If one must flirt...flirt with danger. Lessons in the art of espionage aboard Mademoiselle Geraldine's floating dirigible have become quite tedious without Sophronia's sweet sootie Soap nearby. She would much rather be using her skills to thwart the dastardly Picklemen, but her concerns about their wicked intentions are ignored, and now she's not sure whom to trust. What does the brusque werewolf dewan know? On whose side is the ever-stylish vampire Lord Akeldama? Only one thing is certain: a large-scale plot is under way, and when it comes to fruition, Sophronia must be ready to save her friends, her school, and all of London from disaster--in decidedly dramatic fashion, of course. What will become of our proper young heroine when she puts her years of training to the test? Find out in this highly anticipated and thrilling conclusion to the New York Times bestselling Finishing School series!

Americans of the Early Republic devoted close attention to the question of what should be the proper relationship between church and state. Kabala examines this debate across six decades and shows that an understanding of this period is not possible without appreciating the key role religion played in the formation of the nation.

The American Presidency examines the constitutional foundation of the executive office and the social, economic, political, and international forces that have reshaped it along with the influence individual presidents have had. Authors Sidney Milkis and Michael Nelson look at each presidency broadly, focusing on how individual presidents have sought to navigate the complex and ever-changing terrain of the executive office and revealing the major developments that launched a modern presidency at the dawn of the twentieth century. By connecting presidential conduct to the defining eras of American history and the larger context of politics and government in the United States, this award-winning book offers perspective and insight on the limitations and possibilities of presidential power.

American history has always been an irresistible source of inspiration for filmmakers, and today, for good or ill, most Americans'sense of the past likely comes more from Hollywood than from the works of historians. In important films such as The Birth of a Nation (1915), Roots (1977), Apocalypse Now (1979), and Saving Private Ryan (1998), how much is entertainment and how much is rooted in historical fact? In The Columbia Companion to American History on Film, more than seventy scholars consider the gap between history and Hollywood. They examine how filmmakers have presented and interpreted the most important events, topics, eras, and figures in the American past, often comparing the film versions of events with the interpretations of the best historians who have explored the topic. Divided into eight broad categories—Eras; Wars and Other Major Events; Notable People; Groups; Institutions and Movements; Places; Themes and Topics; and Myths and Heroes—the volume features extensive cross-references, a filmography (of discussed and relevant films), notes, and a bibliography of selected historical works on each subject. The Columbia Companion to American History on Film is also an important resource for teachers, with extensive information for research or for course development appropriate for both high school and college students. Though each essay reflects the unique body of film and print works covering the subject at hand, every essay addresses several fundamental questions: What are the key films on this topic? What sources did the filmmaker use, and how did the film deviate (or remain true to) its sources? How have film interpretations of a particular historical topic changed, and what sorts of factors—technological, social, political, historiographical—have affected their evolution? Have filmmakers altered the historical record with a view to enhancing drama or to enhance the "truth" of their putative message?

It was the measure of Shakespeare's poetic greatness, an early commentator remarked, that he thoroughly blended the ideal with the practical or realistic. “If this be so,” Walt Whitman wrote, "I should say that what Shakespeare did in poetic expression, Abraham Lincoln essentially did in his personal and official life." Whitman was only one of many to note the affinity between these two iconic figures. Novelists, filmmakers, and playwrights have frequently shown Lincoln quoting Shakespeare. In Lincoln and Shakespeare, Michael Anderegg for the first time examines in detail Lincoln’s fascination with and knowledge of Shakespeare’s plays. Separated by centuries and extraordinary circumstances, the two men clearly shared a belief in the power of language and both at times held a fatalistic view of human nature. While citations from Shakespeare are few in his writings and speeches, Lincoln read deeply and quoted often from the Bard's work in company, a habit well documented in diaries, letters, and newspapers. Anderegg discusses Lincoln’s particular interest in Macbeth and Hamlet and in Shakespeare’s historical plays, where we see themes that resonated deeply with the president—the dangers of inordinate ambition, the horrors of civil war, and the corruptions of illegitimate rule. Anderegg winnows confirmed evidence from myth to explore how Lincoln came to know Shakespeare, which editions he read, and which plays he would have seen before he became president. Once in the White House, Lincoln had the opportunity of seeing the best Shakespearean actors in America. Anderegg details Lincoln's unexpected relationship with James H. Hackett, one of the most popular comic actors in America at the time: his letter to Hackett reveals his considerable enthusiasm for Shakespeare. Lincoln managed, in the midst of overwhelming matters of state, to see the actor's Falstaff on several occasions and to engage with him in discussions of how Shakespeare’s plays should be performed, a topic on which he had decided views. Hackett's productions were only a few of those Lincoln enjoyed as president, and Anderegg documents his larger theater-going experience, recreating the Shakespearean performances of Edwin Booth, Charlotte Cushman, Edwin Forrest, and others, as Lincoln saw them.

During the Antebellum era, thousands of free black sailors were arrested for violating the Negro Seamen Acts. In retelling the harrowing experiences of free black sailors, Moral Contagion highlights the central roles that race and international diplomacy played in the development of American citizenship.

This four-volume set documents the complexity and richness of women's contributions to American history and culture, empowering all students by demonstrating a more populist approach to the past. Based on the content of most textbooks, it would be easy to reach the erroneous conclusion that women have not contributed much to America's history and development. Nothing could be further from the truth. Offering comprehensive coverage of women of a diverse range of cultures, classes, ethnicities, religions, and sexual identifications, this four-volume set identifies the many ways in which women have helped to shape and strengthen the United States. This encyclopedia is organized into four chronological volumes, with each volume further divided into three sections. Each section features an overview essay and thematic essay as well as detailed entries on topics ranging from Lady Gaga to Ladybird Johnson, Lucy Stone, and Lucille Ball, and from the International Ladies of Rhythm to the International Ladies Garment Workers Union. The set also includes a vast variety of primary documents, such as personal letters, public papers, newspaper articles, recipes, and more. These primary documents enhance users' learning opportunities and enable readers to better connect with the subject matter.

Born on a small Massachusetts farm and educated at Dartmouth, Kendall moved to Kentucky as a young man to seek his fortune and eventually became one of the very few nationally prominent antebellum politicians who successfully combined northern origins and southern experience."--Jacket.

A gripping narrative history of the explosive events that drew together Francis Scott Key, Andrew Jackson, and an 18-year-old slave on trial for attempted murder. In 1835, the city of Washington pulsed with change. As newly freed African Americans from the South poured in, free blacks outnumbered slaves for the first time. Radical notions of abolishing slavery circulated on the city's streets, and white residents were forced to confront new ideas of what the nation's future might look like. On the night of August 4th, Arthur Bowen, an eighteen-year-old slave, stumbled into the bedroom where his owner, Anna Thornton, slept. He had an ax in the crook of his arm. An alarm was raised, and he ran away. Word of the incident spread rapidly, and within days, Washington's first race riot exploded, as whites fearing a slave rebellion attacked the property of the free blacks. Residents dubbed the event the “Snow-Storm," in reference to the central role of Beverly Snow, a flamboyant former slave turned successful restaurateur, who became the target of the mob's rage. In the wake of the riot came two sensational criminal trials that gripped the city. Prosecuting both cases was none other than Francis Scott Key, a politically ambitious attorney famous for writing the lyrics to “The Star-Spangled Banner,” who few now remember served as the city's district attorney for eight years. Key defended slavery until the twilight's last gleaming, and pandered to racial fears by seeking capital punishment for Arthur Bowen. But in a surprise twist his prosecution was thwarted by Arthur's ostensible victim, Anna Thornton, a respected socialite who sought the help of President Andrew Jackson. Ranging beyond the familiar confines of the White House and the Capitol, Snow-Storm in August delivers readers into an unknown chapter of American history with a textured and absorbing account of the racial secrets and contradictions that coursed beneath the freewheeling capital of a rising world power. "Snow-Storm in August is the sort of book I most love to read: history so fresh it feels alive, yet introducing me to a time and place that I had little known or utterly misunderstood. After reading Jefferson Morley's vibrant account, one can never hear 'The Star-Spangled Banner' the same way again." —David Maraniss, author of Barack Obama: The Story

The first full-length biography of the well-connected, but nearly forgotten frontier politician of antebellum America. The scion of a well-to-do Richmond, Virginia, family, William Pope DuVal (1784–1854) migrated to the Kentucky frontier as a youth in 1800. Settling in Bardstown, DuVal read law, served in Congress, and fought in the War of 1812. In 1822, largely because of the influence of his lifelong friend John C. Calhoun, President James Monroe appointed DuVal the first civil governor of the newly acquired Territory of Florida. Enjoying successive appointments from the Adams and Jackson administrations, DuVal founded Tallahassee and presided over the territory’s first twelve territorial legislative sessions, years that witnessed Middle Florida’s development into one of the Old Southwest’s most prosperous slave-based economies. Beginning with his personal confrontation with Miccosukee chief Neamathla in 1824 (an episode commemorated by Washington Irving), DuVal worked closely with Washington officials and oversaw the initial negotiations with the Seminoles. A perennial political appointee, DuVal was closely linked to national and territorial politics in antebellum America. Like other “Calhounites” who supported Andrew Jackson’s rise to the White House, DuVal became a casualty of the Peggy Eaton Affair and the Nullification Crisis. In fact he was replaced as Florida governor by Mrs. Eaton’s husband, John Eaton. After leaving the governor’s chair, DuVal migrated to Kentucky, lent his efforts to the cause of Texas Independence, and eventually returned to practice law and local politics in Florida. Throughout his career DuVal cultivated the arts of oratory and story-telling—skills essential to success in the courtrooms and free-for-all politics of the American South. Part frontiersman and part sophisticate, DuVal was at home in the wilds of Kentucky, Florida, Texas, and Washington City. He delighted in telling tall tales, jests, and anecdotes that epitomized America’s expansive, democratic vistas. Among those captivated by DuVal’s life and yarns were Washington Irving, who used DuVal’s tall tales as inspiration for his “The Early Experiences of Ralph Ringwood,” and James Kirke Paulding, whose “Nimrod Wildfire” shared Du Val’s brashness and bonhomie. “In large brushstrokes, but with great attention to detail, Denham embeds DuVal’s life in a wider portrait of the young Republic, and particularly in issues affecting the western states and the former Spanish borderlands Readers will find in this book a well-researched and well-written history that informs on many levels.” —The Historian “Relying on a variety of sources extending well beyond DuVal’s papers, Denham’s work provides an intriguing account of a southerner immersed in the dynamics of politics at both the local and national levels. The study will be a definitive must for any student of antebellum regional and national history.” —The Journal of Southern History