Back-to-school shopping spree! The Clue Crew is headed to the mall! They are ready to shop till they drop for new school supplies. First stop: the Pencil Box for glittery notebooks. But right away it looks like the girls have a back-to-school mystery on their hands. Money is missing from the Pencil Box's cash register, and all fingers point to the clerk, Rodger. Rodger is Nancy's neighbor, and she doesn't believe he's a thief. But she'll need to examine the facts first. Good thing she bought a new notebook!

In 1983, Reese's Pieces made their debut on the silver screen, gobbled up by that lovable alien ET, and sales of the candy shot up instantly by 66 percent. Reebok has sponsored the U.S. Olympic team-and the Russian team, as well! The British Boy Scouts sell space on their merit badges to advertisers. Michael Jacobson, founder of the Washington, D.C

An essay collection exploring the board game’s relationship to the built environment, revealing the unexpected ways that play reflects perceptions of space. Board games harness the creation of entirely new worlds. From the medieval warlord to the modern urban planner, players are permitted to inhabit a staggering variety of roles and are prompted to incorporate preexisting notions of placemaking into their decisions. To what extent do board games represent the social context of their production? How might they reinforce or subvert normative ideas of community and fulfillment? In Playing Place, Chad Randl and D. Medina Lasansky have curated a collection of thirty-seven fascinating essays, supplemented by a rich trove of photo illustrations, that unpack these questions with breadth and care. Although board games are often recreational objects, their mythologies and infrastructure do not exist in a vacuum—rather, they echo and reproduce prevalent cultural landscapes. This thesis forms the throughline of pieces reflecting on subjects as diverse as the rigidly gendered fantasies of classic mass-market games; the imperial convictions embedded in games that position player-protagonists as conquerors establishing dominion over their “discoveries”; and even the uncanny prescience of games that have players responding to a global pandemic. Representing a thrilling convergence of historiography, architectural history, and media studies scholarship, Playing Place suggests not only that tabletop games should be taken seriously but also that the medium itself is uniquely capable of facilitating our critical consideration of structures that are often taken for granted.

Audisee® eBooks with Audio combine professional narration and sentence highlighting to engage reluctant readers! Mallory McDonald has her eye on the perfect purse, but it’s too expensive and Mallory’s mom is not buying! So Mallory comes up with the perfect plan to get the perfect purse. She’ll just start a business! Yet starting a business isn’t as easy as it seems. Mallory finally earns enough to buy what she wants. But if her business is such as success, why does Mallory feel like such a failure?

Departing from those who define postmodernism in film merely as a visual style or set of narrative conventions, Anne Friedberg develops the first sustained account of the cinema's role in postmodern culture. She explores the ways in which nineteenth-century visual experiences—photography, urban strolling, panorama and diorama entertainments—anticipate contemporary pleasures provided by cinema, video, shopping malls, and emerging "virtual reality" technologies. Comparing the visual practices of shopping, tourism, and film-viewing, Friedberg identifies the experience of "virtual" mobility through time and space as a key determinant of postmodern cultural identity. Evaluating the theories of Jameson, Lyotard, Baudrillard, and others, she adds critical insights about the role of gender and gender mobility in the configurations of consumer culture. A strikingly original work, Window Shopping challenges many of the existing assumptions about what exactly postmodern is. This book marks the emergence of a compelling new voice in the study of contemporary culture.

In this sparkling romance, two professors with a complicated past get a second chance to prove history won't repeat itself. Assistant professor Clara Fernsby is nothing if not driven. She’s wanted to teach history since she was fourteen, and she hasn’t let anything stand in her way—not even the love of her life. And it all paid off in the end, because she landed a well-paid position at a private liberal arts college fresh out of grad school, and this year, she’s finally up for tenure. When Theodore Harrison is brought on for the fall semester as a visiting scholar, it’s an unexpected blast from Clara’s past. She hasn’t spoken to Teddy since rejecting him over a phone call ten years ago. Now that he’s here, she’s reminded of their time together at every turn: autumns spent at a sleepaway camp in the Blue Ridge Mountains, trading battered history books and burned CDs with the quiet, dark-haired boy she once fell in love with. That boy might’ve been her best friend, but the man teaching HIST-322 is a total stranger—or so she thinks. As they spend evenings working on a shared project and brainstorming over drinks at a college bar, Clara realizes she’s at risk of falling all over again. Given their history, she knows there’s every chance he’s not interested. But history’s all down to interpretation, and this time around, she’s got no intentions of repeating it.

The last 15 years have witnessed deep changes in Israeli society. The naive solidarity of the early years of statehood has given way to more sophisticated approaches, and the atmosphere of the 1990s was conducive towards critique and open discussion. It was the age of the Oslo Accords, of the large wave of immigrants from the Former Soviet Union, economic growth and prosperity, and a concurrent feeling of security and well-being. Israel was fast becoming a postcapitalist society, a junior member of the global village. This newly acquired self-assurance led to openness towards unorthodox views on basic questions of Israeli identity. The new mood found expression in the cultural climate and in the public debates. The Zionist narrative in relation to the Palestinians; the early troubled absorption of immigrants from Islamic countries; the discrimination against the Arab Israeli minority; the delay in the 1950s in incorporating the memory of the Holocaust into collective memory; the Zionist attitude towards the Jewish Diaspora, all these were issues on the cultural and intellectual agenda, subjects of heated controversies. This book attempts to come to grips with these themes. The complex texture of Israeli society is drawn here by a number of hands, presenting up-to-date approaches, as viewed by experts.

A map of today's cultural landscape, guiding Christians toward more effective communication with the postmodern world.

Frank and Joe are on a case that really pops in this Hardy Brothers Secret Files Mystery. The Green Crawler is one of the coolest superheroes around, and Frank and Joe are some of his biggest fans. And thanks to a contest, the Hardy boys get to be two of the handlers for the new Green Crawler balloon in the annual Fall Festival parade in Bayport! But the day before the parade, disaster strikes: someone has ripped the Green Crawler balloon! The people in charge think Joe did it—and the Hardys need to clear his name fast. Was it Bayport bully Adam Ackerman, who was green with envy that the Hardys won the contest? Or could the culprits be loyal fans of Nutty the Squirrel, the cartoon character whom the Green Crawler replaced? And Mo Mantis, the Green Crawler’s archenemy, has a few tricks of his own… Can the brothers figure out who tried to ground the Green Crawler? Or will Joe and Frank be watching the parade from the sidelines this year?

Magic with Black-Eyed Beans and Other Recipes is a unique and practical Nigerian cookbook focusing mainly on nutrition rich black-eyed bean dishes, but also includes many other favourite Nigerian recipes. A lot of the recipes in the book are suitable for vegetarians.