How did second-century Christians vie with each other in seeking to produce an authoritative discourse of Christian identity? In this innovative book, Denise Buell argues that many early Christians deployed the metaphors of procreation and kinship in the struggle over claims to represent the truth of Christian interpretation, practice, and doctrine. In particular, she examines the intriguing works of the influential theologian Clement of Alexandria (ca. 150-210 c.e.), for whom cultural assumptions about procreation and kinship played an important role in defining which Christians have the proper authority to teach, and which kinds of knowledge are authentic. Buell argues that metaphors of procreation and kinship can serve to make power differentials appear natural. She shows that early Christian authors recognized this and often turned to such metaphors to mark their own positions as legitimate and marginalize others as false. Attention to the functions of this language offers a way out of the trap of reconstructing the development of early Christianity along the axes of "heresy" and "orthodoxy," while not denying that early Christians employed this binary. Ultimately, Buell argues, strategic use of kinship language encouraged conformity over diversity and had a long lasting effect both on Christian thought and on the historiography of early Christianity. Aperceptive and closely argued contribution to early Christian studies, Making Christians also branches out to the areas of kinship studies and the social construction of gender.

Making Amulets Christian: Artefacts, Scribes, and Contexts examines Greek amulets with Christian elements from late antique Egypt in order to discern the processes whereby a customary practice--the writing of incantations on amulets--changed in an increasingly Christian context. It considers how the formulation of incantations and amulets changed as the Christian church became the prevailing religious institution in Egypt in the last centuries of the Roman empire. Theodore de Bruyn investigates what we can learn from incantations and amulets containing Christian elements about the cultural and social location of the people who wrote them. He shows how incantations and amulets were indebted to rituals or ritualizing behaviour of Christians. This study analyzes different types of amulets and the ways in which they incorporate Christian elements. By comparing the formulation and writing of individual amulets that are similar to one another, one can observe differences in the culture of the scribes of these materials. It argues for 'conditioned individuality' in the production of amulets. On the one hand, amulets manifest qualities that reflect the training and culture of the individual writer. On the other hand, amulets reveal that individual writers were shaped, whether consciously or inadvertently, by the resources they drew upon-by what is called 'tradition' in the field of religious studies.

Known as the “Father of Church History,” Eusebius was bishop of Caesarea in Palestine and the leading Christian scholar of his day. His Ecclesiastical History is an irreplaceable chronicle of Christianity’s early development, from its origin in Judaism, through two and a half centuries of illegality and occasional persecution, to a new era of tolerance and favor under the Emperor Constantine. In this book, Michael J. Hollerich recovers the reception of this text across time. As he shows, Eusebius adapted classical historical writing for a new “nation,” the Christians, with a distinctive theo-political vision. Eusebius’s text left its mark on Christian historical writing from late antiquity to the early modern period—across linguistic, cultural, political, and religious boundaries—until its encounter with modern historicism and postmodernism. Making Christian History demonstrates Eusebius’s vast influence throughout history, not simply in shaping Christian culture but also when falling under scrutiny as that culture has been reevaluated, reformed, and resisted over the past 1,700 years.

An anthropological theorization of the unity and diversity of Christianity, this book focuses on Christian communities in Nanping, a small city in China. It applies methodological insights from Actor-Network Theory to investigate how the Christian God is made part of local social networks. The study examines how Christians interact with and re-define material objects, such as buildings, pews, offerings, and blood, in order to identify the kind of networks and non-human actors that they collectively design. By comparing local Christian traditions with other practices informing the Nanping religious landscape, the study points out potential cohesion via the centralizing presence of the Christian God, the governing nature of the pastoral clergy, and the semi-transcendent being of the Church.

This book contains success stories and inspired interviews from the work of Christian publishing.

What does it mean for music to be considered local in contemporary Christian communities, and who shapes this meaning? Through what musical processes have religious beliefs and practices once ‘foreign’ become ‘indigenous’? How does using indigenous musical practices aid in the growth of local Christian religious practices and beliefs? How are musical constructions of the local intertwined with regional, national or transnational religious influences and cosmopolitanisms? Making Congregational Music Local in Christian Communities Worldwide explores the ways that congregational music-making is integral to how communities around the world understand what it means to be ‘local’ and ‘Christian’. Showing how locality is produced, negotiated, and performed through music-making, this book draws on case studies from every continent that integrate insights from anthropology, ethnomusicology, cultural geography, mission studies, and practical theology. Four sections explore a central aspect of the production of locality through congregational music-making, addressing the role of historical trends, cultural and political power, diverging values, and translocal influences in defining what it means to be ‘local’ and ‘Christian’. This book contends that examining musical processes of localization can lead scholars to new understandings of the meaning and power of Christian belief and practice.

The Making of Christian Communities sheds light on one of the most crucial periods in the development of the Christian faith. It considers the development and spread of Christianity between Late Antiquity and the Middle Ages, and includes analysis of the formation and development of Christian communities in a variety of arenas, ranging from Late Roman Cappadocia and Constantinople to the court of Charlemagne and the twelfth-century province of Rheims, France during the twelfth century. The rise and development of Christianity in the Roman and Post-Roman world has been exhaustively studied on many different levels, political, legal, social, literary and religious. However, the basic question of how Christians of Late Antiquity and the Early Middle Ages formed themselves into communities of believers has sometimes been lost from sight. This volume explores the idea that survival of the Christian faith depended upon the making of these communities, something that the Christians of this period were themselves acutely - and sometimes acrimoniously - aware.

Kenosis, or self-emptying, poses a fundamental question to any theological discussion about Jesus Christ: “In becoming human, did God empty himself of any divine qualities?” Many variations on kenotic Christology have emerged over the past 200 years, most of them claiming to both preserve and highlight the true humanity and ecclesial significance of Jesus Christ. While there is much to commend in these efforts, Samuel Youngs contends that nearly all such kenotic attempts have, against their best intentions, fallen into an echo chamber of abstraction and metaphor, rendering their talk about Jesus Christ and analysis of the Gospels fundamentally “unreal” and lacking in material significance for today’s living church. Most fundamentally, many kenotic accounts pay inadequate attention to Christ’s lived accomplishment, his current presence, and the modes of praxis that he makes real in the world. In dialogue with the important movement known as Transformation Theology, Youngs unfolds a detailed critique of method and discourse in kenotic christologies. Turning then to the vibrant christological thought of Jürgen Moltmann, a different outlook on kenosis is articulated and defended, one that is relational, concrete, and praxiological.