Stephanie Urdang was born in Cape Town, South Africa, into a white, Jewish family staunchly opposed to the apartheid regime. In 1967, at the age of twenty-three, no longer able to tolerate the grotesque iniquities and oppression of apartheid, she chose exile and emigrated to the United States. There she embraced feminism, met anti-apartheid and solidarity movement activists, and encountered a particularly American brand of racial injustice. Urdang also met African revolutionaries such as Amilcar Cabral, who would influence her return to Africa and her subsequent journalism. In 1974, she trekked through the liberation zones of Guinea-Bissau during its war of independence; in the 1980’s, she returned repeatedly to Mozambique and saw how South Africa was fomenting a civil war aimed to destroy the newly independent country. From the vantage point of her activism in the United States, and from her travels in Africa, Urdang tracked and wrote about the slow, inexorable demise of apartheid that led to South Africa’s first democratic elections, when she could finally return home. Urdang’s memoir maps out her quest for the meaning of home and for the lived reality of revolution with empathy, courage, and a keen eye for historical and geographic detail. This is a personal narrative, beautifully told, of a journey traveled by an indefatigable exile who, while yearning for home, continued to question where, as a citizen of both South Africa and the United States, she belongs. “My South Africa!” she writes, on her return in 1991, after the release of Nelson Mandela, “How could I have imagined for one instant that I could return to its beauty, and not its pain?”

"A remarkable life story. . . Angela Sterritt is a formidable storyteller and a passionate advocate."—Cherie Dimaline, author of The Marrow Thieves "Sterritt's story is living proof of how courageous Indigenous women are."—Tanya Talaga, author of Seven Fallen Feathers and All Our Relations Unbroken is an extraordinary work of memoir and investigative journalism focusing on missing and murdered Indigenous women and girls, written by an award-winning Gitxsan journalist who survived life on the streets against all odds. As a Gitxsan teenager navigating life on the streets, Angela Sterritt wrote in her journal to help her survive and find her place in the world. Now an acclaimed journalist, she writes for major news outlets to push for justice and to light a path for Indigenous women, girls, and survivors. In her brilliant debut, Sterritt shares her memoir alongside investigative reporting into cases of missing and murdered Indigenous women in Canada, showing how colonialism and racism led to a society where Sterritt struggled to survive as a young person, and where the lives of Indigenous women and girls are ignored and devalued. Growing up, Sterritt was steeped in the stories of her ancestors: grandparents who carried bentwood boxes of berries, hunted and trapped, and later fought for rights and title to that land. But as a vulnerable young woman, kicked out of the family home and living on the street, Sterritt inhabited places that, today, are infamous for being communities where women have gone missing or been murdered: Vancouver’s Downtown Eastside, and, later on, Northern BC’s Highway of Tears. Sterritt faced darkness: she experienced violence from partners and strangers and saw friends and community members die or go missing. But she navigated the street, group homes, and SROs to finally find her place in journalism and academic excellence at university, relying entirely on her own strength, resilience, and creativity along with the support of her ancestors and community to find her way. “She could have been me,” Sterritt acknowledges today, and her empathy for victims, survivors, and families drives her present-day investigations into the lives of missing and murdered Indigenous women. In the end, Sterritt steps into a place of power, demanding accountability from the media and the public, exposing racism, and showing that there is much work to do on the path towards understanding the truth. But most importantly, she proves that the strength and brilliance of Indigenous women is unbroken, and that together, they can build lives of joy and abundance.

"Summers packs in a lot of emotion and off-the-charts sexual tension."—RT Book Reviews Just as she's ready to say goodbye to her small town of Harmony, North Carolina, interior decorator Bertie Anderson is offered her dream job. Her client? Hunky former tennis pro, Keith Morgan. She's there to decorate his home, but she may be leaving with his heart. For retired tennis pro Keith Morgan, Harmony is a far cry from fast-paced Miami—which is exactly the point. Keith is starting a new life for himself and his daughter Maddie, and he's left the bright lights and hot women far behind. Bertie's exactly the kind of curvaceous temptation he doesn't need, and Keith refuses to let their sizzling attraction distract him from his goals. Keith and Bertie both have to learn that there's more than one kind of escape, and it takes more than wallpaper to turn a house into a home. Harmony Homecomings Series: Find My Way Home (Book 1) Not So New in Town (Book 2) Sweet Southern Bad Boy (Book 3) Praise for the Harmony Homecomings Series: "Packed with emotion and off-the-charts sexual tension." —RT Book Reviews for Find My Way Home "Will keep you hooked from the beginning to the end." —Harlequin Junkies for Not So New In Town "Sexy and fun! This small-town romance proves you can go home again." —Macy Beckett, acclaimed author of the Dumont Bachelors series for Not So New In Town

Third entry in the "Connections" trilogy following the characters Rock, Di, & Cheyenne, who first met each other in A Stone To Roll. Their involvement in each others lives continues as they each struggle to deal with the events that brought them together--death and recovery from near-death, and with the events they have become entangled in since their serendipitous meeting. Rock still struggles with memories of his late wife while Di lives the life of a single-Mom, raising her and Cheyenne's daughter, CheyAnne, by herself. But Di is drawn back to her home town, the tiny, deteriorating community of Dry Hole. She entices Rock to follow her and he meets a beguiling woman, Candace, who Di is wary of because of a possible bizarre connection to Cheyenne. He, as we see in flashbacks, becomes involved in a deadly mission in Afghanistan even as awaits his discharge, eager to return home to Di and CheyAnne. Little by little, they are all returning home. E.R. "Gene" Wytrykus is the author of several novels and short stories, including "The Money Run" for which he also wrote a screenplay adaptation. He's also written "A Stone to Roll," (the first book in "The Connections Trilogy") and "A Road of Your Own," the second title in the series. He lives with his wife inLincoln, California

While under the cloud of COVID19, in the early summer of 2020, we had plenty of time to consider the past. These are the memoirs of the supernatural blessings along my journey through life and a reflection of the things I have learned through them.

A Road Map Home is a compelling story of the actual heart-wrenching accounts of an abusive life suffered for years in secret by the author and her sister. No one in their family ever knew of the horrific events that they both lived through for years. They lived in the same house, and they didn't know what the other was going through until this book. The author shares with you the journeys of hopelessness and despair to a life filled with grace and a purpose. For anyone who has a story of their own, A Road Map Home will encourage and enlighten your path of hope.

Americans tend to think of the Revolution as a Massachusetts-based event orchestrated by Virginians, but in fact the war took place mostly in the Middle Colonies—in New York and New Jersey and the parts of Pennsylvania that on a clear day you can almost see from the Empire State Building. In My American Revolution, Robert Sullivan delves into this first Middle America, digging for a glorious, heroic part of the past in the urban, suburban, and sometimes even rural landscape of today. And there are great adventures along the way: Sullivan investigates the true history of the crossing of the Delaware, its down-home reenactment each year for the past half a century, and—toward the end of a personal odyssey that involves camping in New Jersey backyards, hiking through lost "mountains," and eventually some physical therapy—he evacuates illegally from Brooklyn to Manhattan by handmade boat. He recounts a Brooklyn historian's failed attempt to memorialize a colonial Maryland regiment; a tattoo artist's more successful use of a colonial submarine, which resulted in his 2007 arrest by the New York City police and the FBI; and the life of Philip Freneau, the first (and not great) poet of American independence, who died in a swamp in the snow. Last but not least, along New York harbor, Sullivan re-creates an ancient signal beacon. Like an almanac, My American Revolution moves through the calendar of American independence, considering the weather and the tides, the harbor and the estuary and the yearly return of the stars as salient factors in the war for independence. In this fiercely individual and often hilarious journey to make our revolution his, he shows us how alive our own history is, right under our noses.

From rediscovering an ancestral village in China to experiencing the realities of American life as a Nigerian, the search for belonging crosses borders and generations. Selected from the archives of Catapult magazine, the essays in A Map Is Only One Story highlight the human side of immigration policies and polarized rhetoric, as twenty writers share provocative personal stories of existing between languages and cultures. Victoria Blanco relates how those with family in both El Paso and Ciudad Juárez experience life on the border. Nina Li Coomes recalls the heroines of Japanese animator Hayao Miyazaki and what they taught her about her bicultural identity. Nur Nasreen Ibrahim details her grandfather’s crossing of the India-Pakistan border sixty years after Partition. Krystal A. Sital writes of how undocumented status in the United States can impact love and relationships. Porochista Khakpour describes the challenges in writing (and rewriting) Iranian America. Through the power of personal narratives, as told by both emerging and established writers, A Map Is Only One Story offers a new definition of home in the twenty-first century.

On a warm day in May 2004, Liz Byron set off from Cooktown with her two companions, donkeys Grace and Charley, on a self-imposed challenge to walk 2500 kilometres of the Bicentennial National Trail over 9 months. This epic journey was a rite of passage to mark leaving 40 years of marriage and embarking on life as a single woman at the age of 61. She foresaw that self-reliance, physical stamina and route-finding would be challenges, but couldn’t have known how the outback environment in Queensland was to test her to the limit. Years of drought had left much of her route a dusty wasteland, without food or water for her animals. Years of suffering from childhood abuse and a family tragedy had left her unwilling to ask for help. Walking became a meditation, an exercise in being in the moment even when that moment was 43 degrees or she hadn’t eaten for 7 hours. In her moving memoir, Liz reveals how she healed herself step-by-step on the way to her new home in northern NSW - by learning to trust her intuition, the wisdom of her animals and the kindness of strangers.