (peace). Mahatma Gandhi's non-violent reading of the Mahabharata via the Bhagavad Gita are also studied. This book by one of the leaders in Mahābhārata studies is of interest to scholars of South Asian Literary Studies, Religious Studies as well as Peace Studies, South Asian Anthropology and History.