The commercial revolution of the seventeenth century deeply changed English culture. In this ambitious book, Blair Hoxby explores what that economic transformation meant to the century’s greatest poet, John Milton, and to the broader literary tradition in which he worked. Hoxby places Milton’s work—as well as the writings of contemporary reformers like the Levellers, poets like John Dryden, and political economists like Sir William Petty—within the framework of England’s economic history between 1601 and 1724. Literary history swerved in this period, Hoxby demonstrates, as a burgeoning economic discourse pressed authors to reimagine ideas about self, community, and empire. Hoxby shows that, contrary to commonly held views, Milton was a sophisticated economic thinker. Close readings of Milton’s prose and verse reveal the importance of economic ideas in a wide range of his most famous writings, from Areopagitica to Samson Agonistes to Paradise Lost.

Crossing the disciplinary borders between political, religious, and economic history, Aaron Kitch's innovative new study demonstrates how sixteenth-century treatises and debates about trade influenced early modern English literature by shaping key formal and aesthetic concerns of authors between 1580 and 1630. The author's analysis concentrates on a commonly overlooked period of economic history-the English commercial revolution before 1620-and, utilizing an impressive combination of archival research, close reading, and attention to historical detail, traces the transformation of genre in both neglected and canonical texts. The topics here are wide-ranging but are presented with a commitment to providing a concrete understanding of the religious, political, and historic context in literary thought. Kitch begins with the emerging wool trade and explosion of economic writing, Spenser's glorification of commerce and the Protestant state as presented in The Faerie Queene, and writers such as Thomas Nashe who drew on the same economic principles to challenge Spenser. Other topics include the reaction to the herring trade in prose satire and pamphlets, the presentation of Jewish trading nations in Shakespeare and Marlowe, and the tension between the crown and London merchants as reflected in Middleton's city comedies and Jonson's and Munday's pageants and court masques.

The Indian Listener began in 22 December, 1935 and was the successor to the Indian Radio Times, which was published beginning in July of 1927 with editions in Bengali.The Indian Listener became "Akashvani" in January, 1958.It consist of list of programmes,Programme information and photographs of different performing arrtist of ALL INDIA RADIO. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 07-09-1936 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 56 VOLUME NUMBER: Vol. I. No. 18. BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 902-932 ARTICLES: 1. From Microphone To Receiver 2. Setting On A Set (Points To Remember in Assessing the Performance Of A Receiver Author of Article: 1. Unknown 2. Unknown Keywords: 1. Electrical Vibrations, Outside Broadcast, Dramatic Control Panel, Amplifiers 2. Receiver, Relays, Selectivity Tests Document ID:INL-1935-36 (D-D) Vol-I (18)

"The Post-Girl" by Edward Charles Booth is a novel set in Yorkshire, England. Excerpt: "When summer comes Mrs. Gatheredge talks of repapering her parlor, and Ginger gets him ready to sleep in the scullery at a night's notice, but the letting of lodgings is not a staple industry in this quarter of Yorkshire, and folks would fare ill on it who knew nothing of the art of keeping a pig or growing their own potatoes in the bit of garden at the back. Visitors pass through, indeed, in large enough numbers between seed- and harvest-time (mostly by bicycle), staring their way round the village from house to house. But all that ever develops is an occasional request for a cup of water—in the hope, no doubt, that we may give them milk—or an interrogation as to the road to somewhere else. "

Langston Hughes, one of America's greatest writers, was an innovator of jazz poetry and a leader of the Harlem Renaissance whose poems and plays resonate widely today. Accessible, personal, and inspirational, Hughes’s poems portray the African American community in struggle in the context of a turbulent modern United States and a rising black freedom movement. This indispensable volume of letters between Hughes and four leftist confidants sheds vivid light on his life and politics. Letters from Langston begins in 1930 and ends shortly before his death in 1967, providing a window into a unique, self-created world where Hughes lived at ease. This distinctive volume collects the stories of Hughes and his friends in an era of uncertainty and reveals their visions of an idealized world—one without hunger, war, racism, and class oppression.