In Mapping the Role of Intellectuals in Iranian Modern and Contemporary History, Jahanbegloo and contributors examine the role of Iranian intellectuals in the history of Iranian modernity. They trace the contributions of intellectuals in the construction of national identity and the Iranian democratic debate, analyzing how intellectuals balanced indebtedness to the West with the issue of national identity in Iran. Recognizing how intellectual elites became beholden to political powers, the contributors demonstrate the trend that intellectuals often opted for cultural dissent rather than ideological politics.

A presentation of scholarly work that investigates Iran's experiences with colonialism and decolonization from a variety of perspectives. How did Iran’s unique position in the world affect and define its treatment of decolonization? During the final decades of Pahlavi rule in the late 1970s, the country sought to establish close relationships with newly independent counterparts in the Global South. Most scholarly work focused on this period is centered around the Cold War and Iran's relations with the United States, Russia, and Europe. Little attention has been paid to how the country interacted with other regions, such as Africa, Asia, and the Americas. Adding to an important and growing body of literature that discusses the profound and lasting impact of decolonization, Iran and Global Decolonisation contributes to the theoretical debates around the re-shaping of the world brought about by the end of an empire. It considers not only the impact of global decolonization on movements and ideas within Iran but also how Iran’s own experiences of imperialism shaped how these ideas were received and developed.

More than three years after the beginning of the wave of Arab uprisings, an understanding of the role of intellectuals in political change across the region has never been more important. This timely volume on Intellectuals in the Modern Middle East combines geographical and chronological breadth and draws on a diverse range of approaches including intellectual history, political science, art history, social policy and political philosophy. Together, the chapters provide a window into the diversity in intellectual trends across the Middle East from the early decades of the 20th century until the present day. While they do not, and cannot, provide a complete, or even representative, picture of intellectual dynamics in the modern Middle East, they collectively address a range of analytical and normative issues that bear on the role of the intellectual in contemporary Middle Eastern politics and society. This book was published as a special issue of the British Journal of Middle Eastern Studies.

The relationship between the Islamic Republic of Iran and the Western World is fraught with challenges and tensions. In order to generate the capacity for greater engagement and dialogue, there is a need for the West to better understand the complex ideological developments that are central to Iran. Majid Mohammadi charts the central concepts and nuances of the ideological map of post-revolutionary Iran, and examines the rise and development of Shi'i Islamism. He recognizes that the Islamic Republic of Iran and Iranian political discourse are the outcome of contesting perspectives and ideologies: identity-oriented, socialist, nationalist, authoritarian, Shari'a, scripturalist, mystical, militarist and fascist. This is a comprehensive, comparative contribution to one of today's most important topics: that of the relationship between Political Islam and the West.

Traces the emergence of literary history, showing how Iranians and South Asians drew from their shared heritage to produce a 'Persianate modernity'.

Nuclear power has for the most part dominated Western media and academic analyses concerning Iranian foreign policy in recent years. This focus, however, can be misleading, especially as regards the early presidency of Mohammad Khatami (1997-2005). In a riposte to Samuel Huntington's 'Clash of Civilisations' theory, Khatami proposed that there ought to be a 'Dialogue among Civilisations'. In this book, Edward Wastnidge examines Khatami's proposition, derived from the contemporary Iranian polymath Dariush Shayegan, not as a philosophical suggestion, but as a real foreign policy tool that enabled Khatami to make overtures towards the US. Across bi-lateral and multi-lateral examples, he explores its specific application and how it was used to create foreign policy and aid diplomacy. Furthermore, by placing the development of the idea within Iran's domestic political context, Wastnidge is also able to shed light onto the rise of the reform movement during this period. Based on extensive research, Diplomacy and Reform in Iran is a timely contribution to scholarship, and important reading for students and researchers of contemporary Iran and the complexities of Iranian foreign policy.

"Covering the late nineteenth century to the early twenty-first and addressing documentaries, popular genres, and art films, [this four-volume set] explains Iran's peculiar cinematic production modes, as well as the role of cinema and media in shaping modernity and a modern national identity in Iran."--Page 4 of cover.

Iran's prison system is a foundational institution of Iranian political modernity. The Incarcerated Modern traces the transformation of Iran from a decentralized empire with few imprisoned persons at the turn of the twentieth century into a modern nation-state with over a quarter million prisoners today. In policing the line between "bad criminal" and "good citizen," the carceral system has shaped and reshaped Iranian understandings of citizenship, freedom, and political belonging. Golnar Nikpour explores the interplay between the concrete space of the Iranian prison and the role of prisons in producing new public cultures and political languages in Iran. From prison writings of 1920s leftist prisoners and communiqués of 1950s militant Islamists, to paintings of 1970s revolutionary guerrillas and mapping projects organized by contemporary dissident prisoners, carceral confinement has shaped modern Iranian political movements. Today, mass incarceration is a global phenomenon. The Incarcerated Modern connects Iranian history to transnational carceral histories to illuminate the shared architectures, economies, and techniques of modern punishment.

How is home-grown contemporary art viewed within the Middle East? And is it understood differently outside the region? What is liable to be lost when contemporary art from the Middle East is 'transferred' to international contexts - and how can it be reclaimed? This timely book tackles ongoing questions about how 'local' perspectives on contemporary art from the Middle East are defined and how these perspectives intersect with global art discourses. Inside, leading figures from the Middle Eastern art world, western art historians, art theorists and museum curators discuss the historical and cultural circumstances which have shaped contemporary art from the Middle East, reflecting on recent exhibitions and curatorial projects and revealing how artists have struggled with the label of 'Middle Eastern Artist'. Chapters reflect on the fundamental methodologies of art history and cultural studies - considering how relevant they are when studying contemporary art from the Middle East - and investigate the ways in which contemporary, so-called 'global', theories impact on the making of art in the region. Drawing on their unique expertise, the book's contributors offer completely new perspectives on the most recent cultural, intellectual and socio-political developments of contemporary art from the Middle East.